Goerne and Trifonov at 92Y

The New York Philharmonic

Update Browser

Pages don't look right?

You are using a browser that does not support the technology used on our website.

Please select a different browser or use your phone or tablet to access our site.

Download: Firefox | Chrome | Safari

If you're using Internet Explorer, please update to the latest version.

Become a 2018–19 subscriber when you purchase 3 or more eligible concerts and enjoy exclusive benefits, including unlimited no-fee ticket exchanges.

Calendar

Goerne and Trifonov at 92Y

Location

92Y

Directions
Date & Times

17

Mar, 2019

Sunday, 3:00 PM

Event Info

Purchase tickets from 92Y

Matthias Goerne (“a masterly singer endowed with an opulent baritone that includes a silky, cellolike high register and penetrating depths” — The New York Times), the season’s Artist-in-Residence, joins Daniil Trifonov (“The finest young pianist in the world” — The Times of London), and Philharmonic musicians in this feast of chamber music.

Co-presented with 92nd Street Y

Program

Schubert / Arr. R. Merlin

Die Götter Griechenlands

×

Schubert / Arr. R. Merlin

Der Tod und das Mädchen

×

Schubert / Arr. R. Merlin

Der Jüngling und der Tod

×

Schubert / Arr. R. Merlin

Atys

×

Schubert / Arr. R. Merlin

Der liebliche Stern

×

Eisler

Ernste Gesänge

×

Schubert

Auf dem Strom

×

Schumann / Arr. A. Schmalcz

Die Löwenbraut

×

Brahms

Zwei Gesänge, Op. 91

×

Brahms

Piano Trio No. 1

×
Artists

Matthias Goerne

Baritone

Matthias Goerne

Baritone

Matthias Goerne

Baritone

Matthias Goerne is The Mary and James G. Wallach Artist-in-Residence at the New York Philharmonic for the 2018–19 season. In this role, he will appear with the Philharmonic and Music Director Jaap van Zweden in Schubert and Strauss songs, Brahms’s Ein deutsches Requiem, and John Adams’s The Wound-Dresser, and perform chamber music with Philharmonic musicians and pianist Daniil Trifonov. One of the world’s most versatile and internationally sought-after vocalists, he is a frequent guest at renowned festivals and concert halls and has collaborated with the world’s leading orchestras, conductors, and pianists. Born in Weimar, he studied with Hans-Joachim Beyer in Leipzig and, later, with Elisabeth Schwarzkopf and Dietrich Fischer-Dieskau.

Mr. Goerne has appeared on the world’s major opera stages, including The Metropolitan Opera, Madrid’s Teatro Real, Opéra national de Paris, Vienna Staatsoper, and Royal Opera House, Covent Garden. His Wagner roles have included Wolfram (Tannhäuser), Amfortas (Parsifal), Kurwenal (Tristan and Isolde), and Wotan (The Ring). Other notable roles include Orest (Richard Strauss’s Elektra) and Jochanaan (Strauss’s Salome) and the title roles in Bartók’s Bluebeard’s Castle and Berg’s Wozzeck.

His artistry has been documented on numerous recordings, many of which have received prestigious awards, including four Grammy nominations, an ICMA Award, a Gramophone Award, the BBC Music Magazine Vocal Award 2017, and a Diapason d’or arte. After his legendary recordings with Vladimir Ashkenazy and Alfred Brendel for Universal Music, he recorded The Goerne / Schubert Edition, a series of select Schubert songs with eminent pianists, released on 12 CDs for Harmonia Mundi. He has received rave reviews for his latest recordings of Brahms songs with Christoph Eschenbach, Schumann songs with Markus Hinterhäuser, Mahler songs with the BBC Symphony Orchestra, and Wagner arias with the Swedish Radio Symphony Orchestra.

In addition to his New York Philharmonic residency, Matthias Goerne’s 2018–19 season highlights include concerts with the Los Angeles Philharmonic and Pittsburgh and Houston Symphony Orchestras, and with orchestras in Europe and Japan. He appears as Kurwenal in Tristan and Isolde at Opéra national de Paris, and as Amfortas in Parsifal at the Vienna Staatsoper. Song recitals with Daniil Trifonov and Leif Ove Andsnes take him to Berlin’s Philharmonie, Philharmonie de Paris, London’s Wigmore Hall, Barcelona’s Palau de la Música, and other major European venues.

