Saturday Matinee: Tchaikovsky's Symphony No. 5

The New York Philharmonic

Update Browser

Pages don't look right?

You are using a browser that does not support the technology used on our website.

Please select a different browser or use your phone or tablet to access our site.

Download: Firefox | Chrome | Safari

If you're using Internet Explorer, please update to the latest version.

CYO

Single tickets are on sale for the 2019–20 season. Save money on your purchase by choosing 3 or more eligible concerts and you’ll also enjoy exclusive subscriber benefits, including unlimited no-fee ticket exchanges.

Calendar

Saturday Matinee: Tchaikovsky's Symphony No. 5

Location

David Geffen Hall

Directions
Price Range

$34-79

Date & Times

30

Nov, 2019

Saturday, 2:00 PM

Event Info

Enjoy a Saturday afternoon listening to the Philharmonic perform one of Tchaikovsky’s “big three” symphonies, the emotionally charged Fifth, conducted by Maestro van Zweden. Plus a spotlight on our musicians, in Mozart’s delightful Wind Serenade, which begins the concert, and their engaging post-concert Q & A.

Program To Include

Mozart

Wind Serenade in E-flat major, K. 375b

Listen
×

Tchaikovsky

Symphony No. 5

Listen
×
Artists

Jaap van Zweden

Conductor

Jaap van Zweden

Conductor

Jaap van Zweden

Conductor

Jaap van Zweden began his tenure as the 26th Music Director of the New York Philharmonic in September 2018. He also serves as Music Director of the Hong Kong Philharmonic, a post he has held since 2012, and has appeared as guest conductor with many other leading orchestras around the globe, including the Orchestre de Paris, Leipzig Gewandhaus Orchestra, Los Angeles Philharmonic, Vienna Philharmonic, Berlin Philharmonic, and London Symphony Orchestra.

In the 2019–20 season, Jaap van Zweden conducts the New York Philharmonic in seven World Premieres and symphonic cornerstones. He presides over Project 19, marking the centennial of the 19th Amendment with commissions by 19 women composers; the hotspots festival, spotlighting Berlin, Reykjavík, and New York as new-music centers; and Mahler’s New York, examining the composer / conductor who spent time in New York as the Philharmonic’s tenth Music Director. During the 2020 European tour, he and the Orchestra will open the Concertgebouw’s Mahler Festival as the first American orchestra in the festival’s history. Other highlights include a new production of Schoenberg’s Erwartung and Bartók’s Bluebeard’s Castle; his first Young People’s Concert; and the low-cost Phil the Hall. He also guest conducts the Chicago Symphony, The Cleveland Orchestra, Netherlands Radio Philharmonic, Shanghai Symphony Orchestra, and Amsterdam’s Royal Concertgebouw Orchestra.

Jaap van Zweden’s most recent recording is of the World Premiere performance of Julia Wolfe’s Fire in my mouth, continuing the Philharmonic’s partnership with Decca Gold. He conducted the first-ever performances in Hong Kong of Wagner’s Ring Cycle, which have been recorded and released on Naxos, and his performance of Parsifal earned him the prestigious Edison Award for Best Opera Recording in 2012.

Born in Amsterdam, Jaap van Zweden was appointed at age 19 as the youngest-ever concertmaster of Amsterdam’s Royal Concertgebouw Orchestra. He began his conducting career almost 20 years later, in 1996. He remains Honorary Chief Conductor of the Netherlands Radio Philharmonic, where he was Chief Conductor (2005–13), served as Chief Conductor of the Royal Flanders Orchestra (2008–11), and was Music Director of the Dallas Symphony Orchestra (2008–18), where he is now Conductor Laureate. Jaap van Zweden was named Musical America’s 2012 Conductor of the Year and was the subject of a 60 Minutes profile on CBS in 2018.

In 1997 Jaap van Zweden and his wife, Aaltje, established the Papageno Foundation to support families of children with autism. Today, the Foundation focuses on the development of children and young adults with autism by providing in-home music therapy; developing funding opportunities for autism programs; operating the Papageno House, where young adults with autism live, work, and participate in the community; and creating a research center in the Papageno House for early diagnosis and treatment of autism and analyzing the effects of music therapy on autism. Most recently, the Foundation launched the app TEAMPapageno, which allows children with autism to communicate with each other through music composition.

