The New York Philharmonic

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Anthony Roth Costanzo and Justin Vivian Bond

Jan 27 - Jan 29

CYO

This thought-provoking concert invites us to explore what defines us. Anthony Roth Costanzo premieres Joel Thompson’s setting of a new poem by Tracy K. Smith and is joined by Broadway-film-cabaret performer Justin Vivian Bond for a set of songs that delve into questions of identity. Joan Tower’s bold, vibrant fanfare opens the program.

Anthony Roth Costanzo and Justin Vivian Bond
 
DATE / TIME

Thu

7:30 PM

27

Jan

2022

Fri

8:00 PM

28

Jan

2022

Sat

8:00 PM

29

Jan

2022

CYO

Subscriptions for the 2022–23 season are available now, subscribe today and secure your seats in the reimagined David Geffen Hall!

Location

Rose Theater, Jazz at Lincoln Center’s Frederick P. Rose Hall

Duration

2 Hours with Intermission

Program

Joan Tower

Fanfare for the Uncommon Woman, No. 1

Joel Thompson / Tracy K. Smith

The Places We Leave (World Premiere–New York Philharmonic Commission)

Prokofiev

Symphony No. 1, Classical

Listen

Various / Arr. Nico Muhly

Selections from Only an Octave Apart

Artists

  • Jaap van Zweden

    Conductor

    Jaap van Zweden began his tenure as the 26th Music Director of the New York Philharmonic in September 2018. He also serves as Music Director of the Hong Kong Philharmonic, a post he has held since 2012, and becomes Music Director of the Seoul Philharmonic in 2024. He has conducted orchestras on three continents, appearing as guest with, in Europe, the Orchestre de Paris, Amsterdam’s Royal Concertgebouw Orchestra, Leipzig Gewandhaus Orchestra, Vienna Philharmonic, Berlin Philharmonic, and London Symphony Orchestra, and, in the United States, the Chicago Symphony Orchestra, The Cleveland Orchestra, Los Angeles Philharmonic, and other distinguished ensembles.

    In 2023–24, Jaap van Zweden’s New York Philharmonic farewell season will celebrate his connection with the Orchestra’s musicians as he leads performances in which six Principal players appear as concerto soloists. He also revisits the oeuvres of composers he has championed at the Philharmonic, ranging from Steve Reich and Joel Thompson to Mozart, conducting the Requiem, and Mahler, leading the Symphony No. 2, Resurrection. By the conclusion of his Philharmonic tenure, which has included the reopening of the transformed David Geffen Hall, he will have led the Orchestra in World, US, and New York Premieres of 31 works. Among them are pieces commissioned through Project 19 — which marks the centennial of the 19th Amendment with new works by 19 women composers, among them Tania León’s Pulitzer Prize–winning Stride. During the 2021–22 season, when David Geffen Hall was closed for renovation, he conducted the Orchestra at other New York City venues — including his first-ever Philharmonic appearances at Carnegie Hall — and in the residency at the Usedom Music Festival, where the New York Philharmonic was the first American orchestra to perform abroad since the start of the COVID-19 pandemic.

    Jaap van Zweden and the New York Philharmonic inaugurated the new David Geffen Hall in October 2022 with HOME, a monthlong housewarming for the Orchestra and its audiences. Other 2022–23 season highlights include SPIRIT, a musical expression of the trials and triumphs of the human spirit featuring performances of Messiaen’s Turangalîla-symphonie and J.S. Bach’s St. Matthew Passion, and EARTH, a response to the climate crisis that includes Julia Wolfe’s unEarth and John Luther Adams’s Become Desert. Over the course of David Geffen Hall’s inaugural season, he is conducting repertoire ranging from Beethoven and Bruckner to premieres by Marcos Balter, Etienne Charles, Caroline Shaw, and Carlos Simon, in addition to the works by Wolfe and Adams.

    Jaap van Zweden’s New York Philharmonic recordings include the World Premiere of David Lang’s prisoner of the state (2020), and Wolfe’s Grammy-nominated Fire in my mouth (2019), both released on the Decca Gold label. He conducted the Hong Kong Philharmonic in first-ever performances in Hong Kong of Wagner’s Ring Cycle, released on the Naxos label. His acclaimed performances of Lohengrin, Die Meistersinger von Nürnberg, and Parsifal — the last of which earned him the prestigious Edison Award for Best Opera Recording in 2012 — are available on CD and DVD.

    Born in Amsterdam, Jaap van Zweden, at age 19, was appointed the youngest-ever concertmaster of Amsterdam’s Royal Concertgebouw Orchestra and began his conducting career almost 20 years later, in 1996. In April 2023, van Zweden receives the Concertgebouw Prize, for exceptional contributions to that organization’s artistic profile. He remains Conductor Emeritus of the Antwerp Symphony Orchestra and Honorary Chief Conductor of the Netherlands Radio Philharmonic, where he was Chief Conductor (2005–13); he also served as Chief Conductor of the Royal Flanders Orchestra (2008–11), and as Music Director of the Dallas Symphony Orchestra (2008–18). Under his leadership, the Hong Kong Philharmonic was named Gramophone’s Orchestra of the Year in 2019. He was named Musical America’s 2012 Conductor of the Year and was the subject of an October 2018 CBS 60 Minutes profile on the occasion of his arrival at the New York Philharmonic.

    In 1997 Jaap van Zweden and his wife, Aaltje, established the Papageno Foundation to support families of children with autism. The Foundation has grown into a multifaceted organization that focuses on the development of children and young adults with autism. The Foundation provides in-home music therapy through a national network of qualified music therapists in the Netherlands; opened the Papageno House in 2015 (with Her Majesty Queen Maxima in attendance) for young adults with autism to live, work, and participate in the community; created a research center at the Papageno House for early diagnosis and treatment of autism and for analyzing the effects of music therapy on autism; develops funding opportunities to support autism programs; and, more recently, launched the app TEAMPapageno, which allows children with autism to communicate with each other through music composition.

    Learn more about Jaap van Zweden
  • Anthony Roth Costanzo

    Countertenor

    Countertenor Anthony Roth Costanzo began performing professionally at age 11 and has since appeared in opera, concert, recital, and film, and on Broadway. He is the New York Philharmonic’s 2021–22 season Mary and James G. Wallach Artist-in-Residence. The centerpiece of his activities is Authentic Selves: The Beauty Within, two weeks of orchestral programs he co-curated to ex­plore questions of identity, plus other activities that build on community collaborations he and the Or­chestra forged last season when he was cre­ator and producer of NY Phil Bandwagon.


    Learn more about Anthony Roth Costanzo
  • Justin Vivian Bond

    Vocalist (Only an Octave Apart)

    Justin Vivian Bond has appeared on stage (Broadway, Off-Broadway, and Londonʼs West End), screen (Shortbus, Can You Ever Forgive Me?, and Sunset Stories), television (High Maintenance, Difficult People, and The Get Down), nightclub stages (most notably, a decades-long residency at Joeʼs Pub at The Public Theater), and in concert halls worldwide (including Carnegie Hall and The Sydney Opera House). In December 2019 Mx. Bond made their Vienna Staatsoper debut as Orlandoʼs child in the world premiere of Olga Neuwirthʼs Orlando.  


    Learn more about Justin Vivian Bond
  • Zack Winokur

    Director (Only an Octave Apart)

Special Thanks

Anthony Roth Costanzo is The Mary and James G. Wallach Artist-in-Residence.

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