Very Young People's Concerts - "Games and Toys"

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Calendar

Very Young People's Concerts: "Games and Toys"

Location

Merkin Concert Hall

Directions
Price Range

$26-31

Duration

1 hour

Date & Times

21

Jan, 2018

Sunday, 12:30 PM

21

Jan, 2018

Sunday, 3:00 PM

22

Jan, 2018

Monday, 10:30 AM

Event Info

Instruments can play games, too: musical chairs, follow-the-leader, tag…you’re it! Together we’ll find out how music can be fun for everyone.

Learn more about Very Young People's Concerts

Program

Schubert

Selections from Piano Quintet, Trout

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Artists

Yulia Ziskel

Violin

Yulia Ziskel

Violin

Yula Ziskel

Violin

A member of the New York Philharmonic’s first violin section since 2001, Yulia Ziskel, who holds The Friends and Patrons Chair, has established herself as a highly acclaimed solo, chamber, and orchestral musician. She has been praised by The Strad Magazine for “the sweetness of her sound.”

Ms. Ziskel’s recent appearances apart from the Philharmonic include a successful tour of Spain and the Ballearic Islands and recitals at Carnegie Hall’s Weill Recital Hall, Alice Tully Hall, and Merkin Concert Hall as well as venues in Italy, Germany, and Russia. Her solo appearances include performances with the Wisconsin Chamber Orchestra, South Florida Symphony, New York Chamber Symphony Orchestra, and St. Petersburg Chamber Orchestra. She has performed chamber music at Minato Mirai Hall in Yokohama, Japan; former Philharmonic Music Director Lorin Maazel’s private theater for the Chateuville Foundation; Lyric Chamber Music Society of New York for the Kosciuszko Foundation; and with Philharmonic colleagues during Saturday Matinee Concerts at Avery Fisher Hall and the New York Philharmonic Ensembles series at Merkin Concert Hall. Ms. Ziskel has also appeared on numerous radio programs, including WQXR’s The Listening Room, hosted by Robert Sherman. Her awards include First Prize in the Assembly of Arts International Violin Competition; the New Names award, one of the highest honors for young talent in Russia; and the Anna Bernstein Memorial Award.

Born in St. Petersburg, Russia, Yulia Ziskel began her musical training on the violin and piano at the age of four. She made her solo debut at age seven at the St. Petersburg Philharmonic Hall and at age twelve was a soloist with St. Petersburg Chamber Orchestra. As a teenager she toured extensively, appearing in solo recitals throughout Russia, Germany, Finland, Poland, and the United States. In 1994 Ms. Ziskel’s family immigrated to the United States, where she completed her bachelor of music degree at Indiana University and later received her master’s degree from The Juilliard School. Her teachers included Philharmonic Concertmaster Glenn Dicterow and violinist Yoko Takebe as well as Nelli Shkolnikiva, Lev Ivashenko, and Eugenia Poustireva.

Ms. Ziskel’s debut solo CD on the Sonoris label includes works by Wieniawski, Tchaikovsky, Ysaÿe, Brahms, and Paganini and features pianist Tatiana Goncharova, and her recording of chamber music was released on the Naxos label.

Learn more about Yulia Ziskel

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Katherine Greene

Viola

Katherine Greene

Viola

Katherine Greene

Viola

Violist Katherine Greene, a native New Yorker, holds a master’s degree in performance from The Juilliard School, where she studied with Mr. William Lincer (former Principal Viola of the New York Philharmonic). Over the years Ms. Greene has held various positions, including that of Assistant Principal Violist of the New Jersey Symphony Orchestra, a position she held for three years until she joined the New York Philharmonic in 1990.

Ms. Greene began her musical studies at the age of five on piano. Later, as an accomplished pianist, she enjoyed an extensive career as a soloist, teacher, and accompanist. After entering college she began to play the viola and eventually decided to pursue a career as a violist.

Ms. Greene’s professional background included several seasons with the New York City and Santa Fe Opera companies, and she regularly participates in studio recordings for film and television scores. As an active recitalist, chamber musician, and teacher she has been a member of the Rosewood Chamber Ensemble, which won the Artists International Competition, and has recorded for CRI and Musical Heritage Society with the Soviet Emigre Orchestra and the Orchestra of the 20th Century.

While serving on the faculty of the Westchester Conservatory of Music, Ms. Greene developed a successful chamber music program for adult amateurs. She specializes in orchestral coaching and performance psychology, and her students have won positions in various orchestras, music festivals, and conservatories.

