Eric Bartlett came to the Philharmonic in 1997 after serving 14 years as a member of (and occasional soloist in) the Orpheus Chamber Orchestra and principal cellist of the Mostly Mozart Festival Orchestra. The recipient of a Solo Recitalist’s Award from the National Endowment for the Arts, he has participated in more than 90 premieres with ensembles such as Speculum Musicae, New York New Music Ensemble, Group for Contemporary Music, and Columbia String Quartet, and has commissioned new cello works from American composers. He teaches orchestral repertoire and coaches the conductor-less orchestra at The Juilliard School.
It’s a long way from rural New England, where it all started. Here’s his Q & A.
Q: How did you discover music?
EB: I grew up in Marlboro, Vermont. While there weren’t musicians in my family, my father loved classical music, and the well-known music festival was right up the road. (Twice in the summer of ’71 I actually got a glimpse of Pablo Casals, and I mowed Hermann Busch’s grass.) Alan Carter, the founder of the Vermont Symphony, addressed the need for local string teachers by bringing one there from Connecticut, and provided student instruments for us to use for free.
My first teacher, the violinist Stanley Eukers, offered lessons on violin or cello. My father thought that the grumbly, out-of-tune cello playing of a beginner would be more bearable than a scratchy, screechy, out-of-tune violin. That’s how at age eight I started studying cello with a violinist in group lessons. Read More...