New York Philharmonic: What's New: Latest News and Stories About The New York Philharmonic

The New York Philharmonic

Update Browser

Pages don't look right?

You are using a browser that does not support the technology used on our website.

Please select a different browser or use your phone or tablet to access our site.

Download: Firefox | Chrome | Safari

If you're using Internet Explorer, please update to the latest version.

Dream On Screen Sept. 12

Petrushka Popping Up

If you missed A Dancer’s Dream, our sold-out 2012–13 season finale, here’s some good news. As promised, it’s coming to movie theaters starting September 12.

The film — consisting of the complete concert broadcast, behind-the-scenes footage, and more goodies — opens in New York City on Thursday, September 12 at 7:00 p.m. at City Cinemas 123 (tickets). Another local screening will be on Wednesday, September 18 at 7:30 p.m. at Bow Tie Chelsea Cinemas (tickets). Then the film travels to Boston, Chicago, Los Angeles, and other U.S. cities, and to Canada, the U.K., Russia, Italy, Germany, Brazil, Argentina, Mexico, and more.

Blending music with dance, live animation, pre-recorded video, puppetry, and circus arts, A Dancer’s Dream blurs the lines between reality and imagination, audience and performer. The production turned Avery Fisher hall into a dream world through costumes, sets, staging, and live filmmaking, Giants Are Small’s signature technique in which a real-time feed of musicians, puppets, and miniatures is projected above the Orchestra.

An audio recording of A Dancer’s Dream, produced by the Philharmonic, is also currently available for purchase in major online music stores, including iTunes, and available for streaming on Spotify.

Visit dreamonscreen.com for more information, including a slideshow of the concert premiere and information on local screenings (details are still being worked out; we will post as soon as possible).

After the Dream

Sara Mearns Rehearsal

"Every night, I got to sit next to the concertmaster on stage ... Every night he looked at me and smiled as if to say the notes are yours, let's make something beautiful."  — Sara Mearns

New York City Ballet principal dancer Sara Mearns shares more about her experience performing with the Phil in A Dancer's Dream — and what happens when that dream ends — in her blog for The Huffington Post. Plus, she leads a video tour of her Philharmonic dressing room filled with her Dancer's Dream costumes.

Photo by Chris Lee

Future Wave

A Dancer's Dream

"And it was delightful to see the skilled members of the Philharmonic so eagerly embracing the chance to act, stomp and ham it up. At one point in ‘Petrushka,’ the violist Rebecca Young did a little Russian dance, juggling colored handkerchiefs and twirling about exuberantly. Is this the future of the American orchestra? Let’s hope so."

— The New York Times reviews the New York Philharmonic’s production of A Dancer's Dream.

Photo by Chris Lee

PHOTOS: A Dancer's Premiere

Last night, Avery Fisher Hall was filled with jealous puppets, dancing violinists, the Swiss Alps, a magic baton, and one passionate ballerina. Check out the slideshow above to relive opening night of the Philharmonic's genre-bending season finale, A Dancer's Dream, running through Saturday. 

The sold-out performances will be broadcast to theaters nationwide and beyond beginning in September.

Photos by Chris Lee

PHOTOS: At Today's Dress Rehearsal

We're about an hour away from the first performance of A Dancer's Dream! To get your toes tapping, here's a sneak peek from today's dress rehearsal.

Photos by Chris Lee.

The Price of Being an Artist

Ice Maiden Video Shoot

Opening tonight, A Dancer’s Dream is what director/designer Doug Fitch calls an “über Fairy Tale,” combining Stravinsky’s disparate ballets The Fairy’s Kiss and Petrushka to create a new narrative.

Here’s the story: a young woman, played by ballerina Sara Mearns, sits entranced at a Philharmonic concert. She is “kissed” by the passion to become an artist and drawn into the performance, dancing to the complete score of The Fairy’s Kiss. By the second act, she has completed her transformation into an artist, becoming Columbine in Petrushka. But becoming an artist has consequences. As Giants Are Small detailed in a production plan, “she loses her ability to have an ordinary life as the demons of ambition and love claim her as their plaything.”

The real Sara Mearns can relate. As she told The New York Times, "It's kind of true that you have this massive dream to be this ballerina, to be out there onstage performing, and you pour everything into it. Then there is a point where you feel like you are trapped in it and cannot get out. And that is the curse.”

Stravinsky meditated on this theme in The Fairy’s Kiss, which he dedicated to Tchaikovsky, an artist who paid this price (“Tchaikovsky’s personal life was a mess,” Mr. Fitch says in the Times). As Stravinsky inscribed in the score: “I dedicate this ballet to the memory of Pyotr Tchaikovsky by relating the Fairy to his Muse, and in this way the ballet becomes an allegory, the Muse having similarly branded Tchaikovsky with her fatal kiss, whose mysterious imprint made itself felt in all this great artist’s work.”

Extra! Extra!

New York Times A Dancer's Dream

“It’s kind of true that you have this massive dream to be this ballerina, to be out there onstage performing, and you pour everything into it. Then there is a point where you feel like you are trapped in it and cannot get out. And that is the curse.” — Sara Mearns

Dance writer Gia Kourlas presents a peek behind the curtain of A Dancer's Dream in this past Sunday's New York Times. Sara Mearns, Doug Fitch, and Karole Armitage spoke with Gia about all-things Dream, including the narrative that will tie together Stravinsky's The Fairy's Kiss and Petrushka.

(Photo: Sara Krulwich/The New York Times)

Go to top