Jaap Van Zweden Conducts Shostakovich

The New York Philharmonic

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Jaap van Zweden Conducts Shostakovich


David Geffen Hall

Price Range



2 hours with intermission

No Late Seating
Date & Times


Nov, 2018

Thursday, 7:30 PM


Nov, 2018

Friday, 11:00 AM


Dec, 2018

Tuesday, 7:30 PM

Event Info

Jaap van Zweden leads the Orchestra in Shostakovich’s Leningrad Symphony, born under the sign of war. Its unremitting march rhythms, alongside music of indomitable hope and triumph, guarantee a gripping experience. Simone Lamsma performs Britten’s Violin Concerto — you’ll experience pyrotechnics along with melodies of haunting beauty and poignancy.



Violin Concerto



Symphony No. 7, Leningrad


Jaap van Zweden


Jaap van Zweden


Jaap van Zweden


Jaap van Zweden began his tenure as the 26th Music Director of the New York Philharmonic in September 2018. He also serves as Music Director of the Hong Kong Philharmonic, a post he has held since 2012, and has appeared as guest conductor with many other leading orchestras around the globe, including the Orchestre de Paris, Leipzig Gewandhaus Orchestra, Los Angeles Philharmonic, Vienna Philharmonic, Berlin Philharmonic, and London Symphony Orchestra.

In the 2019–20 season, Jaap van Zweden conducts the New York Philharmonic in seven World Premieres and symphonic cornerstones. He presides over Project 19, marking the centennial of the 19th Amendment with commissions by 19 women composers; the hotspots festival, spotlighting Berlin, Reykjavík, and New York as new-music centers; and Mahler’s New York, examining the composer / conductor who spent time in New York as the Philharmonic’s tenth Music Director. During the 2020 European tour, he and the Orchestra will open the Concertgebouw’s Mahler Festival as the first American orchestra in the festival’s history. Other highlights include a new production of Schoenberg’s Erwartung and Bartók’s Bluebeard’s Castle; his first Young People’s Concert; and the low-cost Phil the Hall. He also guest conducts the Chicago Symphony, The Cleveland Orchestra, Netherlands Radio Philharmonic, Shanghai Symphony Orchestra, and Amsterdam’s Royal Concertgebouw Orchestra.

Jaap van Zweden’s most recent recording is of the World Premiere performance of Julia Wolfe’s Fire in my mouth, continuing the Philharmonic’s partnership with Decca Gold. He conducted the first-ever performances in Hong Kong of Wagner’s Ring Cycle, which have been recorded and released on Naxos, and his performance of Parsifal earned him the prestigious Edison Award for Best Opera Recording in 2012.

Born in Amsterdam, Jaap van Zweden was appointed at age 19 as the youngest-ever concertmaster of Amsterdam’s Royal Concertgebouw Orchestra. He began his conducting career almost 20 years later, in 1996. He remains Honorary Chief Conductor of the Netherlands Radio Philharmonic, where he was Chief Conductor (2005–13), served as Chief Conductor of the Royal Flanders Orchestra (2008–11), and was Music Director of the Dallas Symphony Orchestra (2008–18), where he is now Conductor Laureate. Jaap van Zweden was named Musical America’s 2012 Conductor of the Year and was the subject of a 60 Minutes profile on CBS in 2018.

In 1997 Jaap van Zweden and his wife, Aaltje, established the Papageno Foundation to support families of children with autism. Today, the Foundation focuses on the development of children and young adults with autism by providing in-home music therapy; developing funding opportunities for autism programs; operating the Papageno House, where young adults with autism live, work, and participate in the community; and creating a research center in the Papageno House for early diagnosis and treatment of autism and analyzing the effects of music therapy on autism. Most recently, the Foundation launched the app TEAMPapageno, which allows children with autism to communicate with each other through music composition.

Learn more about Jaap van Zweden

Simone Lamsma


Simone Lamsma


Simone Lamsma by Otto van den Toorn


Dutch violinist Simone Lamsma has an extensive repertoire of more than 60 violin concertos. In recent seasons she has performed with orchestras including the Chicago, Dallas, San Francisco, National, Antwerp, RTVE, and São Paulo symphony orchestras; Rotterdam, BBC, Netherlands Radio, Frankfurt Radio, Royal Stockholm, Seoul, and Hong Kong Philharmonic orchestras; and The Cleveland Orchestra, Amsterdam’s Royal Concertgebouw Orchestra, Orchestre Philharmonique de Radio France, and Orchestra Sinfonica Nazionale della RAI.

Current and future season highlights include debuts with the New York Philharmonic; Detroit, Pittsburgh, Sydney, Houston, San Diego, and MDR Leipzig Radio symphony orchestras; and the Oslo Philharmonic, Gürzenich Orchestra Cologne, and Orchestre national du Capitole de Toulouse. She returns to the Royal Concertgebouw Orchestra, Netherlands Radio Philharmonic and Netherlands Philharmonic at the Royal Concertgebouw, Warsaw Philharmonic, and the RTE National, Oregon, Bournemouth, Cincinnati, and Yomiuri Nippon symphony orchestras. In addition to her close collaboration with Jaap van Zweden, Ms. Lamsma has worked with eminent conductors including Marc Albrecht, Jiří Bělohlávek, Andrew Davis, Stéphane Denève, Carlos Kalmar, Lawrence Foster, Fabien Gabel, James Gaffigan, Vladimir Jurowski, Hannu Lintu, Neville Marriner, Juanjo Mena, Yannick Nézet-Séguin, Andrés Orozco-Estrada, François-Xavier Roth, Jukka-Pekka Saraste, Yan Pascal Tortelier, Robert Trevino, Edo de Waart, Omer Meir Wellber, and Mark Wigglesworth.

Simone Lamsma’s recent recital appearances include her debuts at London’s Wigmore Hall and New York’s Carnegie Hall in March 2017 with pianist Robert Kulek. In May 2018 she was invited by His Majesty King Willem-Alexander and Her Majesty Queen Máxima of The Netherlands to perform during their official state visit to Luxembourg. Her most recent recording — featuring Shostakovich’s First Violin Concerto and Sofia Gubaidulina’s In Tempus praesens with the Netherlands Radio Philharmonic under James Gaffigan and Reinbert de Leeuw — was released on Challenge Classics in 2017.

Simone Lamsma plays the “Mlynarski” Stradivarius (1718), on generous loan to her by an anonymous benefactor.

Learn more about Simone Lamsma


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