Philharmonic Ensembles at Merkin Concert Hall - Nov 24

The New York Philharmonic

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Order subscriptions and single tickets online, by visiting the Merkin Concert Hall Box Office at 129 West 67th Street between Broadway & Amsterdam, or by calling (212) 501-3330.

Calendar

Ensembles

Philharmonic Ensembles at Merkin Hall

Location

Merkin Hall

Directions
Duration

2 hours with intermission

Date & Times

24

Nov, 2019

Sunday, 3:00 PM

Event Info

Up close and personal.
An Ensembles concert provides an intimate connection between musician and audience. Hear the individual talents that make up the Orchestra. Experience the passion and personality of the performers. And see how a small setting can make for a huge musical event.

Tickets
Subscriptions and single tickets to the 2019–20 season are now available. You may order through the Merkin Hall Box Office online, by phone at (212) 501-3330, or in person at 129 West 67th Street.

Program To Include

Mozart

Oboe Quartet

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Taffanel

Wind Quintet

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Tchaikovsky

Piano Trio

Listen
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Artists

Eric Bartlett

Cello

Eric Bartlett

Cello

Eric Bartlett

Cello

Before joining the New York Philharmonic in 1997, cellist Eric Bartlett had already established himself as an artist of formidable talent and artistic integrity. He has appeared frequently as a member soloist with the world famous Orpheus Chamber Orchestra and is featured on several of their Deutsche Grammophon recordings. In addition to Orpheus, his solo appearances include the Cabrillo Festival, the Mostly Mozart Festival Orchestra, the Anchorage Symphony, the Hartford Chamber Orchestra, the Aspen and Juilliard Orchestras, and the New York Philharmonic’s “Horizons ‘84” series. Mr. Bartlett is the recipient of a Solo Recitalist’s Award from the National Endowment for the Arts and a special Performance Award as a finalist of the 1987 New England Conservatory/Piatigorsky Award. Recent solo appearances include the Cabrillo Music Festival, and the Brattleboro Music Center in Vermont.

Recognized as a leading performer of contemporary music, Mr. Bartlett has participated in more than 90 premieres with ensembles such as Speculum Musicae, the New York New Music Ensemble, the Group for Contemporary Music, and the Columbia String Quartet, and he has commissioned new works for the cello from American composers. During the summer of 2000, Mr. Bartlett was invited by Marin Alsop to be a featured soloist in the North American premiere of James McMillan’s Triduum, the middle third of which is a cello concerto. He has served as either Artist-President or Vice-President of Speculum Musicae since 1990. Mr. Bartlett has performed at the Mostly Mozart, Marlboro, Aspen, Adirondack, Grand Teton, and Waterloo music festivals, and has been a regular participant at the Bridgehampton Chamber Music Festival since 1996. Mr. Bartlett served as the principal cellist of the Mostly Mozart Festival Orchestra and co-principal of Orpheus from 1984 until 1997.

A native of Marlboro, Vermont, Mr. Bartlett’s early teachers included George Finckel and Blanche Honegger Moyse. From 1973 to 1975 he was a student of Leopold Teraspulsky at the University of Massachusetts. He was awarded full scholarships to both the Curtis Institute of Music and The Juilliard School and received both his Bachelor and Master of Music degrees from Juilliard, where he was a student of Leonard Rose and Channing Robbins.

Mr. Bartlett recorded the cello music of Larry Bell for North-South Records on a CD entitled River of Ponds (which includes a collaboration with narrator Robert J. Lurtsema) and has also recorded for CRI, Opus One, Bridge, Delos, and Deutsche Grammophon. He has served on the faculty of the University of Massachusetts and is currently an adjunct professor at The Juilliard School and the Manhattan School of Music. He lives in Bergen County, New Jersey, with his wife, Orpheus violist Sarah Clarke, and their son, Cory.

Learn more about Eric Bartlett

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Robert Botti

Oboe

Robert Botti

Oboe

Robert Botti

Oboe

Oboist Robert Botti (The Lizabeth and Frank Newman Chair) joined the New York Philharmonic in 1992, having been principal oboe of the New York City Opera Orchestra. He has appeared as soloist with the New York Symphonic Ensemble and performed in the Grand Teton, Bach Stony Brook, and Music from Colorado festivals. He has collaborated and recorded with Gunther Schuller and Wynton Marsalis as a guest artist with Jazz at Lincoln Center, and is a member of the Sylvan Winds, with whom he has given many premieres. He can be heard on recordings with the Philharmonic’s Principal Bassoon Judith LeClair, Sylvan Winds, Philharmonia Virtuosi, New York Kammermusiker, Amadeus Ensemble, and Harmonie Ensemble; he is featured on the premiere recording of Arnold Sturm’s Suite for Oboe and Piano. Mr. Botti holds bachelor’s and master’s degrees from The Juilliard School. He is on the faculty of the Manhattan School of Music, New York University, and SUNY–Purchase, and has given master classes at Yale, Princeton, and Indiana universities.