Katherine Greene produced Strings in Swingtime, an album of American string quartet music with her colleagues from the Orchestra, released in January on the Bridge Records label.

Learn more about Katherine Greene

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Qiang Tu

Cello

Qiang Tu

Cello

Qiang Tu

Cello

Chinese-born cellist Qiang Tu enjoys a multi-faceted career as a performer, teacher, and advocate for classical music. Now in his third decade as a member of the New York Philharmonic, he has also concertized as a soloist, recitalist, and chamber musician in Australia, Belgium, China, France, Germany, Italy, Japan, South Korea, Switzerland, Taiwan, and the United Kingdom. In the United States he has performed at major venues in New York, Chicago, Los Angeles, St. Louis, Honolulu, and Princeton. He has shared the stage with numerous distinguished artists including pianists Garrick Ohlsson, Jean-Yves Thibaudet, and Lukas Foss; former New York Philharmonic Concertmaster Glenn Dicterow; and former Principal Clarinet Stanley Drucker. As a recording artist, Mr. Tu has released multiple solo albums on the China Record Corporation label and chamber music recordings on the Bridge Records, Cala Records, and EMI labels. A dedicated teacher, he is a member of the orchestral performance faculty at the Manhattan School of Music; early in his career he taught at the Beijing Central Conservatory.

Qiang Tu was raised in a musical family and began cello studies with his father, Zeguang Tu. He holds a bachelor of arts degree from Beijing Central Conservatory and a master of music degree from Rutgers University. He is an alumnus of the Music Academy of the West, now a partner in the New York Philharmonic Global Academy. His major cello teachers have included Bernard Greenhouse, Zara Nelsova, and Paul Tortelier.

When not at work Mr. Tu is a gourmet chef and enjoys the study of rare Chinese art.

Learn more about Qiang Tu

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Satoshi Okamoto

Bass

Satoshi Okamoto

Bass

Satoshi Okamoto

Bass

Satoshi Okamoto was an assistant principal double bassist in the San Antonio Symphony for eight years and a member of the New York City Ballet Orchestra for a year before joining the New York Philharmonic in September 2003. He received his master’s degree from The Juilliard School, and a bachelor’s degree from Tokyo University of Fine Arts. An eight-time Aspen Music Festival participant, he won the festival’s bass competition twice, in 1993 and 1997. He also became a finalist of the International Society of Bassist Solo Competition in 1997, and the Izuminomori International Double Bass Competition in 2001. His teachers include former Philharmonic Principal Bass Eugene Levinson, Paul Ellison, Al Laszlo, Bruce Bransby, Yoshio Nagashima, and Osamu Yamamoto.

Learn more about Satoshi Okamoto

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Eric Huebner

Piano

Eric Huebner

Piano

Eric Huebner

Piano

Pianist Eric Huebner joined the roster of the New York Philharmonic in January 2012. A native of Los Angeles, he is a graduate of The Juilliard School, where he studied with Jerome Lowenthal, and has been a guest pianist with the Philharmonic since 2004. Mr. Huebner has been featured in orchestral works by Stravinsky, Ives, R. Strauss, and Milhaud, among others.

In June 2012 he will perform as soloist with Musicians from the Philharmonic in the World Premiere of Elliott Carter’s Two Controversies and a Conversation — a double concerto for piano and percussion with percussionist Colin Currie — on the CONTACT! program, conducted by David Robertson.

An active soloist and chamber musician, Mr. Huebner has twice been a featured recitalist at the Ojai Festival in California. He has also appeared on the Monday Evening Concerts and Piano Spheres series in Los Angeles in addition to solo appearances at the Carlsbad Music Festival, Miller Theater and (le) Poisson Rouge. He has performed at Zankel Hall as soloist in Ligeti’s Piano Concerto and at Alice Tully Hall in Messiaen’s Oiseaux Exotiques, both conducted by David Robertson. Since 2001 Mr. Huebner has been a member of Antares, a quartet comprising clarinet, violin, cello, and piano. A first-prize winner of the 2002 Concert Artists Guild International Competition, Antares has performed in major chamber music venues throughout the United States.

Eric Huebner is currently assistant professor of piano at the University at Buffalo, where he maintains an active piano studio and performs as part of the Slee Sinfonietta. He has recorded a wide variety of solo piano and chamber music for the Col Legno, Centaur, Bridge, Albany, Tzadik, Innova, New Focus Recordings, and Mode Records labels.

