Philharmonic Ensembles at Merkin Concert Hall - Oct 27

The New York Philharmonic

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Order subscriptions and single tickets online, by visiting the Merkin Concert Hall Box Office at 129 West 67th Street between Broadway & Amsterdam, or by calling (212) 501-3330.

Calendar

Ensembles

Philharmonic Ensembles at Merkin Hall

Location

Merkin Hall

Directions
Duration

1 hour & 45 minutes with intermission

Date & Times

27

Oct, 2019

Sunday, 3:00 PM

Event Info

Up close and personal.
An Ensembles concert provides an intimate connection between musician and audience. Hear the individual talents that make up the Orchestra. Experience the passion and personality of the performers. And see how a small setting can make for a huge musical event.

Tickets
Subscriptions and single tickets to the 2019–20 season are now available. You may order through the Merkin Hall Box Office online, by phone at (212) 501-3330, or in person at 129 West 67th Street.

Program

Popper

Suite for Two Cellos

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Mendelssohn

String Quartet in F minor

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Beethoven

Septet

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Artists

Eric Bartlett

Cello

Eric Bartlett

Cello

Eric Bartlett

Cello

Before joining the New York Philharmonic in 1997, cellist Eric Bartlett had already established himself as an artist of formidable talent and artistic integrity. He has appeared frequently as a member soloist with the world famous Orpheus Chamber Orchestra and is featured on several of their Deutsche Grammophon recordings. In addition to Orpheus, his solo appearances include the Cabrillo Festival, the Mostly Mozart Festival Orchestra, the Anchorage Symphony, the Hartford Chamber Orchestra, the Aspen and Juilliard Orchestras, and the New York Philharmonic’s “Horizons ‘84” series. Mr. Bartlett is the recipient of a Solo Recitalist’s Award from the National Endowment for the Arts and a special Performance Award as a finalist of the 1987 New England Conservatory/Piatigorsky Award. Recent solo appearances include the Cabrillo Music Festival, and the Brattleboro Music Center in Vermont.

Recognized as a leading performer of contemporary music, Mr. Bartlett has participated in more than 90 premieres with ensembles such as Speculum Musicae, the New York New Music Ensemble, the Group for Contemporary Music, and the Columbia String Quartet, and he has commissioned new works for the cello from American composers. During the summer of 2000, Mr. Bartlett was invited by Marin Alsop to be a featured soloist in the North American premiere of James McMillan’s Triduum, the middle third of which is a cello concerto. He has served as either Artist-President or Vice-President of Speculum Musicae since 1990. Mr. Bartlett has performed at the Mostly Mozart, Marlboro, Aspen, Adirondack, Grand Teton, and Waterloo music festivals, and has been a regular participant at the Bridgehampton Chamber Music Festival since 1996. Mr. Bartlett served as the principal cellist of the Mostly Mozart Festival Orchestra and co-principal of Orpheus from 1984 until 1997.

A native of Marlboro, Vermont, Mr. Bartlett’s early teachers included George Finckel and Blanche Honegger Moyse. From 1973 to 1975 he was a student of Leopold Teraspulsky at the University of Massachusetts. He was awarded full scholarships to both the Curtis Institute of Music and The Juilliard School and received both his Bachelor and Master of Music degrees from Juilliard, where he was a student of Leonard Rose and Channing Robbins.

Mr. Bartlett recorded the cello music of Larry Bell for North-South Records on a CD entitled River of Ponds (which includes a collaboration with narrator Robert J. Lurtsema) and has also recorded for CRI, Opus One, Bridge, Delos, and Deutsche Grammophon. He has served on the faculty of the University of Massachusetts and is currently an adjunct professor at The Juilliard School and the Manhattan School of Music. He lives in Bergen County, New Jersey, with his wife, Orpheus violist Sarah Clarke, and their son, Cory.

