The New York Philharmonic

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NY Phil Returns Home

Oct 12 - Oct 18

CYO

Music Director Jaap van Zweden inaugurates the new home of the NY Phil with the World Premiere of Marcos Balter’s Oyá, a fantasia of sound and light conceived to celebrate the revitalized David Geffen Hall. Following the new work, the full range of orchestral color is on display courtesy of Respighi, John Adams, and Tania León, whose Pulitzer Prize–winning Stride returns to the Philharmonic stage. 

Pre-Concert Event, October 12, 6:00 PM: John Adams, Marcos Balter, and Tania León — all of whom have composed works on the evening’s program — converse with NY Phil Linda and Mitch Hart President & CEO Deborah Borda. Free to ticket holders for the October 12 concert. 

This performance utilizes a strobing effect that may affect photosensitive viewers.

NY Phil Returns Home
 
DATE / TIME

Wed

7:30 PM

12

Oct

2022

Thu

7:30 PM

13

Oct

2022

Sat

8:00 PM

15

Oct

2022

Tue

7:30 PM

18

Oct

2022

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Location

Wu Tsai Theater, David Geffen Hall

Duration

1 Hour 45 Minutes with Intermission

Program

Marcos Balter

Oyá, for light, electronics, and orchestra (World Premiere–New York Philharmonic Commission)

John Adams

My Father Knew Charles Ives

Tania León

Stride (New York Philharmonic Co-Commission with the Oregon Symphony, Part of Project 19)

Respighi

Pines of Rome

Listen

Artists

  • Jaap van Zweden

    Conductor

    Jaap van Zweden began his tenure as the 26th Music Director of the New York Philharmonic in September 2018. He also serves as Music Director of the Hong Kong Philharmonic, a post he has held since 2012, and becomes Music Director of the Seoul Philharmonic in 2024. He has conducted orchestras on three continents, appearing as guest with, in Europe, the Orchestre de Paris, Amsterdam’s Royal Concertgebouw Orchestra, Leipzig Gewandhaus Orchestra, Vienna Philharmonic, Berlin Philharmonic, and London Symphony Orchestra, and, in the United States, the Chicago Symphony Orchestra, The Cleveland Orchestra, Los Angeles Philharmonic, and other distinguished ensembles.

    In 2023–24, Jaap van Zweden’s New York Philharmonic farewell season will celebrate his connection with the Orchestra’s musicians as he leads performances in which six Principal players appear as concerto soloists. He also revisits the oeuvres of composers he has championed at the Philharmonic, ranging from Steve Reich and Joel Thompson to Mozart, conducting the Requiem, and Mahler, leading the Symphony No. 2, Resurrection. By the conclusion of his Philharmonic tenure, which has included the reopening of the transformed David Geffen Hall, he will have led the Orchestra in World, US, and New York Premieres of 31 works. Among them are pieces commissioned through Project 19 — which marks the centennial of the 19th Amendment with new works by 19 women composers, among them Tania León’s Pulitzer Prize–winning Stride. During the 2021–22 season, when David Geffen Hall was closed for renovation, he conducted the Orchestra at other New York City venues — including his first-ever Philharmonic appearances at Carnegie Hall — and in the residency at the Usedom Music Festival, where the New York Philharmonic was the first American orchestra to perform abroad since the start of the COVID-19 pandemic.

    Jaap van Zweden and the New York Philharmonic inaugurated the new David Geffen Hall in October 2022 with HOME, a monthlong housewarming for the Orchestra and its audiences. Other 2022–23 season highlights include SPIRIT, a musical expression of the trials and triumphs of the human spirit featuring performances of Messiaen’s Turangalîla-symphonie and J.S. Bach’s St. Matthew Passion, and EARTH, a response to the climate crisis that includes Julia Wolfe’s unEarth and John Luther Adams’s Become Desert. Over the course of David Geffen Hall’s inaugural season, he is conducting repertoire ranging from Beethoven and Bruckner to premieres by Marcos Balter, Etienne Charles, Caroline Shaw, and Carlos Simon, in addition to the works by Wolfe and Adams.

    Jaap van Zweden’s New York Philharmonic recordings include the World Premiere of David Lang’s prisoner of the state (2020), and Wolfe’s Grammy-nominated Fire in my mouth (2019), both released on the Decca Gold label. He conducted the Hong Kong Philharmonic in first-ever performances in Hong Kong of Wagner’s Ring Cycle, released on the Naxos label. His acclaimed performances of Lohengrin, Die Meistersinger von Nürnberg, and Parsifal — the last of which earned him the prestigious Edison Award for Best Opera Recording in 2012 — are available on CD and DVD.