Learn more about Matthias Goerne

×

Daniil Trifonov

Piano

Daniil Trifonov

Piano

Daniil Trifonov by Dario Acosta

Piano

Russian pianist Daniil Trifonov has been named The Mary and James G. Wallach Artist-in-Residence for the 2019–20 season. His activities reflect his many talents: champion of the concerto repertoire, with performances of works by Scriabin and Mozart in New York and on tour; solo artist, with a recital at Alice Tully Hall; and collaborator in chamber music and composer, with a performance with the New York Philharmonic String Quartet of his Piano Quintet at 92nd Street Y, the work’s New York Premiere.

Mr. Trifonov was named Musical America’s Artist of the Year of 2019 and Gramophone’s Artist of the Year in 2016. In 2018 he won his first Grammy Award: Best Instrumental Solo Album for Transcendental, a double album of works by Liszt and his third title as an exclusive Deutsche Grammophon (DG) artist.

Mr. Trifonov launched the New York Philharmonic’s 2018–19 season and Jaap van Zweden’s tenure as Music Director with Ravel’s Concerto in G for the Opening Gala Concert, and Beethoven’s Emperor Concerto in the opening subscription program. He revisits the Ravel on tour with the London Symphony Orchestra and Simon Rattle, and during a residency at Vienna’s Musikverein, where he appears with the Vienna Philharmonic and gives the Austrian premiere of his own Piano Concerto. He also performs the Emperor with the London, National, and Cincinnati symphony orchestras, as well as The Cleveland Orchestra, with which he embarks on a tour of Asia.

During a season-long residency with the Berlin Philharmonic, Daniil Trifonov plays Scriabin’s concerto with Andris Nelsons. Other highlights include returns to Carnegie Hall with longtime collaborator Valery Gergiev and the MET Orchestra, Chicago Symphony Orchestra, and the Boston Symphony Orchestra. On his upcoming DG release, Destination Rachmaninov: Departure, he performs the Second and Fourth Piano Concertos with The Philadelphia Orchestra and Yannick Nézet-Séguin, his partners on 2015’s Rachmaninov: Variations.

In recital this season, Mr. Trifonov plays concertos by Beethoven, Schumann, and Prokofiev at Carnegie and in Berlin, where his Berlin Philharmonic residency features multiple solo and chamber performances. These include accounts of his own Piano Quintet, of which he also gives the Cincinnati Premiere with the Ariel Quartet. In Berlin, and at 92nd Street Y, he plays duo recitals with his frequent partner, baritone Matthias Goerne.

The Philharmonic’s relationship with Daniil Trifonov began with his critically acclaimed Philharmonic debut in 2012 at the age of 21. In November 2015 he was the featured soloist in Rachmaninoff: A Philharmonic Festival and subsequently joined the Philharmonic Board of Directors.

Learn more about Daniil Trifonov

×

Frank Huang

Violin

Frank Huang

Violin

Frank Huang

Violin

Frank Huang joined the New York Philharmonic as Concertmaster, The Charles E. Culpeper Chair, in September 2015. The First Prize Winner of the 2003 Walter W. Naumburg Foundation’s Violin Competition and the 2000 Hannover International Violin Competition, he has established a major career as a violin virtuoso. Since performing with the Houston Symphony in a nationally broadcast concert at the age of 11 he has appeared with orchestras throughout the world including The Cleveland Orchestra, Los Angeles Philharmonic, Saint Paul Chamber Orchestra, Indianapolis Symphony, NDR Radio Philharmonic Orchestra of Hannover, Amadeus Chamber Orchestra, and the Genoa Orchestra. He has also performed on NPR’s Performance Today, ABC’s Good Morning America, and CNN’s American Morning with Paula Zahn. He has performed at Wigmore Hall (in London), Salle Cortot (Paris), Kennedy Center (Washington, D.C.), and the Herbst Theatre (San Francisco), as well as a second recital in Alice Tully Hall (New York), which featured the World Premiere of Donald Martino’s Sonata for Solo Violin. Mr. Huang’s first commercial recording — featuring fantasies by Schubert, Ernst, Schoenberg, and Waxman — was released on Naxos in 2003. He made his New York Philharmonic solo debut in June 2016 leading and performing Vivaldi’s The Four Seasons and Piazzolla’s Four Seasons of Buenos Aires. In 2017–18 he led the Orchestra from his Concertmaster chair in works by Mozart and Tchaikovsky, and performed with the Philharmonic as soloist in Lalo’s Symphonie espagnole at Bravo! Vail.