Learn more about Eric Bartlett

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Timothy Cobb

Bass

Timothy Cobb

Bass

Timothy Cobb

Bass

Bassist Timothy Cobb joined the New York Philharmonic as Principal Bass in May 2014, after serving as principal bass of The Metropolitan Opera Orchestra, and principal bass of the Mostly Mozart Festival Orchestra since 1989. He has appeared at numerous chamber music festivals worldwide, including the Marlboro Music festival, through which he has toured with the Musicians from Marlboro series. A faculty member of the Sarasota Music Festival, he is helping to launch a new bass program for the Killington Music Festival in Killington, Vermont. Mr. Cobb also serves as principal bass for Valery Gergiev’s World Orchestra for Peace, an invited group of musicians from around the world who donate their time biannually and perform to promote international harmony. Mr. Cobb has been designated a UNESCO Artist for Peace from his affiliation with the World Orchestra. He has an ongoing collaboration with actor Stephen Lang, for whom he recorded a solo bass sound track for Mr. Lang’s animated short film The Wheatfield, which depicts a human drama from the Battle of Gettysburg. The two were invited to Gettysburg in July 2013 on the 150th anniversary of the battle to perform in the Salute to the States event held there, and they will continue to collaborate for future events. Mr. Cobb serves as bass department chair for The Juilliard School as well as on the faculties of the Manhattan School of Music, Purchase College, and Rutgers University. He is also a distinguished visiting artist for Lynn University in Boca Raton, Florida. A native of Albany, New York, Timothy Cobb graduated from The Curtis Institute of Music, where he studied with Roger Scott. While at Curtis, Mr. Cobb was a substitute with The Philadelphia Orchestra and in his senior year became a member of the Chicago Symphony Orchestra under Georg Solti. Mr. Cobb can be heard on all Metropolitan Opera recordings released after 1986, as well as on a recording of Giovanni Bottesini’s duo bass music with bassist Thomas Martin on the Naxos label.

Learn more about Timothy Cobb

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Pascual Martínez Forteza

Clarinet

Pascual Martínez Forteza

Clarinet

Pascual Martinez Forteza

Clarinet

A native of Mallorca, Spain, clarinetist and E-flat clarinetist Pascual Martínez Forteza joined the New York Philharmonic in 2001; he currently serves as Acting Associate Principal Clarinet, The Honey M. Kurtz Family Chair. Prior to his appointment with the Philharmonic, he held tenure with the Cincinnati Symphony Orchestra, and at age 18 he was assistant principal and later acting principal of the Baleares Symphony Orchestra in Spain. He has recently performed as guest principal clarinet with the Berlin Philharmonic under Sir Simon Rattle.

Mr. Martínez Forteza appears regularly as a soloist, recitalist, and master-class teacher at international festivals and conservatories, including the International Clarinet Festival of Chanchung (China), ClarinetFest 2009 (Porto, Portugal), Buffet Crampon Summer Clarinet Festival (Jacksonville, Florida), University of Southern California, Mannes School of Music, The Juilliard School, New Jersey Clarinet Symposium, XI Encuentro Internacional de Clarinetes de Lisboa (Portugal), Mexico Clarinet Convention, and I Latinoamerican Clarinet Congress (Lima, Peru). Past and future engagements include solo performances of Copland’s Clarinet Concerto, Mozart’s Clarinet Concerto, Weber’s Clarinet Concertos Nos.1 and 2, Krommer’s Concerto for Two Clarinets, Rossini’s Introduction, Theme and Variations for Clarinet and Orchestra, and Luigi Bassi’s Fantasy on Themes from Verdi’s Rigoletto. He frequently collaborates with Philharmonic colleagues in New York City venues such as Avery Fisher Hall, Merkin Concert Hall, and Carnegie Hall.

Since 2003 Mr. Martínez Forteza and Spanish pianist Gema Nieto have played throughout Asia, Europe, and the United States as Duo Forteza-Nieto. Together they founded the Benifaio Music Festival in Spain, where Philharmonic colleagues have joined them for a week of master classes and concerts. A decade ago Mr. Martínez Forteza founded Vent Cameristic, a wind ensemble of professional musicians from Spain. As a soloist with that ensemble, he has played every year at the Concerts d’Estiú in Valencia, Spain. In 2003 Spanish National Radio (RNE) produced a CD featuring selections from these performances. Mr. Martínez Forteza has also made recordings for radio and television in Asia, Europe, and the United States.

