Philharmonic Ensembles at Merkin Concert Hall - May 24

The New York Philharmonic

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Order subscriptions and single tickets online, by visiting the Merkin Concert Hall Box Office at 129 West 67th Street between Broadway & Amsterdam, or by calling (212) 501-3330.

Calendar

Ensembles

Philharmonic Ensembles at Merkin Hall

Location

Merkin Hall

Directions
Date & Times

24

May, 2020

Sunday, 3:00 PM

Event Info

Up close and personal.
An Ensembles concert provides an intimate connection between musician and audience. Hear the individual talents that make up the Orchestra. Experience the passion and personality of the performers. And see how a small setting can make for a huge musical event.

Tickets
Subscriptions and single tickets to the 2018–19 season are now available. You may order through the Merkin Hall Box Office online, by phone at (212) 501-3330, or in person at 129 West 67th Street.

Program To Include

Eric Ewazen

Ballade, Pastorale, and Dance for Flute, Horn, and Piano

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Stravinsky

Octet

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Dvořák

Piano Quintet, Op. 81

Listen
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Artists

Mindy Kaufman

Flute

Mindy Kaufman

Flute

Mindy Kaufman

Flute

Mindy Kaufman, The Edward and Priscilla Pilcher Chair, joined the New York Philharmonic as flute and solo piccolo in 1979 at the age of 22, after performing for three seasons with the Rochester Philharmonic Orchestra. She received a bachelor of music degree from the Eastman School of Music, where she studied with Walfrid Kujala, Bonita Boyd, and James Galway.

Ms. Kaufman has appeared as a soloist with the New York Philharmonic under former Music Directors Zubin Mehta, Kurt Masur, and Lorin Maazel. For one season she substituted as principal flute with the Milwaukee Symphony Orchestra.

Ms. Kaufman performs chamber music regularly with her colleagues in the New York Philharmonic, and has performed at the Mt. Desert Festival of Chamber Music, Moab Music Festival, Hudson Valley Performing Arts Foundation’s Chamber Music Series, Grand Teton Music Festival, Concordia Chamber Players, Brightstar Music Festival, Benifaió Music Festival, and Colorado Music Festival.

Ms. Kaufman teaches at the Shanghai Orchestra Academy. She gives master classes around the world, and has taught at Columbia University, Mannes Prep, and as a substitute teacher at Juilliard Pre-College.

Ms. Kaufman recorded Avner Dorman’s Piccolo Concerto with the Metropolis Ensemble, Vivaldi’s Piccolo Concerto with New York Philharmonic, and a solo CD, French Flute Music. She has performed at the National Flute Convention, Japan Flute Convention, and the New York Flute Club. She can be heard on dozens of film soundtracks, including The Cotton Club, The Untouchables, Aladdin, Julie & Julia, and Moonrise Kingdom.

Learn more about Mindy Kaufman

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Howard Wall

Horn

Howard Wall

Horn

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Horn

Howard Wall, The Ruth F. and Alan J. Broder Chair, a native of Pittsburgh, joined the horn section of the New York Philharmonic in 1994, after having been a member of The Philadelphia Orchestra for 18 years and a former member of the Phoenix and Denver Symphony Orchestras. He also performs and records with the All-Star Orchestra. Mr. Wall has appeared as soloist with the New York Philharmonic in Schumann’s Konzertstück for Four Horns in New York (1995, 2001, and 2007) as well as on New York Philharmonic tours in Europe (1996) and South America (2001). An avid chamber musician, he appears regularly on the New York Philharmonic Ensembles series at Merkin Hall as well as at the New York Chamber Music Festival, and performs with the Delphinium Trio, the Amram Ensemble, and in a duo with his wife, violinist Elmira Darvarova. He can be heard on the CD Take 9, featuring the New York Philharmonic horn section and the American Horn Quartet, as well as on former Principal Horn Philip Myers’s New York Legends CD. Howard Wall recorded Poulenc’s Elégie for Horn and Piano with world-renowned French pianist Pascal Rogé. Mr. Wall has also recorded David Amram’s Blues and Variations for Monk for Solo Horn and gave its European Premiere in Paris. His most recent CD is Phillip Ramey: Music for French Horn (Affetto Records, 2017). Howard Wall began playing the horn at age ten and earned his bachelor’s degree in music performance at Carnegie Mellon University. He made his Carnegie Hall debut at age 19 performing Schumann’s Konzertstück for Four Horns; he most recently performed the same work again at Carnegie Hall in 2012. Howard Wall was among the performers awarded Gold Medal and Top Honors at the 2018 Global Music Awards.