Learn more about Robert Botti

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Pascual Martínez Forteza

Clarinet

Pascual Martínez Forteza

Clarinet

Pascual Martinez Forteza

Clarinet

A native of Mallorca, Spain, clarinetist and E-flat clarinetist Pascual Martínez Forteza joined the New York Philharmonic in 2001; he currently serves as Acting Associate Principal Clarinet, The Honey M. Kurtz Family Chair. Prior to his appointment with the Philharmonic, he held tenure with the Cincinnati Symphony Orchestra, and at age 18 he was assistant principal and later acting principal of the Baleares Symphony Orchestra in Spain. He has recently performed as guest principal clarinet with the Berlin Philharmonic under Sir Simon Rattle.

Mr. Martínez Forteza appears regularly as a soloist, recitalist, and master-class teacher at international festivals and conservatories, including the International Clarinet Festival of Chanchung (China), ClarinetFest 2009 (Porto, Portugal), Buffet Crampon Summer Clarinet Festival (Jacksonville, Florida), University of Southern California, Mannes School of Music, The Juilliard School, New Jersey Clarinet Symposium, XI Encuentro Internacional de Clarinetes de Lisboa (Portugal), Mexico Clarinet Convention, and I Latinoamerican Clarinet Congress (Lima, Peru). Past and future engagements include solo performances of Copland’s Clarinet Concerto, Mozart’s Clarinet Concerto, Weber’s Clarinet Concertos Nos.1 and 2, Krommer’s Concerto for Two Clarinets, Rossini’s Introduction, Theme and Variations for Clarinet and Orchestra, and Luigi Bassi’s Fantasy on Themes from Verdi’s Rigoletto. He frequently collaborates with Philharmonic colleagues in New York City venues such as Avery Fisher Hall, Merkin Concert Hall, and Carnegie Hall.

Since 2003 Mr. Martínez Forteza and Spanish pianist Gema Nieto have played throughout Asia, Europe, and the United States as Duo Forteza-Nieto. Together they founded the Benifaio Music Festival in Spain, where Philharmonic colleagues have joined them for a week of master classes and concerts. A decade ago Mr. Martínez Forteza founded Vent Cameristic, a wind ensemble of professional musicians from Spain. As a soloist with that ensemble, he has played every year at the Concerts d’Estiú in Valencia, Spain. In 2003 Spanish National Radio (RNE) produced a CD featuring selections from these performances. Mr. Martínez Forteza has also made recordings for radio and television in Asia, Europe, and the United States.

Pascual Martínez Forteza started playing clarinet at age ten with his father, Pascual V. Martínez, principal clarinet of the Baleares Symphony Orchestra for 30 years and teacher at the Baleares Conservatory of Music in Spain. Mr. Martínez Forteza earned his master’s degree from the Baleares and Liceo de Barcelona Music Conservatories in Spain and pursued advanced studies with Yehuda Gilad at the University of Southern California, where he won first prize in the university’s 1998 Concerto Competition.

Mr. Martínez Forteza is currently a faculty member at New York University and teaches orchestral repertoire at Manhattan School of Music. A Buffet Crampon Artist and Vandoren Artist, he plays Green Line Tosca Buffet clarinets and uses Vandoren reeds and M30D mouthpieces.

Learn more about Pascual Martínez Forteza

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Quan Ge

Violin

Quan Ge

Violin

Quen Ge

Violin

Violinist Quan Ge joined the New York Philharmonic in June 2009. She holds a bachelor's degree from The Curtis Institute of Music, where she worked with Yumi Scott, Ida Kavafian, and Jaime Laredo, and a master's degree from The Juilliard School, where she studied with David Chan. A native of Huai Nan, China, Ms. Ge was the recipient of a Fu Chen Xian Scholarship, and has won top prizes in both the China National Competition and the Jeunesses Music Competition (Romania). While a student at Curtis, she played as a substitute with The Philadelphia Orchestra. Ms. Ge is an active chamber musician and recitalist, and most recently worked with pianist Robert McDonald and the Borromeo String Quartet at the Taos School of Music in 2008.