Learn more about Jaap van Zweden
×

Eugene Izotov

Oboe

Eugene Izotov

Oboe

×

Robert Botti

Oboe

Robert Botti

Oboe

Robert Botti

Oboe

Oboist Robert Botti (The Lizabeth and Frank Newman Chair) joined the New York Philharmonic in 1992, having been principal oboe of the New York City Opera Orchestra. He has appeared as soloist with the New York Symphonic Ensemble and performed in the Grand Teton, Bach Stony Brook, and Music from Colorado festivals. He has collaborated and recorded with Gunther Schuller and Wynton Marsalis as a guest artist with Jazz at Lincoln Center, and is a member of the Sylvan Winds, with whom he has given many premieres. He can be heard on recordings with the Philharmonic’s Principal Bassoon Judith LeClair, Sylvan Winds, Philharmonia Virtuosi, New York Kammermusiker, Amadeus Ensemble, and Harmonie Ensemble; he is featured on the premiere recording of Arnold Sturm’s Suite for Oboe and Piano. Mr. Botti holds bachelor’s and master’s degrees from The Juilliard School. He is on the faculty of the Manhattan School of Music, New York University, and SUNY–Purchase, and has given master classes at Yale, Princeton, and Indiana universities.

Learn more about Robert Botti

×

Anthony McGill

Clarinet

Anthony McGill

Clarinet

Anthony McGill

Clarinet

Anthony McGill joined the New York Philharmonic as Principal Clarinet, The Edna and W. Van Alan Clark Chair, in September 2014, becoming the Philharmonic’s first African American Principal player. Hailed for his “trademark brilliance, penetrating sound and rich character” (The New York Times) and “exquisite combination of technical refinement and expressive radiance” (The Baltimore Sun), he is recognized as one of the classical music world’s finest solo, chamber, and orchestral musicians. Mr. McGill also serves as an ardent advocate for helping music education reach underserved communities and for addressing issues of diversity, equity, and inclusion in classical music. He took part in the inauguration of President Barack Obama, premiering a piece written for the occasion by John Williams alongside violinist Itzhak Perlman, cellist Yo-Yo Ma, and pianist Gabriela Montero.

Anthony McGill’s 2019–20 season includes a premiere by Tyshawn Sorey at 92nd Street Y and a collaboration with mezzo-soprano Joyce DiDonato at Carnegie Hall. He will also perform the Copland Clarinet Concerto at the Kennedy Center’s SHIFT Festival of American Orchestras with the Jacksonville Symphony as well as concertos by Copland, Mozart, and Danielpour with the Richmond, Delaware, Alabama, Reno, and San Antonio symphony orchestras. Additional collaborations include programs with Gloria Chien, Demarre McGill, Michael McHale, Anna Polonsky, Arnaud Sussman, and the Pacifica Quartet.

Anthony McGill appears regularly as a soloist with top orchestras around North America, including the New York Philharmonic, The Metropolitan Opera Orchestra, Baltimore Symphony, San Diego Symphony, and Kansas City Symphony. As a chamber musician, he is a favorite collaborator of the Brentano, Daedalus, Guarneri, JACK, Miró, Pacifica, Shanghai, Takacs, and Tokyo Quartets, as well as Emanuel Ax, Inon Barnatan, Gloria Chien, Yefim Bronfman, Gil Shaham, Midori, Mitsuko Uchida, and Lang Lang. He has led tours with Musicians from Marlboro and regularly performs for The Chamber Music Society of Lincoln Center and the Philadelphia Chamber Music Society. Festival appearances include Tanglewood, Marlboro, Mainly Mozart, and Music@Menlo as well as the Santa Fe, Seattle, and Skaneateles Chamber Music Festivals.

In January 2015, McGill recorded Nielsen’s Clarinet Concerto with the New York Philharmonic, led by then Music Director Alan Gilbert, released on Dacapo Records. He also recorded two albums released by Cedille Records: one with his brother, Seattle Symphony principal flute Demarre McGill, and pianist Michael McHale, and the other featuring the Mozart and Brahms Clarinet Quintets with the Pacifica Quartet.

A dedicated champion of new music, Anthony McGill premiered Richard Danielpour’s From the Mountaintop in 2014, written for him and commissioned by the New Jersey Symphony, Kansas City Symphony, and Orchestra 2001. He served as the 2015–16 Artist-in-Residence for WQXR and has appeared on Performance Today, MPR’s Saint Paul Sunday, and Mister Rogers’ Neighborhood. In 2013 he appeared on NBC Nightly News and MSNBC in stories about the McGill brothers.

A graduate of the Curtis Institute of Music, Anthony McGill previously served as principal clarinet of The Metropolitan Opera Orchestra and associate principal clarinet of the Cincinnati Symphony Orchestra. In-demand as a teacher, he serves on the faculty of The Juilliard School, the Curtis Institute of Music, and the Bard College Conservatory of Music. He also serves as artistic director of the Music Advancement Program at Juilliard, on the Board of Directors for both the League of American Orchestras and the Harmony Program, and on the advisory council for the InterSchool Orchestras of New York.