Learn more about Howard Wall

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Zhen Chen

Piano

Zhen Chen

Piano

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Robert Langevin

Flute

Robert Langevin

Flute

Robert Langevin

Flute

With the start of the 2000–01 season, Robert Langevin joined the New York Philharmonic as Principal Flute, in The Lila Acheson Wallace Chair. In May 2001, he made his solo debut with the Orchestra in the North American premiere of Siegfried Matthus’s Concerto for Flute and Harp with Philharmonic Principal Harp Nancy Allen and Music Director Kurt Masur. His October 2012 solo performance in Nielsen’s Flute Concerto, conducted by Music Director Alan Gilbert, was recorded for inclusion in The Nielsen Project, the Orchestra’s multi-season traversal of all of the Danish composer’s symphonies and concertos, to be released by Dacapo Records.

Prior to the Philharmonic, Mr. Langevin held the Jackman Pfouts Principal Flute Chair of the Pittsburgh Symphony Orchestra and was an adjunct professor at Duquesne University, in Pittsburgh. Mr. Langevin served as associate principal of the Montreal Symphony Orchestra for 13 years, playing on more than 30 recordings. As a member of Musica Camerata Montreal and l’Ensemble de la Société de Musique Contemporaine du Québec, he premiered many works, including the Canadian premiere of Pierre Boulez’s Le Marteau sans maître. In addition, Mr. Langevin has performed as soloist with Quebec’s most distinguished ensembles and has recorded many recitals and chamber music programs for the Canadian Broadcasting Corporation. He also served on the faculty of the University of Montreal for nine years.

Born in Sherbrooke, Quebec, Robert Langevin began studying flute at age 12 and joined the local orchestra three years later. While studying with Jean-Paul Major at the Montreal Conservatory of Music, he started working in recording studios, where he accompanied a variety of artists of different styles. He graduated in 1976 with two first prizes, one in flute, the other, in chamber music. Not long after, he won the prestigious Prix d’Europe, a national competition open to all instruments with a first prize of a two-year scholarship to study in Europe. This enabled him to work with Aurèle Nicolet at the Staatliche Hochschule für Musik in Freiburg, Germany, where he graduated in 1979. He then went on to study with Maxence Larrieu, in Geneva, winning second prize at the Budapest International Competition in 1980.

Mr. Langevin is a member of the Philharmonic Quintet of New York with which he has performed concerts on many continents. In addition, he has given recitals and master classes throughout the United States and in countries such as Canada, Spain, Costa Rica, Japan, North Korea, Singapore, and Vietnam. He is currently on the faculties of The Juilliard School, The Manhattan School of Music, and the Orford International Summer Festival. 

Learn more about Robert Langevin

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Anthony McGill

Clarinet

Anthony McGill

Clarinet

Anthony McGill

Clarinet

Anthony McGill joined the New York Philharmonic as Principal Clarinet, The Edna and W. Van Alan Clark Chair, in September 2014. Previously principal clarinet of The Metropolitan Opera Orchestra beginning in 2004, he is recognized as one of the classical music world’s finest solo, chamber, and orchestral musicians. He has appeared as soloist at Carnegie Hall with many orchestras, including the MET Orchestra, American Symphony Orchestra, and New York String Orchestra. He has also recently performed with the Baltimore, New Jersey, San Diego, and Memphis symphony orchestras and Orchestra 2001. As a chamber musician Mr. McGill has appeared throughout the United States, Europe, and Asia with quartets including the Guarneri, Tokyo, Brentano, Pacifica, Shanghai, Miró, and Daedalus. He has also appeared with Musicians from Marlboro and at The Chamber Music Society of Lincoln Center, Philadelphia Chamber Music Society, and University of Chicago Presents. His festival appearances have included Tanglewood, Marlboro, Mainly Mozart, Music@Menlo, and Santa Fe Chamber Music. He has collaborated with pianists Emanuel Ax, Yefim Bronfman, Mitsuko Uchida, and Lang Lang, as well as violinists Gil Shaham and Midori. On January 20, 2009, he performed with Itzhak Perlman, Yo-Yo Ma, and Gabriela Montero at the inauguration of President Barack Obama. He has appeared on Performance Today, MPR’s Saint Paul Sunday, and Mister Rogers’ Neighborhood. In 2013 with his brother Demarre, he appeared on NBC Nightly News, the Steve Harvey Show, and on MSNBC with Melissa Harris-Perry. In demand as a teacher, Anthony McGill serves on the faculties of The Juilliard School, Peabody Institute of The Johns Hopkins University, Bard College Conservatory of Music, and Manhattan School of Music, and has given master classes throughout the United States, Europe, and South Africa. In 2016 he was one of five leaders honored with a John Jay Justice Award for being a “true champion of justice.”