Learn more about Quan Ge

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Eric Huebner

Piano

Eric Huebner

Piano

Eric Huebner

Piano

Pianist Eric Huebner joined the roster of the New York Philharmonic in January 2012. A native of Los Angeles, he is a graduate of The Juilliard School, where he studied with Jerome Lowenthal, and has been a guest pianist with the Philharmonic since 2004. Mr. Huebner has been featured in orchestral works by Stravinsky, Ives, R. Strauss, and Milhaud, among others.

In June 2012 he will perform as soloist with Musicians from the Philharmonic in the World Premiere of Elliott Carter’s Two Controversies and a Conversation — a double concerto for piano and percussion with percussionist Colin Currie — on the CONTACT! program, conducted by David Robertson.

An active soloist and chamber musician, Mr. Huebner has twice been a featured recitalist at the Ojai Festival in California. He has also appeared on the Monday Evening Concerts and Piano Spheres series in Los Angeles in addition to solo appearances at the Carlsbad Music Festival, Miller Theater and (le) Poisson Rouge. He has performed at Zankel Hall as soloist in Ligeti’s Piano Concerto and at Alice Tully Hall in Messiaen’s Oiseaux Exotiques, both conducted by David Robertson. Since 2001 Mr. Huebner has been a member of Antares, a quartet comprising clarinet, violin, cello, and piano. A first-prize winner of the 2002 Concert Artists Guild International Competition, Antares has performed in major chamber music venues throughout the United States.

Eric Huebner is currently assistant professor of piano at the University at Buffalo, where he maintains an active piano studio and performs as part of the Slee Sinfonietta. He has recorded a wide variety of solo piano and chamber music for the Col Legno, Centaur, Bridge, Albany, Tzadik, Innova, New Focus Recordings, and Mode Records labels.

Learn more about Eric Huebner

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Dasol Jeong

Violin

Dasol Jeong

Violin

Dasol Jeong

Violin

Violinist Dasol Jeong joined the New York Philharmonic in January 2019 while pursuing her master of music degree in orchestral performance from the Manhattan School of Music. She began taking violin lessons at the age of four and made her debut with the Kunsan Symphony Orchestra at the age of nine, playing Bruch’s Violin Concerto No. 1.

Her awards and prizes include being named First Prize winner at the Oleh Krysa International Violin Competition and Third Prize winner at the Mykola Lysenko International Music Competition and Canadian Music Competition. She performed a solo recital for CBC Radio 2’s In Concert program, and was selected as one of CBC Music’s “30 Hot Canadian Classical Musicians Under 30” in 2015. She is also the recipient of an award from The Sylva Gelber Music Foundation by the Canada Council for the Arts.

Her principal teachers include former New York Philharmonic Concertmaster Glenn Dicterow and Associate Principal, Second Violin Group, Lisa Kim, as well as Ida Kavafian, Pinchas Zukerman, Patinka Kopec, Oleh Krysa, and Leo Wigdorchik.

Dasol Jeong holds a professional studies certificate from the Pinchas Zukerman Performance Program at the Manhattan School of Music; master of music in violin performance from The Juilliard School; and bachelor of music degree from the Eastman School of Music.

Learn more about Dasol Jeong

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Mindy Kaufman

Flute

Mindy Kaufman

Flute

Mindy Kaufman

Flute

Mindy Kaufman, The Edward and Priscilla Pilcher Chair, joined the New York Philharmonic as flute and solo piccolo in 1979 at the age of 22, after performing for three seasons with the Rochester Philharmonic Orchestra. She received a bachelor of music degree from the Eastman School of Music, where she studied with Walfrid Kujala, Bonita Boyd, and James Galway.

Ms. Kaufman has appeared as a soloist with the New York Philharmonic under former Music Directors Zubin Mehta, Kurt Masur, and Lorin Maazel. For one season she substituted as principal flute with the Milwaukee Symphony Orchestra.

Ms. Kaufman performs chamber music regularly with her colleagues in the New York Philharmonic, and has performed at the Mt. Desert Festival of Chamber Music, Moab Music Festival, Hudson Valley Performing Arts Foundation’s Chamber Music Series, Grand Teton Music Festival, Concordia Chamber Players, Brightstar Music Festival, Benifaió Music Festival, and Colorado Music Festival.

Ms. Kaufman teaches at the Shanghai Orchestra Academy. She gives master classes around the world, and has taught at Columbia University, Mannes Prep, and as a substitute teacher at Juilliard Pre-College.

Ms. Kaufman recorded Avner Dorman’s Piccolo Concerto with the Metropolis Ensemble, Vivaldi’s Piccolo Concerto with New York Philharmonic, and a solo CD, French Flute Music. She has performed at the National Flute Convention, Japan Flute Convention, and the New York Flute Club. She can be heard on dozens of film soundtracks, including The Cotton Club, The Untouchables, Aladdin, Julie & Julia, and Moonrise Kingdom.

