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Mozart, Emanuel Ax, and Joan Tower

Dec 03 - Dec 04

CYO

There’s always magic when Emanuel Ax joins the Philharmonic, and this reunion will be all the more memorable thanks to a genuine masterpiece by Mozart: listen for the finale’s virtuosic variations on a birdcall. Music Director Jaap van Zweden also conducts Dvořák’s taut and dark-hued Seventh Symphony and a World Premiere by Joan Tower, composed for Project 19.

Mozart, Emanuel Ax, and Joan Tower
 
DATE / TIME

Fri

8:00 PM

3

Dec

2021

Sat

8:00 PM

4

Dec

2021

CYO

Subscriptions for the 2022–23 season are available now, subscribe today and secure your seats in the reimagined David Geffen Hall!

Location

Alice Tully Hall

Duration

2 Hours with Intermission

Program

Joan Tower

1920 / 2019 (World Premiere–New York Philharmonic Commission, as part of Project 19)

Mozart

Piano Concerto No. 17

Listen

Dvořák

Symphony No. 7

Listen

Artists

  • Jaap van Zweden

    Conductor

    Jaap van Zweden began his tenure as the 26th Music Director of the New York Philharmonic in September 2018. He also serves as Music Director of the Hong Kong Philharmonic, a post he has held since 2012, and becomes Music Director of the Seoul Philharmonic in 2024. He has conducted orchestras on three continents, appearing as guest with, in Europe, the Orchestre de Paris, Amsterdam’s Royal Concertgebouw Orchestra, Leipzig Gewandhaus Orchestra, Vienna Philharmonic, Berlin Philharmonic, and London Symphony Orchestra, and, in the United States, the Chicago Symphony Orchestra, The Cleveland Orchestra, Los Angeles Philharmonic, and other distinguished ensembles.

    In 2023–24, Jaap van Zweden’s New York Philharmonic farewell season will celebrate his connection with the Orchestra’s musicians as he leads performances in which six Principal players appear as concerto soloists. He also revisits the oeuvres of composers he has championed at the Philharmonic, ranging from Steve Reich and Joel Thompson to Mozart, conducting the Requiem, and Mahler, leading the Symphony No. 2, Resurrection. By the conclusion of his Philharmonic tenure, which has included the reopening of the transformed David Geffen Hall, he will have led the Orchestra in World, US, and New York Premieres of 31 works. Among them are pieces commissioned through Project 19 — which marks the centennial of the 19th Amendment with new works by 19 women composers, among them Tania León’s Pulitzer Prize–winning Stride. During the 2021–22 season, when David Geffen Hall was closed for renovation, he conducted the Orchestra at other New York City venues — including his first-ever Philharmonic appearances at Carnegie Hall — and in the residency at the Usedom Music Festival, where the New York Philharmonic was the first American orchestra to perform abroad since the start of the COVID-19 pandemic.

    Jaap van Zweden and the New York Philharmonic inaugurated the new David Geffen Hall in October 2022 with HOME, a monthlong housewarming for the Orchestra and its audiences. Other 2022–23 season highlights include SPIRIT, a musical expression of the trials and triumphs of the human spirit featuring performances of Messiaen’s Turangalîla-symphonie and J.S. Bach’s St. Matthew Passion, and EARTH, a response to the climate crisis that includes Julia Wolfe’s unEarth and John Luther Adams’s Become Desert. Over the course of David Geffen Hall’s inaugural season, he is conducting repertoire ranging from Beethoven and Bruckner to premieres by Marcos Balter, Etienne Charles, Caroline Shaw, and Carlos Simon, in addition to the works by Wolfe and Adams.

    Jaap van Zweden’s New York Philharmonic recordings include the World Premiere of David Lang’s prisoner of the state (2020), and Wolfe’s Grammy-nominated Fire in my mouth (2019), both released on the Decca Gold label. He conducted the Hong Kong Philharmonic in first-ever performances in Hong Kong of Wagner’s Ring Cycle, released on the Naxos label. His acclaimed performances of Lohengrin, Die Meistersinger von Nürnberg, and Parsifal — the last of which earned him the prestigious Edison Award for Best Opera Recording in 2012 — are available on CD and DVD.