Learn more about Anthony McGill

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Judith LeClair

Bassoon

Judith LeClair

Bassoon

Judith LeClair

Bassoon

Judith LeClair joined the New York Philharmonic as Principal Bassoon in 1981, at the age of 23. Since then, she has made more than 50 solo appearances with the Orchestra, performing with conductors such as Sir Colin Davis, Sir Andrew Davis, Alan Gilbert, Christopher Hogwood, Rafael Kubelik, Erich Leinsdorf, Lorin Maazel, Kurt Masur, Zubin Mehta, André Previn, John Williams, and Andrey Boreyko.

Ms. LeClair is a graduate of the Eastman School of Music, where she studied with K. David Van Hoesen. She made her professional debut with The Philadelphia Orchestra at age 15, playing Mozart’s Sinfonia concertante with colleagues from the Settlement Music School in Philadelphia, where she studied with Shirley Curtiss. Before joining the New York Philharmonic, she was Principal Bassoonist for two seasons with the San Diego Symphony and San Diego Opera.  

Active as a chamber musician, she has performed with numerous leading artists and has participated in leading festivals around the country. She has given solo recitals and master classes at the Eastman School of Music, Northwestern University, New England Conservatory, Oberlin College, University of Michigan, Ohio University, and the University of Colorado at Boulder. Every August she gives a solo recital and week-long master class at the Hidden Valley Music Seminar in Carmel Valley, California. She performed with the Philharmonic Woodwind Quintet of New York, formed in 2001 with her colleagues from the New York Philharmonic wind section. They gave recitals throughout the country and on the Orchestra’s foreign tours.

In April 1995 Ms. LeClair premiered The Five Sacred Trees, a concerto written for her by John Williams and commissioned by the New York Philharmonic as part of its 150th Anniversary celebration. She later performed the concerto with the San Francisco Symphony and with the Royal Academy Orchestra in London. She recorded it for Sony Classical with the London Symphony Orchestra in June 1996, with Mr. Williams conducting. This, along with her solo New York Legends CD for Cala Records, was released in March 1997. Her newest CD, Works for Bassoon, was released in the spring of 2010.

Ms. LeClair is on the faculty of The Juilliard School, and she will join the faculty of the Manhattan School of Music in fall 2014. She lives in New Jersey with her husband, pianist Jonathan Feldman, and their son, Gabriel.

Learn more about Judith LeClair

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Kim Laskowski

Bassoon

Kim Laskowski

Bassoon

Kim Laskowski

Bassoon

Kim Laskowski joined the New York Philharmonic in September 2003 as Associate Principal Bassoon. Born in Brooklyn, she attended the High School of Music and Art and The Juilliard School, where she studied with Harold Goltzer, former Associate Principal Bassoon of the New York Philharmonic. While at Juilliard she won the Walter and Elsie Naumburg Award for Orchestral Excellence. She completed a master’s degree at Juilliard while playing in the National Orchestral Association, and has also participated in the Tanglewood and Spoleto festivals. Recipient of a Fulbright grant for foreign study, she attended the Conservatoire National Superieure de Paris, where she was a student of Maurice Allard. While at the Conservatoire, she toured Europe as a member of the Orchestre des Prix.

As an active player on the New York musical scene, Ms. Laskowski has appeared with ensembles such as the Orchestra of St. Luke’s, American Symphony Orchestra, and Eos Orchestra. She can be heard on numerous television, radio, and film scores, and holds two platinum records for CDs recorded with the rock group 10,000 Maniacs. As a chamber player, she has performed and recorded several CDs with Music Amici in classical, jazz, and 20th-century works for mixed ensembles.

Before joining the Philharmonic, Ms. Laskowski played second bassoon in the New York City Ballet Orchestra. She was principal bassoon of the Mostly Mozart Festival Orchestra from 1999 through 2003.

Kim Laskowski resides in Manhattan with her husband, Zaharis Kalaitzis, and her two children, Lana and Theo.

