Yuja Wang Performs Shostakovich

The New York Philharmonic

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CYO

Single tickets are on sale for the 2019–20 season. Save money on your purchase by choosing 3 or more eligible concerts and you’ll also enjoy exclusive subscriber benefits, including unlimited no-fee ticket exchanges.

Calendar

hotspots festival

Yuja Wang Performs Shostakovich

Location

David Geffen Hall

Directions
Price Range

$35-148

Duration

1 hour & 45 minutes with intermission

Date & Times

11

Jun, 2020

Thursday, 7:30 PM

12

Jun, 2020

Friday, 8:00 PM

13

Jun, 2020

Saturday, 8:00 PM

Event Info

Yuja Wang stars in Shostakovich’s witty, sardonic, high-spirited piano concerto. Harmonium, a choral tour de force, promises an astounding experience that places you at the center of life’s most elemental forces — love and death. Our hotspots festival concludes with a focus on New York with Sarah Kirkland Snider’s Project 19 commission.

Part of our hotspots festival, which shines a light on three hotspots of classical music innovation: Berlin, Reykjavík, and New York.

Program To Include

Sarah Kirkland Snider

New work (World Premiere–New York Philharmonic Commission)

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Shostakovich

Concerto No. 1 for Piano, Trumpet, and Strings

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John Adams

Harmonium

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Artists

Jaap van Zweden

Conductor

Jaap van Zweden

Conductor

Jaap van Zweden

Conductor

Jaap van Zweden began his tenure as the 26th Music Director of the New York Philharmonic in September 2018. He also serves as Music Director of the Hong Kong Philharmonic, a post he has held since 2012, and has appeared as guest conductor with many other leading orchestras around the globe, including the Orchestre de Paris, Leipzig Gewandhaus Orchestra, Los Angeles Philharmonic, Vienna Philharmonic, Berlin Philharmonic, and London Symphony Orchestra.

In the 2019–20 season, Jaap van Zweden conducts the New York Philharmonic in seven World Premieres and symphonic cornerstones. He presides over Project 19, marking the centennial of the 19th Amendment with commissions by 19 women composers; the hotspots festival, spotlighting Berlin, Reykjavík, and New York as new-music centers; and Mahler’s New York, examining the composer / conductor who spent time in New York as the Philharmonic’s tenth Music Director. During the 2020 European tour, he and the Orchestra will open the Concertgebouw’s Mahler Festival as the first American orchestra in the festival’s history. Other highlights include a new production of Schoenberg’s Erwartung and Bartók’s Bluebeard’s Castle; his first Young People’s Concert; and the low-cost Phil the Hall. He also guest conducts the Chicago Symphony, The Cleveland Orchestra, Netherlands Radio Philharmonic, Shanghai Symphony Orchestra, and Amsterdam’s Royal Concertgebouw Orchestra.

Jaap van Zweden’s most recent recording is of the World Premiere performance of Julia Wolfe’s Fire in my mouth, continuing the Philharmonic’s partnership with Decca Gold. He conducted the first-ever performances in Hong Kong of Wagner’s Ring Cycle, which have been recorded and released on Naxos, and his performance of Parsifal earned him the prestigious Edison Award for Best Opera Recording in 2012.

Born in Amsterdam, Jaap van Zweden was appointed at age 19 as the youngest-ever concertmaster of Amsterdam’s Royal Concertgebouw Orchestra. He began his conducting career almost 20 years later, in 1996. He remains Honorary Chief Conductor of the Netherlands Radio Philharmonic, where he was Chief Conductor (2005–13), served as Chief Conductor of the Royal Flanders Orchestra (2008–11), and was Music Director of the Dallas Symphony Orchestra (2008–18), where he is now Conductor Laureate. Jaap van Zweden was named Musical America’s 2012 Conductor of the Year and was the subject of a 60 Minutes profile on CBS in 2018.

In 1997 Jaap van Zweden and his wife, Aaltje, established the Papageno Foundation to support families of children with autism. Today, the Foundation focuses on the development of children and young adults with autism by providing in-home music therapy; developing funding opportunities for autism programs; operating the Papageno House, where young adults with autism live, work, and participate in the community; and creating a research center in the Papageno House for early diagnosis and treatment of autism and analyzing the effects of music therapy on autism. Most recently, the Foundation launched the app TEAMPapageno, which allows children with autism to communicate with each other through music composition.

Learn more about Jaap van Zweden
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Yuja Wang

Piano

Yuja Wang

Piano

Yuja Wang

Piano

Beijing-born pianist Yuja Wang is set to achieve new heights in critical superlatives and audience ovations during the 2018–19 season, through recitals, concert series, season residencies, and extensive tours with some of the world’s most venerated ensembles and conductors. In the autumn of 2018 she toured with the Berlin Philharmonic and Kirill Petrenko, then undertook a recital tour to South America and performed several concerts with the Munich Philharmonic, conducted by Valery Gergiev, throughout Asia. It also marked the release of her solo recital album, The Berlin Recital, by Deutsche Grammophon, featuring works by Rachmaninoff, Scriabin, and Prokofiev, recorded live at the Berlin Philharmonie.

This season Ms. Wang is featured as an artist-in-residence at three of the world's premier venues: Carnegie Hall, with a season-long Perspectives series; the Wiener Konzerthaus, with a Portrait series; and the Luxembourg Philharmonie. In the spring 2019 she embarks on a tour with the Los Angeles Philharmonic to give the first-ever performances of John Adams’s newest piano concerto, and she reunites with cellist Gautier Capuçon for a vast US chamber tour.

