Artists

• Jaap van Zweden

  Conductor

  Jaap van Zweden began his tenure as the 26th Music Director of the New York Philharmonic in September 2018. He also serves as Music Director of the Hong Kong Philharmonic, a post he has held since 2012, and becomes Music Director of the Seoul Philharmonic in 2024. He has conducted orchestras on three continents, appearing as guest with, in Europe, the Orchestre de Paris, Amsterdam’s Royal Concertgebouw Orchestra, Leipzig Gewandhaus Orchestra, Vienna Philharmonic, Berlin Philharmonic, and London Symphony Orchestra, and, in the United States, the Chicago Symphony Orchestra, The Cleveland Orchestra, Los Angeles Philharmonic, and other distinguished ensembles.

  In 2023–24, Jaap van Zweden’s New York Philharmonic farewell season will celebrate his connection with the Orchestra’s musicians as he leads performances in which six Principal players appear as concerto soloists. He also revisits the oeuvres of composers he has championed at the Philharmonic, ranging from Steve Reich and Joel Thompson to Mozart, conducting the Requiem, and Mahler, leading the Symphony No. 2, Resurrection. By the conclusion of his Philharmonic tenure, which has included the reopening of the transformed David Geffen Hall, he will have led the Orchestra in World, US, and New York Premieres of 31 works. Among them are pieces commissioned through Project 19 — which marks the centennial of the 19th Amendment with new works by 19 women composers, among them Tania León’s Pulitzer Prize–winning Stride. During the 2021–22 season, when David Geffen Hall was closed for renovation, he conducted the Orchestra at other New York City venues — including his first-ever Philharmonic appearances at Carnegie Hall — and in the residency at the Usedom Music Festival, where the New York Philharmonic was the first American orchestra to perform abroad since the start of the COVID-19 pandemic.

  Jaap van Zweden and the New York Philharmonic inaugurated the new David Geffen Hall in October 2022 with HOME, a monthlong housewarming for the Orchestra and its audiences. Other 2022–23 season highlights include SPIRIT, a musical expression of the trials and triumphs of the human spirit featuring performances of Messiaen’s Turangalîla-symphonie and J.S. Bach’s St. Matthew Passion, and EARTH, a response to the climate crisis that includes Julia Wolfe’s unEarth and John Luther Adams’s Become Desert. Over the course of David Geffen Hall’s inaugural season, he is conducting repertoire ranging from Beethoven and Bruckner to premieres by Marcos Balter, Etienne Charles, Caroline Shaw, and Carlos Simon, in addition to the works by Wolfe and Adams.

  Jaap van Zweden’s New York Philharmonic recordings include the World Premiere of David Lang’s prisoner of the state (2020), and Wolfe’s Grammy-nominated Fire in my mouth (2019), both released on the Decca Gold label. He conducted the Hong Kong Philharmonic in first-ever performances in Hong Kong of Wagner’s Ring Cycle, released on the Naxos label. His acclaimed performances of Lohengrin, Die Meistersinger von Nürnberg, and Parsifal — the last of which earned him the prestigious Edison Award for Best Opera Recording in 2012 — are available on CD and DVD.

  Born in Amsterdam, Jaap van Zweden, at age 19, was appointed the youngest-ever concertmaster of Amsterdam’s Royal Concertgebouw Orchestra and began his conducting career almost 20 years later, in 1996. In April 2023, van Zweden receives the Concertgebouw Prize, for exceptional contributions to that organization’s artistic profile. He remains Conductor Emeritus of the Antwerp Symphony Orchestra and Honorary Chief Conductor of the Netherlands Radio Philharmonic, where he was Chief Conductor (2005–13); he also served as Chief Conductor of the Royal Flanders Orchestra (2008–11), and as Music Director of the Dallas Symphony Orchestra (2008–18). Under his leadership, the Hong Kong Philharmonic was named Gramophone’s Orchestra of the Year in 2019. He was named Musical America’s 2012 Conductor of the Year and was the subject of an October 2018 CBS 60 Minutes profile on the occasion of his arrival at the New York Philharmonic.

  In 1997 Jaap van Zweden and his wife, Aaltje, established the Papageno Foundation to support families of children with autism. The Foundation has grown into a multifaceted organization that focuses on the development of children and young adults with autism. The Foundation provides in-home music therapy through a national network of qualified music therapists in the Netherlands; opened the Papageno House in 2015 (with Her Majesty Queen Maxima in attendance) for young adults with autism to live, work, and participate in the community; created a research center at the Papageno House for early diagnosis and treatment of autism and for analyzing the effects of music therapy on autism; develops funding opportunities to support autism programs; and, more recently, launched the app TEAMPapageno, which allows children with autism to communicate with each other through music composition.

  Learn more about Jaap van Zweden

• Robert Langevin

  Flute

  With the start of the 2000–01 season, Robert Langevin joined the New York Philharmonic as Principal Flute, in The Lila Acheson Wallace Chair. In May 2001, he made his solo debut with the Orchestra in the North American premiere of Siegfried Matthus’s Concerto for Flute and Harp with Philharmonic Principal Harp Nancy Allen and Music Director Kurt Masur. His October 2012 solo performance in Nielsen’s Flute Concerto, conducted by Music Director Alan Gilbert, was recorded for inclusion in The Nielsen Project, the Orchestra’s multi-season traversal of all of the Danish composer’s symphonies and concertos, to be released by Dacapo Records.

  
  Learn more about Robert Langevin

• New York Philharmonic Chorus
      Malcolm J. Merriweather, Director
  

  Chorus

  The New York Philharmonic has established the New York Philharmonic Chorus to mark the opening of the new David Geffen Hall in the 2022–23 season. The ensemble — comprising New York–based, freelance professional vocalists — appears in four of the Orchestra’s programs over the season, each time prepared by Malcom J. Merriweather. The New York Philharmonic Chorus makes its debut in October on the two David Geffen Hall Opening Galas: The Journey, a star-studded evening, and The Joy, performing in Beethoven’s Ninth Symphony and the World Premiere of Angélica Negrón’s You Are the Prelude, which the NY Phil commissioned for the occasion. Later in the season the Chorus appears in Adolphus Hailstork’s Done Made My Vow, A Ceremony, in March, and in the New York Premiere of John Luther Adams’s Become Desert, a work co-commissioned by the Orchestra, in June. Malcolm J. Merriweather, a Grammy–nominated conductor and baritone, is preparing the New York Philharmonic Chorus for all of its appearances in the Orchestra’s 2022–23 season. He is music director of New York City’s The Dessoff Choirs, an associate professor at Brooklyn College, and on the faculty at the Manhattan School of Music. He has conducted ensembles in venues including Carnegie Hall, Lincoln Center, The Metropolitan Museum of Art, and Madison Square Garden in New York, as well as at Westminster Abbey in London and the Vatican, before Pope Francis. Merriweather's repertoire ranges from J.S. Bach to the world premiere recording of Margaret Bonds’s The Ballad of the Brown King (AVIE Records). As a baritone, Merriweather, who studied with Rita Shane, has appeared as soloist throughout the United States and premiered dozens of contemporary solo works. He was a fellowship recipient at Tanglewood and earned degrees from the Eastman School of Music, Manhattan School of Music, and Syracuse University.

  
  Learn more about New York Philharmonic Chorus
      Malcolm J. Merriweather, Director