Learn more about Mindy Kaufman

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Peter Kenote

Viola

Peter Kenote

Viola

Peter Kenote

Viola

Peter Kenote was born in Seattle, Washington. He received his undergraduate degree from the University of Washington, and his master’s and doctorate degrees in music performance from The Juilliard School. Since 1983 he has been a member of the New York Philharmonic viola section. In February 2008 he performed Berio’s Sequenza VI for solo viola at Jazz at Lincoln Center’s Rose Theater as part of the New York Philharmonic’s Day of Berio. In the 2009–10 season he played the premieres of a new viola concerto with the South Dakota Symphony written for him by composer Neal Harnly, and Moto Perpetuo, a new work for viola and percussion ensemble by Braxton Blake. He especially enjoys performing in concert with his daughters, soprano Rebekah and mezzo-soprano Ruth.

Learn more about Peter Kenote

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Sumire Kudo

Cello

Sumire Kudo

Cello

Sumire Kudo Photo Credit: Chris Lee

Cello

Sumire Kudo joined the Philharmonic as a cellist in June 2006. Previously she taught at Indiana University–South Bend and was the cellist of the Avalon String Quartet. Born in Tokyo, Japan, Ms. Kudo began cello studies at age four with her father, cellist Akiyoshi Kudo. She came to the United States in 2000, after establishing herself in her native country through solo performances and recordings. Her honors include the Hideo Saito Memorial Fund Award, which she received from the Sony Music Foundation after being chosen by Seiji Ozawa and Tsuyoshi Tsutsumi as the most promising cellist in 2005, and prizes at the Sapporo Junior Cello Competition and 62nd Japan Music Competition. Ms. Kudo is a graduate of Tokyo’s Toho School and The Juilliard School. She has participated in the Nagano-Aspen Music, Aspen Music, Santa Fe, and Marlboro Music festivals. Record Geijutsu, Japan’s leading classical music magazine, named her second solo CD, Love of Beauty, Best Recording.

Learn more about Sumire Kudo

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Kim Laskowski

Bassoon

Kim Laskowski

Bassoon

Kim Laskowski

Bassoon

Kim Laskowski joined the New York Philharmonic in September 2003 as Associate Principal Bassoon. Born in Brooklyn, she attended the High School of Music and Art and The Juilliard School, where she studied with Harold Goltzer, former Associate Principal Bassoon of the New York Philharmonic. While at Juilliard she won the Walter and Elsie Naumburg Award for Orchestral Excellence. She completed a master’s degree at Juilliard while playing in the National Orchestral Association, and has also participated in the Tanglewood and Spoleto festivals. Recipient of a Fulbright grant for foreign study, she attended the Conservatoire National Superieure de Paris, where she was a student of Maurice Allard. While at the Conservatoire, she toured Europe as a member of the Orchestre des Prix.

As an active player on the New York musical scene, Ms. Laskowski has appeared with ensembles such as the Orchestra of St. Luke’s, American Symphony Orchestra, and Eos Orchestra. She can be heard on numerous television, radio, and film scores, and holds two platinum records for CDs recorded with the rock group 10,000 Maniacs. As a chamber player, she has performed and recorded several CDs with Music Amici in classical, jazz, and 20th-century works for mixed ensembles.

Before joining the Philharmonic, Ms. Laskowski played second bassoon in the New York City Ballet Orchestra. She was principal bassoon of the Mostly Mozart Festival Orchestra from 1999 through 2003.

Kim Laskowski resides in Manhattan with her husband, Zaharis Kalaitzis, and her two children, Lana and Theo.

Learn more about Kim Laskowski

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R. Allen Spanjer

Horn

R. Allen Spanjer

Horn

R. Allen Spanjer

Horn

R. Allen Spanjer joined the New York Philharmonic as Second Horn, The Rosalind Miranda Chair, in February 1993. His appearances with the Orchestra as a featured soloist have included performances of Schumann’s Konzertstück for Four Horns in 1995 and 2001, as well as on the Philharmonic’s 1996 European Festivals Tour and 2001 Latin American Tour, conducted by then Music Director Kurt Masur. He was also featured in 1996 in Vivaldi’s Concerto for Two Horns with Principal Horn Philip Myers, also conducted by Mr. Masur.