Mr. Huang has had great success in competitions since the age of 15 and received top prize awards in the Premio Paganini International Violin Competition and the Indianapolis International Violin Competition. Other honors include Gold Medal Awards in the Kingsville International Competition, Irving M. Klein International Competition, and D’Angelo International Competition.

In addition to his solo career, Mr. Huang is deeply committed to chamber music. He is a member of the New York Philharmonic String Quartet, established in the 2016–17 season, and has performed at the Marlboro Music Festival, Ravinia’s Steans Institute, Seattle Chamber Music Festival, and Caramoor. He frequently participates in Musicians from Marlboro’s tours, and was selected by The Chamber Music Society of Lincoln Center to be a member of the prestigious CMS Two program. Before joining the Houston Symphony as concertmaster in 2010, Frank Huang held the position of first violinist of the Grammy Award–winning Ying Quartet and was a faculty member at the Eastman School of Music.

Frank Huang was born in Beijing, China. At the age of seven he moved to Houston, Texas, where he began violin lessons with his mother. He commenced study with Fredell Lack at the University of Houston and at 16 he enrolled in the pre-college program at the Cleveland Institute of Music (CIM) where he studied with Donald Weilerstein. He continued studies with Weilerstein in college and earned his bachelor of music degree from CIM in 2002. He subsequently attended The Juilliard School in New York City, studying violin with Robert Mann. He is an alumnus of the Music Academy of the West. He served on the faculties of The Shepherd School of Music at Rice University and the University of Houston, and currently serves on the faculty of The Juilliard School.

Learn more about Frank Huang

×

Michelle Kim

Violin

Michelle Kim

Violin

Michelle Kim

Violin

Violinist Michelle Kim has been Assistant Concertmaster, The William Petschek Family Chair, of the New York Philharmonic since 2001. She has performed as a soloist with orchestras such as the New York Philharmonic, New Jersey Philharmonic, Santa Barbara Chamber Orchestra, and Pacific Symphony. An active chamber musician, Ms. Kim has collaborated with violinists Cho Liang Lin, Christian Tetzlaff, and Pinchas Zukerman; cellists Mstislav Rostropovich, Lynn Harrell, and Gary Hoffman; and pianists Lang Lang and Yefim Bronfman. She has performed at various festivals including the Santa Fe Chamber Music Festival, La Jolla Chamber Music Festival, Strings in the Mountain, and Bravo! Vail. Ms. Kim has also served as the first violinist of the Rossetti String Quartet, and was a Sterne Virtuoso Artist at Skidmore College in 2007–08.

A student of Robert Lipsett and a former Presidential Scholar, Ms. Kim attended the University of Southern California’s Thornton School of Music as a Starling Foundation scholarship recipient, and considers Heiichiro Ohyama and Henry Gronnier as her mentors. She has been a member of the faculty at the USC Thornton School of Music, the Colburn School, and the University of California Santa Barbara, and currently teaches at the Mannes College of Music.

Learn more about Michelle Kim

×

Cynthia Phelps

Viola

Cynthia Phelps

Viola

Cynthia Phelps New York Philharmonic

Viola

Cynthia Phelps is the New York Philharmonic’s Principal Viola, The Mr. and Mrs. Frederick P. Rose Chair. Highlights of her solo appearances with the Orchestra have included the New York Premiere–Philharmonic Co-Commission of Julia Adolphe’s Unearth, Release, in 2016; performances on the 2006 Tour of Italy, sponsored by Generali; Mozart’s Sinfonia concertante in 2010 and 2014; and Sofia Gubaidulina’s Two Paths, which the Orchestra commissioned for her and Philharmonic Associate Principal Viola Rebecca Young and which they premiered in 1999 and reprised both on tour and in New York, most recently in 2011. Other solo engagements have included the Minnesota Orchestra, San Diego Symphony, Orquesta Sinfónica de Bilbao, and Hong Kong Philharmonic.