Pascual Martínez Forteza started playing clarinet at age ten with his father, Pascual V. Martínez, principal clarinet of the Baleares Symphony Orchestra for 30 years and teacher at the Baleares Conservatory of Music in Spain. Mr. Martínez Forteza earned his master’s degree from the Baleares and Liceo de Barcelona Music Conservatories in Spain and pursued advanced studies with Yehuda Gilad at the University of Southern California, where he won first prize in the university’s 1998 Concerto Competition.

Mr. Martínez Forteza is currently a faculty member at New York University and teaches orchestral repertoire at Manhattan School of Music. A Buffet Crampon Artist and Vandoren Artist, he plays Green Line Tosca Buffet clarinets and uses Vandoren reeds and M30D mouthpieces.

Learn more about Pascual Martínez Forteza

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Peter Kenote

Viola

Peter Kenote

Viola

Peter Kenote

Viola

Peter Kenote was born in Seattle, Washington. He received his undergraduate degree from the University of Washington, and his master’s and doctorate degrees in music performance from The Juilliard School. Since 1983 he has been a member of the New York Philharmonic viola section. In February 2008 he performed Berio’s Sequenza VI for solo viola at Jazz at Lincoln Center’s Rose Theater as part of the New York Philharmonic’s Day of Berio. In the 2009–10 season he played the premieres of a new viola concerto with the South Dakota Symphony written for him by composer Neal Harnly, and Moto Perpetuo, a new work for viola and percussion ensemble by Braxton Blake. He especially enjoys performing in concert with his daughters, soprano Rebekah and mezzo-soprano Ruth.

Learn more about Peter Kenote

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Sumire Kudo

Cello

Sumire Kudo

Cello

Sumire Kudo Photo Credit: Chris Lee

Cello

Sumire Kudo joined the Philharmonic as a cellist in June 2006. Previously she taught at Indiana University–South Bend and was the cellist of the Avalon String Quartet. Born in Tokyo, Japan, Ms. Kudo began cello studies at age four with her father, cellist Akiyoshi Kudo. She came to the United States in 2000, after establishing herself in her native country through solo performances and recordings. Her honors include the Hideo Saito Memorial Fund Award, which she received from the Sony Music Foundation after being chosen by Seiji Ozawa and Tsuyoshi Tsutsumi as the most promising cellist in 2005, and prizes at the Sapporo Junior Cello Competition and 62nd Japan Music Competition. Ms. Kudo is a graduate of Tokyo’s Toho School and The Juilliard School. She has participated in the Nagano-Aspen Music, Aspen Music, Santa Fe, and Marlboro Music festivals. Record Geijutsu, Japan’s leading classical music magazine, named her second solo CD, Love of Beauty, Best Recording.

Learn more about Sumire Kudo

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Kim Laskowski

Bassoon

Kim Laskowski

Bassoon

Kim Laskowski

Bassoon

Kim Laskowski joined the New York Philharmonic in September 2003 as Associate Principal Bassoon. Born in Brooklyn, she attended the High School of Music and Art and The Juilliard School, where she studied with Harold Goltzer, former Associate Principal Bassoon of the New York Philharmonic. While at Juilliard she won the Walter and Elsie Naumburg Award for Orchestral Excellence. She completed a master’s degree at Juilliard while playing in the National Orchestral Association, and has also participated in the Tanglewood and Spoleto festivals. Recipient of a Fulbright grant for foreign study, she attended the Conservatoire National Superieure de Paris, where she was a student of Maurice Allard. While at the Conservatoire, she toured Europe as a member of the Orchestre des Prix.