Prior to joining the Philharmonic, Mr. Spanjer was a full-time freelance musician in New York City, performing in a broad range of classical and commercial settings. During this time he was also a frequent substitute with the New York Philharmonic, as well as with the Pittsburgh Symphony Orchestra, and he spent one season as Second Horn of the Orquesta Filarmonica de la UNAM in Mexico.

A Georgia native, R. Allen Spanjer began horn lessons at age 13. He was a pupil of Norman Schweikert at the Interlochen Arts Academy and later studied with former Philharmonic hornist Ranier De Intinis at The Juilliard School. He also studied at the Brevard Music Center, Aspen Music Festival with Philip Farkas, SUNY Purchase with Paul Ingraham, Waterloo Music Festival with Martin Smith, Tanglewood Festival with Harry Shapiro, and privately in New York City with Carmine Caruso.

Mr. Spanjer maintains as active teaching studio, and is frequently a guest performer and teacher at music schools around the United States. In addition to his New York Philharmonic work and teaching horn, he is a certified instructor of the Alexander Technique, having graduated from the American Center for the Alexander Technique in New York City in 1981. He is on faculty at the Manhattan School of Music and frequently performs as a chamber musician. He has written for The Horn Call, the journal of the International Horn Society. In addition, he was featured at the 1999 Symposium of the International Horn Society, as well as the 2000 and 2001 Northeast Horn Workshops.

Learn more about R. Allen Spanjer

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Sherry Sylar

Oboe

Sherry Sylar

Oboe

Sherry Sylar

Oboe

Sherry Sylar joined the New York Philharmonic in 1984 as Associate Principal Oboe; she currently serves as Acting Principal Oboe, The Alice Tully Chair. She was the Orchestra’s Acting Principal Oboe during the 2005–06 season and has also served as guest principal oboe for other major orchestras, including the Chicago Symphony Orchestra (in December 2015, led by Riccardo Muti), Boston Symphony Orchestra (in its 2001 tour, led by Bernard Haitink), the Orchestre Philharmonique de Radio France (for its 2003 Carnegie Hall debut, conducted by Myung-Whun Chung), the Orpheus Chamber Orchestra (in its 2007 American tour), and the St. Louis Symphony. Prior to joining the New York Philharmonic she was a member of the Louisville Orchestra. She was among the select group of Philharmonic musicians who joined the orchestra that Leonard Bernstein conducted in the historic Freedom Concert at the falling of the Berlin Wall in 1989.

As a featured soloist with the New York Philharmonic, she has performed Haydn’s Sinfonia Concertante in B-flat major, conducted by Jeffrey Kahane, and Bach’s Concerto for Violin and Oboe, with the Orchestra’s Principal Associate Concertmaster Sheryl Staples, conducted by Kent Nagano. In 1989 she was soloist in the Orchestra’s performances and recording of Handel’s Oboe Concerto in G minor, Zubin Mehta conducting. She also serves as the New York Philharmonic’s oboe d’amore player, and she earned praise from The New York Times for her solos on that instrument during the orchestra’s 2013 The Bach Variations: A Philharmonic Festival. In March 2016 she performed the World Premiere of Pablo Furman’s Concerto for Oboe and Strings with the San Jose Chamber Orchestra.

An avid performer of chamber music, she appears often in the concerts of the New York Philharmonic Ensembles and has participated in the Aspen and Grand Teton Music Festivals. She played Luciano Berio’s Sequenza VIIa for solo oboe at Jazz at Lincoln Center’s Rose Theater as part of the New York Philharmonic’s celebration of the late composer in 2008. She is also a member of the Philharmonic Quintet of New York, which was formed in 2001 to give concerts for workers in the World Trade Center area following the disaster of 9/11. The quintet has gone on to give master classes and recitals worldwide and is preparing its first CD.

Ms. Sylar gives master classes for oboists internationally and was invited to China as a judge for the Beijing National Orchestra’s first-ever auditions. A native of Chattanooga, Tennessee, she earned her bachelor’s degree at Indiana University and her master’s degree from Northwestern University. She formerly taught at the University of Evansville in Indiana and since 2005 has served on the oboe faculty of Mannes College The New School for Music in New York City. Her new CD, Oboe Dolce, includes solo oboe and chamber music featuring Principal Bassoon Judith LeClair, Principal Viola Cynthia Phelps, Harriet Wingreen, Jonathan Feldman, Yi Fang Wang, and Norman Weiss. 

Learn more about Sherry Sylar

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Special Thanks

The New York Philharmonic Ensembles concerts are funded, in part, by the Zubin Mehta Fund for the Orchestra, an endowment fund created to honor the accomplishments of the Philharmonic’s former Music Director, Zubin Mehta.

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