Ms. Phelps is a member of the New York Philharmonic String Quartet, established in the 2016–17 season, and performs with The Chamber Music Society of Lincoln Center, Jupiter Chamber Players, and the Santa Fe, La Jolla, Seattle, Chamber Music Northwest, and Bridgehampton festivals. She has appeared with the Guarneri, Tokyo, Orion, American, Brentano, and Prague Quartets, and the Kalichstein-Laredo-Robinson Trio. She has given recitals in the major music capitals of Europe and the U.S. She is also a founding member of the chamber group Les Amies, a flute-harp-viola group with Philharmonic Principal Harp Nancy Allen and flutist Carol Wincenc.

Ms. Phelps is a first-prize winner of both the Lionel Tertis International Viola Competition and the Washington International String Competition, and is a recipient of the Pro Musicis International award. Under the auspices of this philanthropic organization, she has appeared as soloist in New York, Los Angeles, Boston, Rome, and Paris, as well as in prisons, hospitals, and drug rehabilitation centers worldwide. Her recording Air, for flute, viola, and harp on Arabesque, was nominated for a Grammy Award. Her television and radio credits include Live From Lincoln Center on PBS; St. Paul Sunday Morning on NPR; Radio France; Italy’s RAI; and WGBH in Boston. Ms. Phelps has served on the faculties at The Juilliard School and the Manhattan School of Music. She is married to cellist Ronald Thomas.

Learn more about Cynthia Phelps

×

Cong Wu

Viola

Cong Wu

Viola

Cong Wu

Viola

Cong Wu joined the New York Philharmonic as Assistant Principal Viola, The Norma and Lloyd Chazen Chair, in September 2018, while pursuing his doctoral degree at Manhattan School of Music. Winner of the Third Prize and the Chamber Music Prize in the Fourteenth Primrose International Viola Competition, and the Special Prize in the Twelfth Tertis International Viola Competition, he has performed throughout North America and Asia, including solo appearances with the Santa Barbara Chamber Orchestra, Macau Youth Orchestra, and New York Classical Players.

An avid chamber musician, Mr. Wu has collaborated with Christoph Eschenbach, David Finckel, Itzhak Perlman, Philharmonic Principal Viola Cynthia Phelps, Peter Wiley, Pinchas Zukerman, and the American String Quartet. He has performed at various festivals, including Marlboro Music Festival, The Chamber Music Society of Lincoln Center’s Chamber Music Encounters, Music@Menlo, Perlman Music Program, Lake Champlain Chamber Music Festival, and Schleswig-Holstein Musik Festival in Germany.

Cong Wu was recently appointed as a guest faculty member of the National Arts Centre Summer Music Institute in Canada, and performed in the Music@Menlo Winter Residency. He also regularly appears with the Jupiter Symphony Chamber Players, East Coast Chamber Orchestra, and New York Classical Players.

Born in Jinan, China, Cong Wu moved to New York in 2010 after graduating from the Beijing Central Conservatory of Music, where he studied with Wing Ho. He holds degrees from The Juilliard School and Manhattan School of Music, where he studied with Heidi Castleman, Hsin-Yun Huang, Patinka Kopec, and Pinchas Zukerman.

Learn more about Cong Wu

×

Carter Brey

Cello

Carter Brey

Cello

Carter Brey

Cello

Carter Brey was appointed Principal Cello, The Fan Fox and Leslie R. Samuels Chair, of the New York Philharmonic in 1996. He made his official subscription debut with the Orchestra in May 1997 performing Tchaikovsky’s Rococo Variations under the direction of then Music Director Kurt Masur. He has since appeared as soloist almost every season, and was featured during The Bach Variations: A Philharmonic Festival, when he gave two performances of the cycle of all six of Bach’s cello suites. Most recently, he was the soloist in performances of Schumann’s Cello Concerto on the Orchestra’s CALIFORNIA 2016 tour, led by then Music Director Alan Gilbert.

He rose to international attention in 1981 as a prizewinner in the Rostropovich International Cello Competition. The winner of the Gregor Piatigorsky Memorial Prize, Avery Fisher Career Grant, Young Concert Artists’ Michaels Award, and other honors, he also was the first musician to win the Arts Council of America’s Performing Arts Prize.

Mr. Brey has appeared as soloist with virtually all the major orchestras in the United States, and performed under the batons of prominent conductors including Claudio Abbado, Semyon Bychkov, Sergiu Comissiona, and Christoph von Dohnányi. He is a member of the New York Philharmonic String Quartet, established in the 2016–17 season, and has made regular appearances with the Tokyo and Emerson string quartets,The Chamber Music Society of Lincoln Center, and at festivals such as Spoleto (both in the United States and Italy) and the Santa Fe and La Jolla Chamber Music festivals. He and pianist Christopher O’Riley recorded Le Grand Tango: Music of Latin America, a disc of compositions from South America and Mexico released on Helicon Records.