As an active player on the New York musical scene, Ms. Laskowski has appeared with ensembles such as the Orchestra of St. Luke’s, American Symphony Orchestra, and Eos Orchestra. She can be heard on numerous television, radio, and film scores, and holds two platinum records for CDs recorded with the rock group 10,000 Maniacs. As a chamber player, she has performed and recorded several CDs with Music Amici in classical, jazz, and 20th-century works for mixed ensembles.

Before joining the Philharmonic, Ms. Laskowski played second bassoon in the New York City Ballet Orchestra. She was principal bassoon of the Mostly Mozart Festival Orchestra from 1999 through 2003.

Kim Laskowski resides in Manhattan with her husband, Zaharis Kalaitzis, and her two children, Lana and Theo.

Learn more about Kim Laskowski

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Qianqian Li

Violin

Qianqian Li

Violin

Qianqian Li

Violin

Violinist Qianqian Li joined the New York Philharmonic as Principal, Second Violin Group, in December 2017. An avid chamber musician, she has performed with Donald Weilerstein, Roger Tapping, Natasha Brofsky, Brett Dean, Gilbert Kalish, Curtis Macomber, and Anthony Marwood. Her honors include First Prize at Kazakhstan’s inaugural International Violin Competition, the Jules C. Reiner Violin Prize at the Tanglewood Music Center, the Ishikawa Music Academy Award, and prizes won with the Clara Piano Trio, of which she was a member for one year.

Ms. Li has performed at major music festivals including Aspen, Tanglewood, Yellow Barn, and Sarasota. As a soloist, she has performed with orchestras in major concert halls in Asia, the United States, the United Kingdom, and South Africa. Her performances have been broadcast live on the radio, including by WGBH Boston. Before joining the New York Philharmonic, she served as a member of the first violin section of The Metropolitan Opera Orchestra for three years, after winning positions with the orchestras of Seattle, Atlanta, and St. Paul in the same period. She has also performed in the Boston, Pittsburgh, and Atlanta symphony orchestras and The Saint Paul Chamber Orchestra.

Born in Nanjing, China, Qianqian Li received both her bachelor and master of music degrees from the New England Conservatory, where she studied with Donald Weilerstein and served as his teaching assistant, and was granted the Laurence Lesser Presidential Scholarship. Her other mentors include Malcolm Lowe and Lina Yu.

Learn more about Qianqian Li

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Anna Rabinova

Violin

Anna Rabinova

Violin

Anna Rabinova

Violin

Violinist Anna Rabinova performs nationally and internationally as a soloist, chamber and orchestral musician, and recording artist. She joined the New York Philharmonic in 1994, two years after arriving in the United States from her native Russia; in the 2008–09 season she was a soloist with the Orchestra in Bach’s Brandenburg Concerto No. 5, led by Lorin Maazel.

Ms. Rabinova has toured Germany, Italy, the former Yugoslavia, Hungary, and Bulgaria, performing concertos with the Moscow State Symphony Orchestra and numerous other European orchestras. They include the Halle Philharmonic, Schwerin Philharmonic, Moscow Radio Orchestra (Vladimir Fedoseev conducting), Moscow Chamber Orchestra, Eisenach Symphony, Russian State Symphony, and Berlin Symphony (Lior Shambadal conducting). In the United States, she has made solo appearances with the Orchestra of St. Luke's, American Symphony Orchestra (Leon Botstein conducting), and Memphis Symphony, among others, and has premiered works by John Corigliano and Alfred Schnittke.

As a recitalist, Ms. Rabinova has appeared in numerous halls, including the Shauspielhaus in Berlin, Tchaikovsky Philharmonie Hall in Moscow, and Moscow Conservatory Great Hall, as well as in venues in Rome, Leipzig, and Belgrade. In the U.S. she has performed at the Phillips Gallery (Washington, D.C.), Weill Recital Hall at Carnegie Hall, Alice Tully Hall, Merkin Concert Hall, Bargemusic, and on the Rockefeller University concert series. In April 2004 she served as concertmaster of the Lancaster (Pennsylvania) Symphony Orchestra. Her festival performances have included appearances at the Schleswig Holstein, Berlin Chamber Music, and Long Island Mozart festivals, the Music Festival of the Hamptons, and at Tanglewood and Caramoor.

