Due to technical difficulties, the New York Philharmonic Customer Relations department phone lines are temporarily down. Please email customerservice@nyphil.org and a representative will be happy to contact you.

We apologize for any inconvenience.

The New York Philharmonic

Update Browser

Pages don't look right?

You are using a browser that does not support the technology used on our website.

Please select a different browser or use your phone or tablet to access our site.

Download: Firefox | Chrome | Safari

If you're using Internet Explorer, please update to the latest version.

Mahler Comes Home to Vienna

Music Director Alan Gilbert, soprano Christina Landshamer, and the New York Philharmonic rehearsed Mahler’s ethereal Symphony No. 4 on March 30 in the Wiener Konzerthaus, in the city that the composer and former New York Philharmonic Music Director called home. This appearance on the EUROPE / SPRING 2017 tour marks Gilbert’s final Philharmonic performance in the Austrian capital as Music Director.

(Video: Chris Lee)

New York Philharmonic Presents Leonard Bernstein’s Marked Mahler Score to Vienna Philharmonic

 

This morning in Vienna, the New York Philharmonic and the family of Leonard Bernstein presented the Vienna Philharmonic with Bernstein’s marked score of Mahler’s Das Lied von der Erde, in celebration of the Austrian orchestra’s 175th birthday. Above: New York Philharmonic Archivist / Historian Barbara Haws; Andreas Grossbauer, President (and violin) of the Vienna Philharmonic; and Wolfgang Plank, Director of Archives (and oboe) of the Vienna Philharmonic, at the Vienna Philharmonic’s new Archives.

Following his 1966 Vienna Philharmonic debut, Bernstein kept the score, which he had obtained from the Vienna Philharmonic’s Archives. He treasured it for the rest of his life; on his death it was transferred to the New York Philharmonic Archives as part of the collection of his marked conducting scores.

The New York Philharmonic and Vienna Philharmonic are both celebrating their 175th anniversaries this season. The New York Philharmonic presented the gift at the Vienna opening of Vienna and New York: 175 Years of Two Philharmonics, a joint exhibit of archival material drawn from both orchestras’ histories that will be on display at Vienna’s Haus der Musik until January 2018 (having previously been displayed at the Austrian Cultural Forum in New York).

Explore a virtual tour of the exhibition from when it was on view in New York.

(Photo: Wiener Philharmoniker, Terry Linke)

Alan Gilbert To Conduct Philharmonic Joined by Musicians from Around the World, Celebrating Music’s Power to Unite

 

Alan Gilbert and the New York Philharmonic believe in the power of music to heal, build bridges, and unite across borders. From the free performance of Mahler’s Resurrection Symphony on the tenth anniversary of 9/11 and performing at the United Nations this past December to historic tours and deep international partnerships, the Orchestra and Alan Gilbert have long used music to make the world a better place. 

In his final subscription program, Alan Gilbert will lead the New York Philharmonic joined by musicians from orchestras around the world in concerts showcasing the universal language of music.

Alan Gilbert Season Finale: A Concert for Unity, June 8–10, will feature Gilbert conducting the Orchestra and musicians the Philharmonic has invited from orchestras in Australia, Brazil, China, Cuba, Czech Republic, France, Germany, Iran, Iraq, Israel, Japan, Lebanon, Mexico, Russia, South Africa, South Korea, Turkey, Venezuela, the United Kingdom, and the United States in Mahler’s Symphony No. 7.

Yo-Yo Ma (June 8) and Wynton Marsalis (June 9), two close friends of the Philharmonic who share a deep commitment to musical humanism, will appear as special guest artists.

The concerts will launch a new initiative to be led by Alan Gilbert following his tenure as Philharmonic Music Director in which musicians from around the world will come together to perform music at critical times in support of peace, development, and human rights.

(Photo: Chris Lee)

Philharmonic and Jaap van Zweden To Open Mahler Festival 2020, Presented by The Royal Concertgebouw

NY Philharmonic Mahler Jaap van Zweden Matthew VanBesien Simon Reinink

This just in: Mahler and the Philharmonic will continue to groove in 2020. Today it was announced that the Philharmonic and Jaap van Zweden, who becomes Music Director in 2018, will open the Mahler Festival — held every 25 years — in Amsterdam in May 2020, presented by The Royal Concertgebouw. They’ll perform Mahler’s Symphony No. 1 in the festival’s opening concert in the Concertgebouw, part of the Orchestra’s first European tour with Jaap van Zweden in spring 2020.

2020 will mark 100 years since the first Mahler Festival, honoring the 25th anniversary of legendary conductor Willem Mengelberg as chief conductor of the Concertgebouw Orchestra. The Philharmonic enjoys a special connection with both Mahler and Mengelberg: they both served as Music Directors, and Mahler conducted several of his own works with the Philharmonic, including the U.S. Premiere of his Symphony No. 1 in 1909.