Learn more about Kim Laskowski

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Christopher Martin

Trumpet

Christopher Martin

Trumpet

Christopher Martin New York Philharmonic

Trumpet

Christopher Martin joined the New York Philharmonic as Principal Trumpet, The Paula Levin Chair, in September 2016. He served as principal trumpet of the Chicago Symphony Orchestra (CSO) for 11 seasons, and enjoyed a distinctive career of almost 20 years in many of America’s finest orchestras, including as principal trumpet of the Atlanta Symphony Orchestra and associate principal trumpet of The Philadelphia Orchestra. He made his New York Philharmonic solo debut in October 2016, performing Ligeti’s The Mysteries of the Macabre, led by then Music Director Alan Gilbert.

Praised as a musician of “effortless understated virtuosity” by The Chicago Tribune, Christopher Martin has appeared as soloist multiple times nationally and internationally with the CSO and music director Riccardo Muti. Highlights of Mr. Martin’s solo appearances include the 2012 World Premiere of Christopher Rouse’s concerto Heimdall’s Trumpet; Panufnik’s Concerto in modo antico, with Mr. Muti; a program of 20th-century French concertos by André Jolivet and Henri Tomasi; and more than a dozen performances of J.S. Bach’s Brandenburg Concerto No. 2. Other solo engagements have included Mr. Martin with the Australian Chamber Orchestra, Seiji Ozawa’s Saito Kinen Festival, Atlanta and Alabama Symphony Orchestras, and the National Symphony Orchestra of Mexico. Christopher Martin’s discography includes a solo trumpet performance in John Williams’s score to Steven Spielberg’s Lincoln (2012), the National Brass Ensemble’s Gabrieli album, and CSO Resound label recordings, including the 2011 release of CSO Brass Live.

Dedicated to music education, Mr. Martin has served on the faculty of Northwestern University and coached the Civic Orchestra of Chicago. In 2010 he co-founded the National Brass Symposium with his brother Michael Martin, a trumpeter in the Boston Symphony Orchestra, and in 2016 he received the Edwin Franko Goldman Memorial Citation from the American Bandmasters Association for outstanding contributions to the wind band genre. Christopher Martin and his wife, Margaret — an organist and pianist — enjoy performing together in recital and, most especially, for their daughter, Claire.

Learn more about Christopher Martin

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Ethan Bensdorf

Trumpet

Ethan Bensdorf

Trumpet

Ethan Bensdorf

Trumpet

Ethan Bensdorf joined the New York Philharmonic’s trumpet section on June 3, 2008, after spending the 2007–08 season as acting assistant principal trumpet with the Naples Philharmonic Orchestra in Naples, Florida. He received his bachelor of music degree from Northwestern University in 2007, where he studied with Barbara Butler, Charles Geyer, and Christopher Martin. While a student at Northwestern, Mr. Bensdorf spent two years performing with the Civic Orchestra of Chicago, the training orchestra for the Chicago Symphony Orchestra, and also performed with the New World Symphony and the Chicago Symphony Orchestra’s contemporary ensemble, MusicNOW. In May 2005, Mr. Bensdorf was selected to perform at the Kennedy Center for the Performing Arts representing Northwestern University as part of “The Conservatory Project” recital series.

In September of 2006, Mr. Bensdorf received the Armando Ghitalla International Trumpet Classic Award, which included solo appearances with the United States Coast Guard Band and the Berkshire Symphony Orchestra in Massachusetts. He also spent two summers as a participant in the Pacific Music Festival in Sapporo, Japan; one summer at the National Orchestral Institute in Maryland; and was selected as a Fellow at the Tanglewood Music Center in the summers of 2006 and 2007, where he received the Voisin Trumpet Award.

Learn more about Ethan Bensdorf

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Colin Williams

Trombone

Colin Williams

Trombone

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Trombone

Colin Williams joined the New York Philharmonic as Associate Principal Trombone in September 2014. He previously served as principal trombone of the Atlanta Symphony Orchestra, for 12 seasons, and principal trombone of the San Antonio Symphony, for three seasons. He has also performed with the Chicago Symphony Orchestra, National Symphony Orchestra (of Washington, D.C.), and Houston Symphony.

Mr. Williams made his solo debut with the Atlanta Symphony Orchestra in 2003 performing Paul Creston’s Fantasy for Trombone. He has been a guest soloist with the San Antonio Symphony, U.S. Army Band (Pershing’s Own), U.S. Military Academy Band, Georgia Brass Band, Atlanta Wind Ensemble, Juilliard Orchestra, and James Madison University Brass Band. He has also appeared as a soloist at the Eastern Trombone Workshop and the International Trombone Festival.