Ms. Rabinova’s recordings include works by Schuman (for Germany’s Auris-Subtilis) and David Winkler’s Violin Concerto (Naxos); in 1998 she recorded sonatas by Brahms and Schubert for an NHK-TV (Japan) chamber series, which was broadcast worldwide and produced by Paul Smaczny. She has been interviewed and has performed on WLIW-TV in New York, as well as on German and Russian radio.

Anna Rabinova was born in Moscow and performed Tchaikovsky's Violin Concerto, Heinrich Wilhelm Ernst’s Violin Concerto, and Paganini’s Violin Concerto with the Moscow State Symphony at the age of 13, later studying at the Tchaikovsky Conservatory with Leonid Kogan and Igor Bezrodnyi. She was a first-prize winner at the 16th International Violin Competition in Belgrade, in addition to winning the Bach International Competition in Leipzig, Germany, and the 1993 Concerto Competition at The Juilliard School. She has taught at the Gnessin Institute in Moscow, the Manhattan School of Music, and LaGuardia High School, in addition to giving master classes in the U.S. and abroad.

Learn more about Anna Rabinova

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Robert Rinehart

Viola

Robert Rinehart

Viola

Robert Rinehart

Viola

Robert Rinehart, who joined the New York Philharmonic’s viola section in 1992, is a familiar figure on the New York chamber-music scene. He has appeared at the Spoleto, Vancouver Chamber Music, and Santa Fe Chamber Music festivals, and with Chamber Music Northwest and The Chamber Music Society of Lincoln Center. A founding member of the Ridge String Quartet, Mr. Rinehart has performed in every major music center in the United States, as well as in Canada, Australia, Japan, and in Europe. He has collaborated with Benny Goodman, Rudolf Firkusny, and the Guarneri String Quartet, among others, and his chamber music recordings have received a Grammy Award, two Grammy nominations, and the Diapason d’Or. A native of San Francisco, Mr. Rinehart studied violin at the San Francisco Conservatory of Music with Isadore Tinkleman, and at The Curtis Institute of Music with Jaime Laredo, David Cerone, and Ivan Galamian. He is on the faculty of the Manhattan School of Music.

Learn more about Robert Rinehart

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Leelanee Sterrett

Horn

Leelanee Sterrett

Horn

Sterrett

Horn

Leelanee Sterrett joined the New York Philharmonic in June 2013; she currently serves as Acting Associate Principal Horn. She was previously a member of the New Haven Symphony Orchestra, and a regular substitute with the New York Philharmonic. Ms. Sterrett is also an alumna of The Academy, Carnegie Hall’s collective of young professionals and music advocates, and a former member of Ensemble ACJW.

A northern-Michigan native, Ms. Sterrett grew up in a musically enthusiastic family and attended Interlochen Arts Academy. She received her bachelor’s degree from the University of Wisconsin–Madison and a master’s degree from the Yale School of Music. Her primary teachers include William Purvis, Douglas Hill, and Julie Schleif. Ms. Sterrett has spent summers at the Tanglewood Music Center, the Pacific and Sarasota music festivals, the National Orchestral Institute, and the Banff Centre for the Arts. She is a past prizewinner in the International Horn Competition of America and the Yamaha Young Performing Artists Program.

In recent seasons, Ms. Sterrett has made solo appearances at Carnegie Hall, with the New Haven Symphony Orchestra, and at the 2015 International Horn Symposium with her Philharmonic colleagues. She currently serves on the horn faculties of Rutgers University and New York University.