The Mahler Festival 2020 will include performances of all of Mahler’s symphonies played by the New York Philharmonic, Vienna Philharmonic, Berlin Philharmonic, and Royal Concertgebouw Orchestra — all of which Mahler himself conducted and which will be heard together in Amsterdam for the first time.

Photo by Chris Lee: Philharmonic President Matthew VanBesien, future Music Director Jaap van Zweden, and Concertgebouw General Manager Simon Reinink

Mahler Wundersingers: Des Knaben Wunderhorn Philharmonic Soloists

New York Philharmonic Archives Mahler 'Des Knaben Wunderhorn'

This week's concerts feature Mahler's Des Knaben Wunderhorn, which the New York Philharmonic first performed in 1910, when Alma Gluck sang the American premiere of "Rheinlegendchen" (one of the songs in the collection) with the composer, who was the Philharmonic's Music Director at the time, at the podium.

The New York Philharmonic Archives created a digital exhibit of all Philharmonic Des Knaben Wunderhorn soloists, from 1910 to the present, interspersed with various "wunderhorns" found in the Archives' collection of glass lantern slides.

Enjoy!

Van Zweden 'Almost Miraculous' in New Mahler 3 Recording

Jaap van Zweden New York Philharmonic

A new recording shows that the next Music Director of “Mahler’s orchestra” has a fine way with Mahler’s music.

"The best thing I’ve heard from van Zweden, and I’ve heard a lot of incredible performances under his baton," wrote Scott Cantrell of the Dallas Morning News, reviewing Jaap van Zweden and the Dallas Symphony Orchestra’s Mahler 3 recording, which came out on Friday.

Cantrell wrote:

His way of sustaining and inflecting the music over great stretches is almost miraculous. The caressing of phrases in the finale more than lives up to Mahler’s marking, “with heartfelt sensation”; I can’t think of another living conductor who could work such magic. No wonder van Zweden has been tapped as the next music director of the New York Philharmonic.

One performer on the recording is someone van Zweden will see often when he comes to New York. “You’ll never hear the [opening] movement’s great trombone solos more gorgeously played than by [Principal Trombone] Joseph Alessi, on loan from the New York Philharmonic,” Cantrell wrote.

Recorded live during performances on May 14–16, 2015, at Dallas’s Morton H. Meyerson Symphony Center, the recording is available on Amazon and iTunes.

Packed House 'Steps Inside Mahler's Sixth' at Free Insights

"Stepping Inside Mahler's 6th" New York Philharmonic

Last evening there was standing room only at the latest Insights at the Atrium. This installment of the free series, "Stepping Inside Mahler's Sixth," was for you Mahler fans. 

New York Philharmonic Archivist / Historian Barbara Haws; Prof. S. Alex Ruthmann, of the New York University Music Experience Design Lab; music historian Erik Ryding; and Philharmonic Audio Director Lawrence Rock used a new app developed by Ruthmann and his team, along with marked conducting scores from the New York Philharmonic Leon Levy Digital Archives, to compare in minute detail Philharmonic recordings of Mahler's Sixth as conducted by Mitropoulos, Bernstein, Maazel, and Gilbert. 

The app lets us explore interpretive, musicological, and historical questions, illuminating what specifically distinguishes each performance. Attendees got to "test drive" the app at iPad stations:

New York Philharmonic

The Philharmonic, conducted by Semyon Bychkov, performs Mahler's Sixth February 11–16.

Photos: Anne Ruthmann Photography


PHOTOS: The Philharmonic Arrives in Santa Barbara

A full summer of performance and education residencies continues for the New York Philharmonic! First Shanghai, then Vail, and now Santa Barbara, where the Orchestra arrived on Saturday for several days of activities with Music Academy of the West.

On Sunday evening, at the Santa Barbara Bowl, Music Director Alan Gilbert and the Orchestra rehearsed Mahler's Fifth side-by-side with Music Academy students — just the kind of intensive training in the life of an orchestral musician the New York Philharmonic Global Academy program is all about.

Here are some photos from Sunday evening:

New York Philharmonic Global Academy: Music Academy of the West

New York Philharmonic President Matthew VanBesien and Music Academy of the West President and CEO Scott Reed.

New York Philharmonic Global Academy: Music Academy of the West

Gilbert leads the combined musicians during the side-by-side rehearsal, the lovely Southern-California sunset in the background.

New York Philharmonic Global Academy: Music Academy of the West

Acting Concertmaster Sheryl Staples (right) uses a moment in rehearsal to impart some wisdom to Music Academy violinists.

New York Philharmonic Global Academy: Music Academy of the West

The winds, with clarinets and oboes horizontal, rise to the occasion of Mahler's Fifth, a mighty challenge even in rehearsal.

New York Philharmonic Global Academy: Music Academy of the West

Gilbert chats with a Music Academy violinist during the rehearsal.

New York Philharmonic Global Academy: Music Academy of the West

Principal Harp Nancy Allen shares a teaching moment with a Music Academy harpist.

(Photos: Chris Lee)

Go to top