Jaap van Zweden Conducts Mozart and Caroline Shaw

The New York Philharmonic

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Calendar

Roomful of Teeth Takeover

Jaap van Zweden Conducts Mozart and Caroline Shaw

Location

David Geffen Hall

Directions
Price Range

$33-136

Date & Times

18

Feb, 2021

Thursday, 7:30 PM

19

Feb, 2021

Friday, 2:00 PM

20

Feb, 2021

Saturday, 8:00 PM

23

Feb, 2021

Tuesday, 7:30 PM

Event Info

Jaap van Zweden conducts Mozart’s Symphony No. 39. From the stately Adagio to intimate moments expressed by the mellow sound of clarinets (an instrument the composer loved!), it shows his mastery of the form. Plus a World Premiere by Pulitzer Prize winner Caroline Shaw, part of Project 19, which features Roomful of Teeth (“a kind of lab experiment for the human voice” — The New Yorker).

Program To Include

Stravinsky

Pulcinella Suite

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Caroline Shaw

New work (World Premiere–New York Philharmonic Commission)

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Mozart

Symphony No. 39

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Artists

Jaap van Zweden

Conductor

Jaap van Zweden

Conductor

Jaap van Zweden

Conductor

Jaap van Zweden began his tenure as the 26th Music Director of the New York Philharmonic in September 2018. He also serves as Music Director of the Hong Kong Philharmonic, a post he has held since 2012, and has appeared as guest conductor with many other leading orchestras around the globe, including the Orchestre de Paris, Leipzig Gewandhaus Orchestra, Los Angeles Philharmonic, Vienna Philharmonic, Berlin Philharmonic, and London Symphony Orchestra.

In the 2019–20 season, Jaap van Zweden conducts the New York Philharmonic in seven World Premieres and symphonic cornerstones. He presides over Project 19, marking the centennial of the 19th Amendment with commissions by 19 women composers; hotspots festival, spotlighting Berlin, Reykjavík, and New York as new-music centers; and Mahler’s New York, examining the composer / conductor who spent time in New York as the Philharmonic’s tenth Music Director. During the 2020 European tour, he and the Orchestra will open the Concertgebouw’s Mahler Festival as the first American orchestra in the festival’s history. Other highlights include a new production of Schoenberg’s Erwartung and Bartók’s Bluebeard’s Castle; his first Young People’s Concert; and the low-cost Phil the Hall. He also guest conducts the Chicago Symphony, The Cleveland Orchestra, Netherlands Radio Philharmonic, Shanghai Symphony Orchestra, and Amsterdam’s Royal Concertgebouw Orchestra.

Jaap van Zweden’s most recent recording is of the World Premiere performance of Julia Wolfe’s Fire in my mouth, continuing the Philharmonic’s partnership with Decca Gold. He conducted the first-ever performances in Hong Kong of Wagner’s Ring Cycle, which have been recorded and released on Naxos, and his performance of Parsifal earned him the prestigious Edison Award for Best Opera Recording in 2012.

Born in Amsterdam, Jaap van Zweden was appointed at age 19 as the youngest-ever concertmaster of Amsterdam’s Royal Concertgebouw Orchestra. He began his conducting career almost 20 years later, in 1996. He remains Honorary Chief Conductor of the Netherlands Radio Philharmonic, where he was Chief Conductor (2005–13), served as Chief Conductor of the Royal Flanders Orchestra (2008–11), and was Music Director of the Dallas Symphony Orchestra (2008–18), where he is now Conductor Laureate. Jaap van Zweden was named Musical America’s 2012 Conductor of the Year and was the subject of a 60 Minutes profile on CBS in 2018.

In 1997 Jaap van Zweden and his wife, Aaltje, established the Papageno Foundation to support families of children with autism. Today, the Foundation focuses on the development of children and young adults with autism by providing in-home music therapy; developing funding opportunities for autism programs; operating the Papageno House, where young adults with autism live, work, and participate in the community; and creating a research center in the Papageno House for early diagnosis and treatment of autism and analyzing the effects of music therapy on autism. Most recently, the Foundation launched the app TEAMPapageno, which allows children with autism to communicate with each other through music composition.

Learn more about Jaap van Zweden
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Roomful of Teeth

Vocal Ensemble

Roomful of Teeth

Vocal Ensemble

Roomful of Teeth

Vocal Ensemble

Roomful of Teeth is a multi-Grammy Award–winning vocal ensemble devoted to the boundless expressive capacity of the human voice. Founder and artistic director Brad Wells has handpicked a group of the most versatile classically trained singers from around the United States, whose voices cover a five-octave range, from ground-shaking lows to dog-whistle highs. Through rigorous study with masters of vocal traditions the world over, Roomful of Teeth continually expands its vocabulary of singing techniques and, through an ongoing commissioning process, forges not only new music but an entirely new type of repertoire.

Founded in 2009, Roomful of Teeth gathers annually at the Massachusetts Museum of Contemporary Art (MASS MoCA) in North Adams, Massachusetts. While in residence, the members work intensively with master singers and teacher-experts in a wide range of vocal styles, from katajjaq (Inuit throat singing) to Korean p’ansori, Georgian folk music, Sardinian cantu a tenore, Hindustani classical singing, Persian classical singing, and even death metal screaming.

Through this process, Roomful of Teeth has worked with a strikingly wide range of composers to create a significant and continuously growing repertoire. Recent commissions have included works by William Brittelle, Missy Mazzoli, Terry Riley, Julia Wolfe, and many others. The group has a special relationship with composer Caroline Shaw, who is one of Teeth’s eight founding members and whose Partita for 8 Voices won the Pulitzer Prize for Music.

Roomful of Teeth maintains an active touring schedule throughout North America, Europe, Asia, and Australia. Recent appearances include performances at Carnegie Hall, Lincoln Center, Kennedy Center, Walt Disney Concert Hall, King’s Place in London, the Barbican, and many others. The members of the group reside around the United States, from San Francisco to San Antonio to New York.

Learn more about Roomful of Teeth

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Special Thanks
Performances in the Thursday C Subscription Series are supported by Edna Mae and Leroy Fadem, loyal subscribers since 1977.

Caroline Shaw’s commission is made possible with generous support from Linda and Stuart Nelson.

Lead support for Project 19 is provided by the Donald A. Pels Charitable Trust and Dr. Agnes Hsu-Tang and Mr. Oscar L. Tang.

Generous support is also provided by Sheree A. and Gerald L. Friedman; The Hauser Foundation; The Gerald L. Lennard Foundation; Margaret Morgan and Wesley Phoa; Kimberly V. Strauss, The Strauss Foundation; the Virginia B. Toulmin Foundation; and an anonymous donor.

Project 19 is supported in part by a generous grant from the American Orchestras’ Futures Fund, a program of the League of American Orchestras made possible by funding from the Ann and Gordon Getty Foundation.
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