Also active as a chamber musician, Colin Williams has participated in numerous festivals, including the Saito Kinen Festival Orchestra under Seiji Ozawa in Matsumoto, Japan; Grand Teton Music Festival; and Amelia Island Chamber Music Festival. He has also performed with the Chicago Chamber Musicians.

Mr. Williams’s first solo CD, Roadwork, is a collaboration with his former Atlanta Symphony Orchestra colleagues Bill Thomas and George Curran. Together with Bradley Palmer at Columbus State University, the four musicians founded the Southeast Trombone Symposium in 2010: through his continuing work with the Symposium Mr. Williams has helped to educate hundreds of young trombonists.

During his high school years Colin Williams studied with Douglass Wright. He continued his education at Manhattan School of Music and The Juilliard School, where his primary teachers included Philharmonic Principal Trombone Joseph Alessi and Philharmonic trombonist David Finlayson. He is an alumnus of the Music Academy of the West, now a partner in the New York Philharmonic Global Academy.

Learn more about Colin Williams

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George Curran

Bass Trombone

George Curran

Bass Trombone

Curran

Bass Trombone

George Curran became the bass trombonist of the New York Philharmonic in June 2013 after serving in that role with the Orchestra during the 2012–13 season. Previously, he was a member of the Atlanta Symphony Orchestra for five years and a fellow with the New World Symphony. He has also performed with the major orchestras of Cincinnati, Detroit, Colorado, North Carolina, and Alabama.

In 2010 he performed with the Atlanta Trombone Project on a recording titled Roadwork. This project resulted in the formation of the Southeast Trombone Symposium, a week-long summer workshop at Columbus State University (CSU) where college students are coached by members of the Atlanta Symphony Orchestra trombone section. Mr. Curran was a soloist on a recently released recording titled A Beautiful Noise, which features prominent trombone soloists performing with the CSU Trombone Choir, including Philharmonic Principal Trombone Joseph Alessi. Mr. Curran has also performed concertos with the U.S. Army Band at the Eastern Trombone Workshop, Georgia Youth Symphony Orchestra, and many college ensembles.

A native of Farmington Hills, Michigan, George Curran received his bachelor’s degree in music education from Central Michigan University and a master’s degree in performance from the University of Cincinnati College-Conservatory of Music. His principal teachers have included John Rojak and Peter Norton.

Learn more about George Curran

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Lisa GiHae Kim

Violin

Lisa GiHae Kim

Violin

Lisa-GiHae Kim

Violin

Lisa GiHae Kim joined the New York Philharmonic's violin section in February, 2003. As a soloist, Ms. Kim has appeared with the Chicago Symphony Orchestra, City of Birmingham Symphony Orchestra, Orchestra of St. John's Smith Square (under the direction of Lord Yehudi Menuhin), Santa Cruz Symphony Orchestra, San Angelo Symphony, Flint Symphony Orchestra, and other ensembles.

An active chamber musician, Ms. Kim has participated in the Taos Chamber Music Festival, and the Aspen and Sarasota music festivals, and has toured with the American Chamber Players and the International Sejong Soloists.

Ms. Kim was awarded the top prize in the Yehudi Menuhin International Violin Competition, the Irving M. Klein International String Competition, and the Kingsville International Young Performer’s Competition. As a Presidential Scholar, Ms. Kim performed in recital at the Kennedy Center.

Learn more about Lisa GiHae Kim

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Kuan Cheng Lu

Violin

Kuan Cheng Lu

Violin

Kuan-Cheng Lu

Violin

Violinist Kuan Cheng Lu joined the New York Philharmonic at the start of the 2004–05 season — the first Taiwanese classical musician to earn a seat in the Philharmonic in its 170-year history. Mr. Lu has received numerous awards and scholarships that include the top prize in the Taiwan National Violin Competition, first prize in the ASTA string competition, the Raphael Bronstein Award, and the Taiwan Chi-Mei Corporation’s Outstanding Young Artist award. He received his bachelor’s in music degree from Oberlin College, his master’s in music from the Manhattan School of Music, and his doctor of musical arts from the Graduate Center, City University of New York (CUNY). He is an alumnus of the Music Academy of the West, now a partner in the New York Philharmonic Global Academy, and has studied with former New York Philharmonic Concertmaster Glenn Dicterow, Lisa Kim, Associate Principal, Second Violin Group, and Yoko Takebe. Other teachers have included Roland and Almita Vamos, Daniel Phillips, Julia Bushkova, as well as his father, Chung Chih Lu.