Learn more about Anthony McGill

×

Pavel Vinnitsky

Clarinet

Pavel Vinnitsky

Clarinet

male silhouette

Clarinet

Clarinetist Pavel Vinnitsky leads a versatile career as a soloist, recording artist, chamber musician, and orchestral musician. He has been an associate clarinetist with The Metropolitan Opera Orchestra since 2009. Pavel Vinnitsky appears regularly as a guest artist with the New York Philharmonic, The Philadelphia Orchestra, Chicago Symphony Orchestra, and the Orchestra of St. Luke’s. In addition, Mr. Vinnitsky holds positions of principal clarinet with the Stamford Symphony Orchestra in Connecticut and with the Broadway production of Les Misérables. In demand as chamber musician, Pavel is a member of ClariAnna Duo and frequently performs with the Wind Soloists of New York, the St. Luke’s Chamber Ensemble, and the International Contemporary Ensemble. He is on the clarinet faculty at NYU Steinhardt School of Culture, Education, and Human Development.

Learn more about Pavel Vinnitsky

×

Judith LeClair

Bassoon

Judith LeClair

Bassoon

Judith LeClair

Bassoon

Judith LeClair joined the New York Philharmonic as Principal Bassoon in 1981, at the age of 23. Since then, she has made more than 50 solo appearances with the Orchestra, performing with conductors such as Sir Colin Davis, Sir Andrew Davis, Alan Gilbert, Christopher Hogwood, Rafael Kubelik, Erich Leinsdorf, Lorin Maazel, Kurt Masur, Zubin Mehta, André Previn, John Williams, and Andrey Boreyko.

Ms. LeClair is a graduate of the Eastman School of Music, where she studied with K. David Van Hoesen. She made her professional debut with The Philadelphia Orchestra at age 15, playing Mozart’s Sinfonia concertante with colleagues from the Settlement Music School in Philadelphia, where she studied with Shirley Curtiss. Before joining the New York Philharmonic, she was Principal Bassoonist for two seasons with the San Diego Symphony and San Diego Opera.  

Active as a chamber musician, she has performed with numerous leading artists and has participated in leading festivals around the country. She has given solo recitals and master classes at the Eastman School of Music, Northwestern University, New England Conservatory, Oberlin College, University of Michigan, Ohio University, and the University of Colorado at Boulder. Every August she gives a solo recital and week-long master class at the Hidden Valley Music Seminar in Carmel Valley, California. She performed with the Philharmonic Woodwind Quintet of New York, formed in 2001 with her colleagues from the New York Philharmonic wind section. They gave recitals throughout the country and on the Orchestra’s foreign tours.

In April 1995 Ms. LeClair premiered The Five Sacred Trees, a concerto written for her by John Williams and commissioned by the New York Philharmonic as part of its 150th Anniversary celebration. She later performed the concerto with the San Francisco Symphony and with the Royal Academy Orchestra in London. She recorded it for Sony Classical with the London Symphony Orchestra in June 1996, with Mr. Williams conducting. This, along with her solo New York Legends CD for Cala Records, was released in March 1997. Her newest CD, Works for Bassoon, was released in the spring of 2010.

Ms. LeClair is on the faculty of The Juilliard School, and she will join the faculty of the Manhattan School of Music in fall 2014. She lives in New Jersey with her husband, pianist Jonathan Feldman, and their son, Gabriel.

Learn more about Judith LeClair

×

Roger Nye

Bassoon

Roger Nye

Bassoon

Roger Nye

Bassoon

Bassoonist Roger Nye joined the New York Philharmonic in September 2005 after serving as the second bassoonist of the Omaha Symphony for 11 seasons. Raised in Michigan, he attended the Interlochen Arts Academy for the last two years of high school, where he studied with Robert Barris, now bassoon instructor at Northwestern University. Mr. Nye earned his bachelor of music degree from the Eastman School of Music, where he was a student of K. David Van Hoesen; he continued his studies at the USC School of Music, where he received his master’s in bassoon performance with Norman Herzberg, son-in-law and student of former New York Philharmonic second bassoonist Simon Kovar.

While a student at the Eastman School he participated in two important recording projects. The first: playing contrabassoon on the Eastman Wind Ensemble’s recording of cornet solos with Wynton Marsalis; the second, playing contrabassoon on the Eastman Philharmonia’s recording, with flutist Sir James Galway, of the world premiere of John Corigliano’s Pied Piper Fantasy. Other recordings of note include the Sydney Symphony Orchestra’s recording of Stravinsky’s complete Firebird (as principal bassoon) with Edo De Waart conducting. Mr. Nye moved to Sydney, Australia, with his wife, oboist Caroline Park, in 1997, after winning the position of principal bassoon there. He has also served as principal bassoon of the Buffalo Philharmonic and the South Dakota Symphony.