    Born in Amsterdam, Jaap van Zweden, at age 19, was appointed the youngest-ever concertmaster of Amsterdam’s Royal Concertgebouw Orchestra and began his conducting career almost 20 years later, in 1996. In April 2023, van Zweden receives the Concertgebouw Prize, for exceptional contributions to that organization’s artistic profile. He remains Conductor Emeritus of the Antwerp Symphony Orchestra and Honorary Chief Conductor of the Netherlands Radio Philharmonic, where he was Chief Conductor (2005–13); he also served as Chief Conductor of the Royal Flanders Orchestra (2008–11), and as Music Director of the Dallas Symphony Orchestra (2008–18). Under his leadership, the Hong Kong Philharmonic was named Gramophone’s Orchestra of the Year in 2019. He was named Musical America’s 2012 Conductor of the Year and was the subject of an October 2018 CBS 60 Minutes profile on the occasion of his arrival at the New York Philharmonic.

    In 1997 Jaap van Zweden and his wife, Aaltje, established the Papageno Foundation to support families of children with autism. The Foundation has grown into a multifaceted organization that focuses on the development of children and young adults with autism. The Foundation provides in-home music therapy through a national network of qualified music therapists in the Netherlands; opened the Papageno House in 2015 (with Her Majesty Queen Maxima in attendance) for young adults with autism to live, work, and participate in the community; created a research center at the Papageno House for early diagnosis and treatment of autism and for analyzing the effects of music therapy on autism; develops funding opportunities to support autism programs; and, more recently, launched the app TEAMPapageno, which allows children with autism to communicate with each other through music composition.

    Learn more about Jaap van Zweden
  • Levy Lorenzo

    Electronics Soloist

    Born in Bucharest, Filipino-American Dr. Levy Marcel Ingles Lorenzo works at the intersection of music, art, and technology. His body of work spans custom electronics design, sound engineering, instrument building, installation art, free improvisation, and classical percussion. With a primary focus on inventing new instruments, he prototypes, composes, and performs new electronic music.


    Learn more about Levy Lorenzo
  • Nicholas Houfek

    Light Soloist

    Nicholas Houfek (he / him) is a New York City–based lighting designer working in music, dance, and theater. In addition to Claire Chase’s Density 2036 project (at The Kitchen) select collaborations and engagements include International Contemporary Ensemble, Natalie Merchant, Maya Beiser, Ojai Music Festival, Silk Road Ensemble, Tyshawn Sorey’s Perle Noire directed by Peter SellarsMarc Neikrug’s A Song by Mahler, Anohni’s She Who Saw Beautiful Things at The KitchenSuzanne Farrin’s La Dolce Morte at The Metropolitan Museum of Art directed by Doug Fitch, George Lewis’s Soundlines featuring Steve Schick and directed by Jim Findlay at NYU Skirball, Anna Thorvaldsdottir’s In the Light of Air, Ash Fure’s The Force of Things at the Mostly Mozart Festival, and The 39 Steps at Olney Theatre Center. In addition to designing traditional lighting for live performance, Houfek has been developing a light organ software interface called the ColorSynth, which acts as an intermediate between a performer and their lighting. Additionally, he has designed for the Martha Graham Dance Company, Cedar Lake Contemporary Dance, and Ian Spencer Bell Dance; is an ensemble member of the International Contemporary Ensemblel and is a member of USA829 and a graduate of Boston University.


    Learn more about Nicholas Houfek

Special Thanks

Lead support for Project 19 is provided by the Howard Gilman Foundation, the Donald A. Pels Charitable Trust and Oscar L. Tang and H.M. Agnes Hsu-Tang.

Generous support for Project 19 is also provided by Sheree A. and Gerald L. Friedman; Francis Goelet Charitable Lead Trusts; The Hauser Foundation; Daniel M. Healy; The Gerald L. Lennard Foundation; Margaret Morgan and Wesley Phoa; Kimberly V. Strauss, The Strauss Foundation; the Virginia B. Toulmin Foundation; and an anonymous donor.

Project 19 is supported in part by a generous grant from the American Orchestras’ Futures Fund, a program of the League of American Orchestras made possible by funding from the Ann and Gordon Getty Foundation.

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