Mr. Lu has served as concertmaster of the Verbier Orchestra, Pacific Music Festival, Music Academy of the West, Oberlin Orchestra, Oberlin Contemporary Music Ensemble, Manhattan Chamber Sinfonia, Manhattan Symphony, and Manhattan Philharmonia. As a member of the New York Philharmonic Ensembles, he makes regular appearances at Merkin Hall. Mr. Lu teaches at the Manhattan School of Music in the graduate program for orchestra performance.

Learn more about Kuan Cheng Lu

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Rebecca Young

Viola

Rebecca Young

Viola

Rebecca Young

Viola

Rebecca Young joined the New York Philharmonic in 1986 as its youngest member. In 1991 she won the position of Associate Principal Viola. Two months later she was named principal viola of the Boston Symphony Orchestra. After spending the 1992–93 season in Boston and two summers at Tanglewood, she ultimately decided to return to her family in New York, resuming her Associate Principal position with the Philharmonic in September 1994. She can currently be seen leading the viola section of the All-Star Orchestra, a popular televised educational series about classical music.

An avid chamber musician, Ms. Young has performed with many renowned groups, including the Boston Chamber Music Society, Boston Symphony Chamber Players, New York Philharmonic Ensembles, and The Chamber Music Society of Lincoln Center. She can be heard in a recording of Schubert’s Trout Quintet with cellist Yo-Yo Ma, pianist Emanuel Ax, violinist Pamela Frank, and bass player Edgar Meyer on the Sony Classical label.

In the spring of 1999 Ms. Young joined Philharmonic Principal Viola Cynthia Phelps in the World Premiere of Sofia Gubaidulina’s Two Paths: Music for Two Solo Violas and Symphony Orchestra with the Philharmonic. The work was commissioned for them by Tomoko Masur, wife of Philharmonic Music Director Emeritus Kurt Masur and herself a former violist. The two performed it at Avery Fisher Hall, in Washington, D.C., and again during the Orchestra’s subsequent tour of the Canary Islands, Spain, and Portugal, as well as the Europe 2000 Tour, and again in April 2011 in New York. In 2014 she gave the World Premiere of Oscar Bettison’s Threaded Madrigals for solo viola. Ms. Young is a graduate of The Juilliard School.

Ms. Young was first introduced to music at the age of two when her parents took her to the New York Philharmonic’s Young People’s Concerts led by Leonard Bernstein. Today, she is the host of the Philharmonic’s popular Very Young Peoples Concerts, intimate chamber music concerts where she has tap-danced, played drums, ridden a scooter around the stage, and even sung Gilbert & Sullivan. Her philosophy is less to educate than, as she puts it, “to make the audiences have so much fun they want to come back!”

Learn more about Rebecca Young

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Ru-Pei Yeh

Cello

Ru-Pei Yeh

Cello

Ru-Pei Yeh

Cello

Ru-Pei Yeh, cello, who joined the New York Philharmonic in September 2006, has performed regularly as a recitalist in her native Taiwan and in the U.S. A founding member of the Formosa Quartet, formed in 2003, she has served as acting principal cello of the San Diego Symphony and the San Diego Opera, in addition to performing with a string quartet of principal players from the San Diego Symphony. She has made solo appearances with the Hudson Valley Philharmonic, National Taiwan Symphony, Taiwan’s Evergreen Symphony Orchestra, Jacksonville Symphony Orchestra, North Carolina School of the Arts’s International Music Program Orchestra, and Kuan-Jen School Orchestra, and is the winner of numerous competitions.

Ms. Yeh, who has been performing professionally since the age of 10, moved to the U.S. at 13 to study with Orlando Cole at the Temple Preparatory School. In her last two years of high school she studied with Robert Marsh at the North Carolina School of the Arts. Ms. Yeh received her bachelor of music degree from the New England Conservatory under the tutelage of Laurence Lesser, and received her master’s degree and artist diploma from The Juilliard School, studying with Joel Krosnick.

Learn more about Ru-Pei Yeh

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Helen Huang

Piano

Helen Huang

Piano

Piano

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Special Thanks

The New York Philharmonic Ensembles concerts are funded, in part, by the Zubin Mehta Fund for the Orchestra, an endowment fund created to honor the accomplishments of the Philharmonic’s former Music Director, Zubin Mehta.

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