    Born in Amsterdam, Jaap van Zweden, at age 19, was appointed the youngest-ever concertmaster of Amsterdam’s Royal Concertgebouw Orchestra and began his conducting career almost 20 years later, in 1996. In April 2023, van Zweden receives the Concertgebouw Prize, for exceptional contributions to that organization’s artistic profile. He remains Conductor Emeritus of the Antwerp Symphony Orchestra and Honorary Chief Conductor of the Netherlands Radio Philharmonic, where he was Chief Conductor (2005–13); he also served as Chief Conductor of the Royal Flanders Orchestra (2008–11), and as Music Director of the Dallas Symphony Orchestra (2008–18). Under his leadership, the Hong Kong Philharmonic was named Gramophone’s Orchestra of the Year in 2019. He was named Musical America’s 2012 Conductor of the Year and was the subject of an October 2018 CBS 60 Minutes profile on the occasion of his arrival at the New York Philharmonic.

    In 1997 Jaap van Zweden and his wife, Aaltje, established the Papageno Foundation to support families of children with autism. The Foundation has grown into a multifaceted organization that focuses on the development of children and young adults with autism. The Foundation provides in-home music therapy through a national network of qualified music therapists in the Netherlands; opened the Papageno House in 2015 (with Her Majesty Queen Maxima in attendance) for young adults with autism to live, work, and participate in the community; created a research center at the Papageno House for early diagnosis and treatment of autism and for analyzing the effects of music therapy on autism; develops funding opportunities to support autism programs; and, more recently, launched the app TEAMPapageno, which allows children with autism to communicate with each other through music composition.

    Learn more about Jaap van Zweden
  • Emanuel Ax

    Piano

    Born to Polish parents in what today is Lvov, Ukraine, Emanuel Ax moved to Winnipeg, Canada, with his family when he was a young boy. He made his New York debut in the Young Concert Artists Series, and in 1974 won the first Arthur Rubinstein International Piano Competition in Tel Aviv. In 1975 he won the Michaels Award of Young Concert Artists, followed four years later by the Avery Fisher Prize. In the fall of 2021 he resumed a post-COVID touring schedule that included concerts with the Colorado, Pacific, Cincinnati, and Houston symphonies, the Minnesota, Philadelphia, and Cleveland orchestras, and the Los Angeles and New York Philharmonics. His 2022–23 season will include a tour with Itzhak Perlman “and Friends,” as well as a continuation of the Beethoven For Three touring and recording project with Leonidas Kavakos and Yo-Yo Ma, this year on the west coast. Ax has been a Sony Classical exclusive recording artist since 1987, and following the success of the Brahms Trios with Kavakos and Ma, the trio launched a multi-year project to record all the Beethoven trios and symphonies arranged for trio. He has received Grammys for the second and third volumes of his cycle of Haydn’s piano sonatas, and made a series of Grammy-winning recordings with Ma of the Beethoven and Brahms sonatas for cello and piano. He also contributed to an International Emmy-winning BBC documentary commemorating the Holocaust that aired on the 60th anniversary of the liberation of Auschwitz. Ax is a fellow of the American Academy of Arts and Sciences and holds honorary doctorates of music from Skidmore College, New England Conservatory of Music, Yale University, and Columbia University.


    Learn more about Emanuel Ax

Special Thanks

The Donna and Marvin Schwartz Virtuoso Piano Performance Series has provided major support for Emanuel Ax’s appearances during the New York Philharmonic’s 2021–22 season.

The December 3 performance is supported by Edna Mae and Leroy Fadem, loyal subscribers since 1977.

Lead support for Project 19 is provided by the Howard Gilman Foundation, the Donald A. Pels Charitable Trust, and Dr. Agnes Hsu-Tang and Mr. Oscar L. Tang.

Generous support is also provided by Sheree A. and Gerald L. Friedman; Francis Goelet Charitable Lead Trusts; The Hauser Foundation; Daniel M. Healy; The Gerald L. Lennard Foundation; Margaret Morgan and Wesley Phoa; Kimberly V. Strauss, The Strauss Foundation; the Virginia B. Toulmin Foundation; and an anonymous donor.

Project 19 is supported in part by a generous grant from the American Orchestras’ Futures Fund, a program of the League of American Orchestras made possible by funding from the Ann and Gordon Getty Foundation.

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