In summer, Mr. Nye has performed with the National Repertory Orchestra, where he was soloist with violinist Joseph Silverstein in Haydn’s Sinfonia Concertante, and at the Peninsula Music Festival, Door County, Wisconsin, where he served as both principal and solo bassoon. He resides in New Jersey with his wife, Caroline, and their son, Zeke.

Learn more about Roger Nye

×

Leelanee Sterrett

Horn

Leelanee Sterrett

Horn

Sterrett

Horn

Leelanee Sterrett joined the New York Philharmonic in June 2013; she currently serves as Acting Associate Principal Horn. She was previously a member of the New Haven Symphony Orchestra, and a regular substitute with the New York Philharmonic. Ms. Sterrett is also an alumna of The Academy, Carnegie Hall’s collective of young professionals and music advocates, and a former member of Ensemble ACJW.

A northern-Michigan native, Ms. Sterrett grew up in a musically enthusiastic family and attended Interlochen Arts Academy. She received her bachelor’s degree from the University of Wisconsin–Madison and a master’s degree from the Yale School of Music. Her primary teachers include William Purvis, Douglas Hill, and Julie Schleif. Ms. Sterrett has spent summers at the Tanglewood Music Center, the Pacific and Sarasota music festivals, the National Orchestral Institute, and the Banff Centre for the Arts. She is a past prizewinner in the International Horn Competition of America and the Yamaha Young Performing Artists Program.

In recent seasons, Ms. Sterrett has made solo appearances at Carnegie Hall, with the New Haven Symphony Orchestra, and at the 2015 International Horn Symposium with her Philharmonic colleagues. She currently serves on the horn faculties of Rutgers University and New York University.

Learn more about Leelanee Sterrett

×

R. Allen Spanjer

Horn

R. Allen Spanjer

Horn

R. Allen Spanjer

Horn

R. Allen Spanjer joined the New York Philharmonic as Second Horn, The Rosalind Miranda Chair, in February 1993. His appearances with the Orchestra as a featured soloist have included performances of Schumann’s Konzertstück for Four Horns in 1995 and 2001, as well as on the Philharmonic’s 1996 European Festivals Tour and 2001 Latin American Tour, conducted by then Music Director Kurt Masur. He was also featured in 1996 in Vivaldi’s Concerto for Two Horns with Principal Horn Philip Myers, also conducted by Mr. Masur.

Prior to joining the Philharmonic, Mr. Spanjer was a full-time freelance musician in New York City, performing in a broad range of classical and commercial settings. During this time he was also a frequent substitute with the New York Philharmonic, as well as with the Pittsburgh Symphony Orchestra, and he spent one season as Second Horn of the Orquesta Filarmonica de la UNAM in Mexico.

A Georgia native, R. Allen Spanjer began horn lessons at age 13. He was a pupil of Norman Schweikert at the Interlochen Arts Academy and later studied with former Philharmonic hornist Ranier De Intinis at The Juilliard School. He also studied at the Brevard Music Center, Aspen Music Festival with Philip Farkas, SUNY Purchase with Paul Ingraham, Waterloo Music Festival with Martin Smith, Tanglewood Festival with Harry Shapiro, and privately in New York City with Carmine Caruso.

Mr. Spanjer maintains as active teaching studio, and is frequently a guest performer and teacher at music schools around the United States. In addition to his New York Philharmonic work and teaching horn, he is a certified instructor of the Alexander Technique, having graduated from the American Center for the Alexander Technique in New York City in 1981. He is on faculty at the Manhattan School of Music and frequently performs as a chamber musician. He has written for The Horn Call, the journal of the International Horn Society. In addition, he was featured at the 1999 Symposium of the International Horn Society, as well as the 2000 and 2001 Northeast Horn Workshops.

Learn more about R. Allen Spanjer

×
×

Purchase 3 or more eligible concerts & save.

About Create Your Own Series:

Pick three (or more) concerts and and enjoy exclusive Subscriber Benefits including unlimited free ticket exchange. Ideal for concertgoers who want the ultimate in flexibility and the benefits of being a subscriber.

Subscriber Benefits:

  • Free, easy ticket exchange (available online or by phone)
  • Save on subscription concerts all year long
  • Priority notice on special events

How it Works:

  1. Look for the Create Your Own Series icon CYO eligible icon next to a concert and add it to your cart.
  2. Simply follow the directions in the shopping cart and enter promo code CREATE3 at check out.
Go to top