Mr. Brey was educated at the Peabody Institute, where he studied with Laurence Lesser and Stephen Kates, and at Yale University, where he studied with Aldo Parisot and was a Wardwell Fellow and a Houpt Scholar. His violoncello is a rare J.B. Guadagnini made in Milan in 1754.

Learn more about Carter Brey

×

Nathan Vickery

Cello

Nathan Vickery

Cello

Vickery

Cello

Cellist Nathan Vickery joined the New York Philharmonic in September 2013. He has appeared as a soloist with the Indianapolis Symphony Orchestra and as a recitalist and chamber musician at festivals including the Marlboro Chamber Music Festival, Ravinia’s Steans Music Institute, and the Chamber Music Workshop at the Perlman Music Festival, as well as throughout Europe with Curtis on Tour. As a chamber musician he has collaborated with violinists Joshua Bell, Pamela Frank, and Miriam Fried; pianist Jonathan Biss; and the contemporary music ensemble Eighth Blackbird, among others. Mr. Vickery has appeared on NPR’s From the Top and WFMT in Chicago. He has won numerous competitions, including the Second International David Popper Cello Competition (Hungary) and the Indianapolis Symphony Orchestra’s Maurer Young Musicians Contest. He received his bachelor’s degree from The Curtis Institute of Music, where he studied with Peter Wiley. Nathan Vickery has served on the faculty of the Indiana University Summer String Academy.

Learn more about Nathan Vickery

×

Timothy Cobb

Bass

Timothy Cobb

Bass

Timothy Cobb

Bass

Bassist Timothy Cobb joined the New York Philharmonic as Principal Bass in May 2014, after serving as principal bass of The Metropolitan Opera Orchestra, and principal bass of the Mostly Mozart Festival Orchestra since 1989. He has appeared at numerous chamber music festivals worldwide, including the Marlboro Music festival, through which he has toured with the Musicians from Marlboro series. A faculty member of the Sarasota Music Festival, he is helping to launch a new bass program for the Killington Music Festival in Killington, Vermont. Mr. Cobb also serves as principal bass for Valery Gergiev’s World Orchestra for Peace, an invited group of musicians from around the world who donate their time biannually and perform to promote international harmony. Mr. Cobb has been designated a UNESCO Artist for Peace from his affiliation with the World Orchestra. He has an ongoing collaboration with actor Stephen Lang, for whom he recorded a solo bass sound track for Mr. Lang’s animated short film The Wheatfield, which depicts a human drama from the Battle of Gettysburg. The two were invited to Gettysburg in July 2013 on the 150th anniversary of the battle to perform in the Salute to the States event held there, and they will continue to collaborate for future events. Mr. Cobb serves as bass department chair for The Juilliard School as well as on the faculties of the Manhattan School of Music, Purchase College, and Rutgers University. He is also a distinguished visiting artist for Lynn University in Boca Raton, Florida. A native of Albany, New York, Timothy Cobb graduated from The Curtis Institute of Music, where he studied with Roger Scott. While at Curtis, Mr. Cobb was a substitute with The Philadelphia Orchestra and in his senior year became a member of the Chicago Symphony Orchestra under Georg Solti. Mr. Cobb can be heard on all Metropolitan Opera recordings released after 1986, as well as on a recording of Giovanni Bottesini’s duo bass music with bassist Thomas Martin on the Naxos label.

Learn more about Timothy Cobb

×
×

Purchase 3 or more eligible concerts & save.

About Create Your Own Series:

Pick three (or more) concerts and and enjoy exclusive Subscriber Benefits including unlimited free ticket exchange. Ideal for concertgoers who want the ultimate in flexibility and the benefits of being a subscriber.

Subscriber Benefits:

  • Free, easy ticket exchange (available online or by phone)
  • Save on subscription concerts all year long
  • Priority notice on special events

How it Works:

  1. Look for the Create Your Own Series icon CYO eligible icon next to a concert and add it to your cart.
  2. Simply follow the directions in the shopping cart and enter promo code CREATE3 at check out.
Go to top