Yuja Wang received advanced training in Canada and at Philadelphia’s Curtis Institute of Music, where she studied with Gary Graffman. Her international breakthrough came in 2007 when she replaced Martha Argerich as soloist with the Boston Symphony Orchestra. She later signed an exclusive contract with Deutsche Grammophon, and has since established her place among the world’s leading artists, with a succession of critically acclaimed performances and recordings.

Learn more about Yuja Wang

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Christopher Martin

Trumpet

Christopher Martin

Trumpet

Christopher Martin New York Philharmonic

Trumpet

Christopher Martin joined the New York Philharmonic as Principal Trumpet, The Paula Levin Chair, in September 2016. He served as principal trumpet of the Chicago Symphony Orchestra (CSO) for 11 seasons, and enjoyed a distinctive career of almost 20 years in many of America’s finest orchestras, including as principal trumpet of the Atlanta Symphony Orchestra and associate principal trumpet of The Philadelphia Orchestra. He made his New York Philharmonic solo debut in October 2016, performing Ligeti’s The Mysteries of the Macabre, led by then Music Director Alan Gilbert.

Praised as a musician of “effortless understated virtuosity” by The Chicago Tribune, Christopher Martin has appeared as soloist multiple times nationally and internationally with the CSO and music director Riccardo Muti. Highlights of Mr. Martin’s solo appearances include the 2012 World Premiere of Christopher Rouse’s concerto Heimdall’s Trumpet; Panufnik’s Concerto in modo antico, with Mr. Muti; a program of 20th-century French concertos by André Jolivet and Henri Tomasi; and more than a dozen performances of J.S. Bach’s Brandenburg Concerto No. 2. Other solo engagements have included Mr. Martin with the Australian Chamber Orchestra, Seiji Ozawa’s Saito Kinen Festival, Atlanta and Alabama Symphony Orchestras, and the National Symphony Orchestra of Mexico. Christopher Martin’s discography includes a solo trumpet performance in John Williams’s score to Steven Spielberg’s Lincoln (2012), the National Brass Ensemble’s Gabrieli album, and CSO Resound label recordings, including the 2011 release of CSO Brass Live.

Dedicated to music education, Mr. Martin has served on the faculty of Northwestern University and coached the Civic Orchestra of Chicago. In 2010 he co-founded the National Brass Symposium with his brother Michael Martin, a trumpeter in the Boston Symphony Orchestra, and in 2016 he received the Edwin Franko Goldman Memorial Citation from the American Bandmasters Association for outstanding contributions to the wind band genre. Christopher Martin and his wife, Margaret — an organist and pianist — enjoy performing together in recital and, most especially, for their daughter, Claire.

Learn more about Christopher Martin

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Concert Chorale of New York
James Bagwell, director

Chorus

Concert Chorale of New York
James Bagwell, director

Chorus

Chorus

The Concert Chorale of New York is a group of professional singers that has appeared at the Caramoor Festival in concert versions of Handel’s L’Allegro and Theodora, Britten’s A Midsummer Night’s Dream, and Rossini’s La Cenerentola. Other credits include the Brooklyn Academy of Music productions of Philip Glass’s Civil Wars, John Adams’s Nixon in China and The Death of Klinghoffer, and Purcell’s Dido and Aeneas and Handel’s L’Allegro with the Mark Morris Dance Company. The chorale performed Gilbert & Sullivan at the Performing Arts Center at Purchase; a Haydn, Bach, and Beethoven series; and Live From Lincoln Center’s Emmy-nominated A Salute to the American Musical. The chorale has appeared with American Symphony Orchestra, Chicago Symphony Orchestra, Opera Orchestra of New York, and Judy Collins, and participated in the New York Premiere of Paul McCartney’s Ecce Cor Meum and Rodgers & Hammerstein’s Carousel in concert led by Leonard Slatkin at Carnegie Hall. The ensemble appears regularly at the Mostly Mozart Festival, including in Beethoven’s Choral Fantasy and Ninth Symphony (the latter with Gianandrea Noseda and with Iván Fischer and the Budapest Festival Orchestra), Mozart’s Requiem and Mass in C minor, and Haydn’s Creation with Louis Langrée. For the Lincoln Center Festival it appeared in Julie Taymor’s production of Eliot Goldenthal’s Grendl, Richard Strauss’s Daphne, and Danny Elfman’s Music from the Movies of Tim Burton (the last also televised on Live From Lincoln Center). Last season, CCNY performed all of Bernstein’s choral works, including Chichester Psalms, paired with Beethoven’s Ninth Symphony, with Gustavo Dudamel and the Los Angeles Philharmonic, and Bernstein’s MASS, in addition to Mozart’s Requiem, at Lincoln Center’s Mostly Mozart Festival. The ensemble’s discography includes Lederer & Davis’s Kismet and Wasserman’s Man of La Mancha with Paul Gemignani (CBS Records), Stephen Sondheim’s The Frogs (Nonesuch), and recordings with the American Symphony Orchestra and Opera Orchestra of New York. The men of the chorale were featured on a Pet Shop Boys recording (EMI).

Learn more about Concert Chorale of New York
James Bagwell, director

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Special Thanks

The Donna and Marvin Schwartz Virtuoso Piano Performance Series has provided major support for Yuja Wang's appearances during the New York Philharmonic’s 2019–20 season.

hotspots is supported in part by a generous grant from the American Orchestras’ Futures Fund, a program of the League of American Orchestras made possible by funding from the Ann and Gordon Getty Foundation.

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