Learn more about Eric Huebner

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Rebecca Young

Host

Rebecca Young

Host

Rebecca Young

Host

Rebecca Young joined the New York Philharmonic in 1986 as its youngest member. In 1991 she won the position of Associate Principal Viola. Two months later she was named principal viola of the Boston Symphony Orchestra. After spending the 1992–93 season in Boston and two summers at Tanglewood, she ultimately decided to return to her family in New York, resuming her Associate Principal position with the Philharmonic in September 1994. She can currently be seen leading the viola section of the All-Star Orchestra, a popular televised educational series about classical music.

An avid chamber musician, Ms. Young has performed with many renowned groups, including the Boston Chamber Music Society, Boston Symphony Chamber Players, New York Philharmonic Ensembles, and The Chamber Music Society of Lincoln Center. She can be heard in a recording of Schubert’s Trout Quintet with cellist Yo-Yo Ma, pianist Emanuel Ax, violinist Pamela Frank, and bass player Edgar Meyer on the Sony Classical label.

In the spring of 1999 Ms. Young joined Philharmonic Principal Viola Cynthia Phelps in the World Premiere of Sofia Gubaidulina’s Two Paths: Music for Two Solo Violas and Symphony Orchestra with the Philharmonic. The work was commissioned for them by Tomoko Masur, wife of Philharmonic Music Director Emeritus Kurt Masur and herself a former violist. The two performed it at Avery Fisher Hall, in Washington, D.C., and again during the Orchestra’s subsequent tour of the Canary Islands, Spain, and Portugal, as well as the Europe 2000 Tour, and again in April 2011, at Avery Fisher Hall. Ms. Young is a graduate of The Juilliard School.

Ms. Young was first introduced to music at the age of two when her parents took her to the New York Philharmonic’s Young People’s Concerts led by Leonard Bernstein. Today, she is the host of the Philharmonic’s popular Very Young Peoples Concerts, intimate chamber music concerts where she has tap-danced, played drums, ridden a scooter around the stage, and even sung Gilbert & Sullivan. Her philosophy is less to educate than, as she puts it, “to make the audiences have so much fun they want to come back!”

Learn more about Rebecca Young

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Doug Fitch

Designer, Director

Doug Fitch

Designer, Director

Doug Fitch

Designer, Director

Visual artist, designer, and director Doug Fitch’s Giants Are Small productions for Alan Gilbert and the New York Philharmonic include Ligeti’s Le Grand Macabre (cited as the top opera of 2010 by The New York Times, New York magazine, and Time Out New York), Janáček’s The Cunning Little Vixen (2011, New York magazine’s “Best Classical Event of the Year”), A Dancer’s Dream: Two Works by Stravinsky (2013, later screened in movie theaters worldwide); and HK Gruber’s Gloria – A Pig Tale (2014, with forces from The Juilliard School as part of the NY PHIL BIENNIAL). This fall Mr. Fitch was the inaugural WBFO visiting artist at SUNY, where he created an opera of images, How Did We...? In 2013 he directed and performed in the premiere of Matthew Suttor’s musical setting of Blaise Cendrar’s poem La Prose du Transsibérien et de la Petite Jehanne de France with the Taos Chamber Music Group. He has created productions for Los Angeles Opera, Los Angeles Philharmonic, and Santa Fe Opera, and directed projects for Canada’s National Arts Centre, Royal Stockholm Philharmonic Orchestra, and Tanglewood (Elliot Carter’s What Next?, screened at The Museum of Modern Art). Doug Fitch’s creative life began with his family’s touring puppet theater. While studying visual arts at Harvard University, he collaborated with director Peter Sellars, including on of Wagner’s Der Ring des Nibelungen. He also studied cooking at Paris’s La Varenne and design at Institut d’Architecture et d’Etudes Urbaines in Strasbourg, France. He emerged as an architectural designer in the 1980s, and collaborated with Mimi Oka on edible art installations called Orphic Feasts, leading to their book, Orphic Fodder. Other projects have included Robert Wilson’s Civil Wars (at the American Repertory Theatre) and Jim Henson of The Muppets (in England). In co-production with Universal Music and Deutsche Grammophon, Mr. Fitch, Edouard Getaz, and Frederic Gumy are developing Peter+Wolf in Hollywood for an iPad app, CD, digital album, and live show.

Learn more about Doug Fitch

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