Learn more about Leelanee Sterrett

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Nathan Vickery

Cello

Nathan Vickery

Cello

Vickery

Cello

Cellist Nathan Vickery joined the New York Philharmonic in September 2013. He has appeared as a soloist with the Indianapolis Symphony Orchestra and as a recitalist and chamber musician at festivals including the Marlboro Chamber Music Festival, Ravinia’s Steans Music Institute, and the Chamber Music Workshop at the Perlman Music Festival, as well as throughout Europe with Curtis on Tour. As a chamber musician he has collaborated with violinists Joshua Bell, Pamela Frank, and Miriam Fried; pianist Jonathan Biss; and the contemporary music ensemble Eighth Blackbird, among others. Mr. Vickery has appeared on NPR’s From the Top and WFMT in Chicago. He has won numerous competitions, including the Second International David Popper Cello Competition (Hungary) and the Indianapolis Symphony Orchestra’s Maurer Young Musicians Contest. He received his bachelor’s degree from The Curtis Institute of Music, where he studied with Peter Wiley. Nathan Vickery has served on the faculty of the Indiana University Summer String Academy.

Learn more about Nathan Vickery

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Ru-Pei Yeh

Cello

Ru-Pei Yeh

Cello

Ru-Pei Yeh

Cello

Ru-Pei Yeh, cello, who joined the New York Philharmonic in September 2006, has performed regularly as a recitalist in her native Taiwan and in the U.S. A founding member of the Formosa Quartet, formed in 2003, she has served as acting principal cello of the San Diego Symphony and the San Diego Opera, in addition to performing with a string quartet of principal players from the San Diego Symphony. She has made solo appearances with the Hudson Valley Philharmonic, National Taiwan Symphony, Taiwan’s Evergreen Symphony Orchestra, Jacksonville Symphony Orchestra, North Carolina School of the Arts’s International Music Program Orchestra, and Kuan-Jen School Orchestra, and is the winner of numerous competitions.

Ms. Yeh, who has been performing professionally since the age of 10, moved to the U.S. at 13 to study with Orlando Cole at the Temple Preparatory School. In her last two years of high school she studied with Robert Marsh at the North Carolina School of the Arts. Ms. Yeh received her bachelor of music degree from the New England Conservatory under the tutelage of Laurence Lesser, and received her master’s degree and artist diploma from The Juilliard School, studying with Joel Krosnick.

Learn more about Ru-Pei Yeh

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Andi Zhang

Violin

Andi Zhang

Violin

Andi Zhang

Violin

Violinist Andi Zhang joined the New York Philharmonic in January 2019 while studying at the Manhattan School of Music with Pinchas Zukerman and Patinka Kopec. She has appeared as soloist with the Beijing, Qingdao, Harbin, and Hong Kong symphony orchestras; Xiamen Philharmonic Orchestra; and Munich Radio Orchestra. She has performed in recital in the US, Canada, Germany, and Austria; recorded for film and television, CDs, and the China Central Television program Music Tells You; and led master classes.

Ms. Zhang’s honors and awards include both First Prize and the award for outstanding performance of a new Chinese piece at the 2016 Alice & Eleonore Schoenfeld International String Competition; Second Place in the 2010 Stradivarius International Violin Competition; First Place in the 2009 National Chinese Violin Competition (the youngest prize winner that year); and Third Place in the youth group of the 2006 Wenhua National Violin Competition. In addition, she was among the young artists selected to receive support from the Ministry of Culture of the People’s Republic of China.

Born in Dandong, China, Andi Zhang began violin at the age of four. She studied with Lin Yaoji. In 2005 she was admitted to the middle school of the China Central Conservatory of Music and, that same year, performed as soloist to critical acclaim with the Beijing Symphony Orchestra alongside the young violinist Liu Siqing. She pursued her bachelor’s degree from the China Central Conservatory of Music and received her master of music degree from The Juilliard School, where she studied with Joel Smirnoff. She has played in master classes for Shlomo Mintz, Midori, Zakhar Bron, and Leonidas Kavakos.

Learn more about Andi Zhang

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Special Thanks

The New York Philharmonic Ensembles concerts are funded, in part, by the Zubin Mehta Fund for the Orchestra, an endowment fund created to honor the accomplishments of the Philharmonic’s former Music Director, Zubin Mehta.

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