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CYO

Create Your Own

Create Your Own

CYO

Become a 2017–18 subscriber when you purchase 4 or more eligible concerts and enjoy exclusive benefits including unlimited no-fee ticket exchanges.

CYO

Become a 2017–18 subscriber when you purchase 4 or more eligible concerts and enjoy exclusive benefits including unlimited no-fee ticket exchanges.

Calendar

Mozart's Eine kleine Nachtmusik and Tchaikovsky

Location

David Geffen Hall

Directions
Price Range

$31-145

Duration

1 hour & 30 minutes with intermission

No Late Seating
Date & Times

31

May, 2018

Thursday, 7:30 PM

1

Jun, 2018

Friday, 11:00 AM

2

Jun, 2018

Saturday, 8:00 PM

5

Jun, 2018

Tuesday, 7:30 PM

6

Jun, 2018

Wednesday, 7:30 PM

Event Info

The New York Philharmonic, led by Concertmaster Frank Huang, performs an inspired spring entertainment pairing Mozart with Tchaikovsky. The entrancing Serenade for Strings is imbued with the spirit of Mozart, whose “Little Night Music” is guaranteed to delight one and all. Our Principal Associate Concertmaster takes center stage in a sparkling violin concerto by Mozart. A fantastic season finale!

Program To Include

Mozart

Violin Concerto No. 3

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Mozart

Eine kleine Nachtmusik

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Tchaikovsky

Serenade for Strings

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Artists

Frank Huang

Leader

Frank Huang

Leader

Frank Huang

Leader

Frank Huang article

 


Frank Huang joined the New York Philharmonic as Concertmaster, The Charles E. Culpeper Chair, in September 2015. The First Prize Winner of the 2003 Walter W. Naumburg Foundation’s Violin Competition and the 2000 Hannover International Violin Competition, he has established a major career as a violin virtuoso. Since performing with the Houston Symphony in a nationally broadcast concert at the age of 11 he has appeared with orchestras throughout the world including The Cleveland Orchestra, Los Angeles Philharmonic, Saint Paul Chamber Orchestra, Indianapolis Symphony, NDR Radio Philharmonic Orchestra of Hannover, Amadeus Chamber Orchestra, and the Genoa Orchestra. He has also performed on NPR’s Performance Today, ABC’s Good Morning America, and CNN’s American Morning with Paula Zahn. He has performed at Wigmore Hall (in London), Salle Cortot (Paris), Kennedy Center (Washington, D.C.), and the Herbst Theatre (San Francisco), as well as a second recital in Alice Tully Hall (New York), which featured the World Premiere of Donald Martino’s Sonata for Solo Violin. Mr. Huang’s first commercial recording — featuring fantasies by Schubert, Ernst, Schoenberg, and Waxman — was released on Naxos in 2003. He made his New York Philharmonic solo debut in June 2016 leading and performing Vivaldi’s The Four Seasons and Piazzolla’s Four Seasons of Buenos Aires, as well as leading Grieg’s The Last Spring. In October–November 2016 he performed Bruch’s Violin Concerto No. 1, led by Pablo Heras-Casado.

Mr. Huang has had great success in competitions since the age of 15 and received top prize awards in the Premio Paganini International Violin Competition and the Indianapolis International Violin Competition. Other honors include Gold Medal Awards in the Kingsville International Competition, Irving M. Klein International Competition, and D’Angelo International Competition.

In addition to his solo career, Mr. Huang is deeply committed to chamber music. He is a member of the New York Philharmonic String Quartet, established in the 2016–17 season, and has performed at the Marlboro Music Festival, Ravinia’s Steans Institute, Seattle Chamber Music Festival, and Caramoor. He frequently participates in Musicians from Marlboro’s tours, and was selected by The Chamber Music Society of Lincoln Center to be a member of the prestigious CMS Two program. Before joining the Houston Symphony as concertmaster in 2010, Frank Huang held the position of first violinist of the Grammy Award–winning Ying Quartet and was a faculty member at the Eastman School of Music.

Frank Huang was born in Beijing, China. At the age of seven he moved to Houston, Texas, where he began violin lessons with his mother. He commenced study with Fredell Lack at the University of Houston and at 16 he enrolled in the pre-college program at the Cleveland Institute of Music (CIM) where he studied with Donald Weilerstein. He continued studies with Weilerstein in college and earned his bachelor of music degree from CIM in 2002. He subsequently attended The Juilliard School in New York City, studying violin with Robert Mann. He is an alumnus of the Music Academy of the West, now a partner in the New York Philharmonic Global Academy, and serves on the faculties of The Shepherd School of Music at Rice University, also a New York Philharmonic Global Academy partner, and the University of Houston.

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Sheryl Staples

Violin

Sheryl Staples

Violin

Sheryl Staples

Violin

Violinist Sheryl Staples joined the New York Philharmonic as Principal Associate Concertmaster, The Elizabeth G. Beinecke Chair, in September 1998. She made her solo debut with the Philharmonic in 1999 performing Tchaikovsky’s Violin Concerto, led by Kurt Masur. She has since been featured in more than 25 performances, playing concertos by Mendelssohn, Mozart, Haydn, Bach, and Vivaldi with conductors including Alan Gilbert, Lorin Maazel, Kent Nagano, Jeffrey Kahane, and Sir Colin Davis. In addition she has performed as soloist with more than 45 orchestras nationwide, including The Cleveland Orchestra, Los Angeles Philharmonic, San Diego and Richmond Symphony Orchestras, and Louisiana Philharmonic. Most recently, she performed Mozart’s Sinfonia concertante with Principal Viola Cynthia Phelps, led by Jaap van Zweden in November 2014.

The New York Times wrote that “she is a perceptive musician, who plays with great rhythmic integrity and a lucid sense of phrase structure. ... she draws a wonderful array of vibrant and luminous colors ... interpretive honesty and unmannered elegance.” The Los Angeles Times said she has a “tantalizing mix of qualities. ... refinement and boldness, polish and fire. ... big, rich, sweeping tone, lacking nothing in warmth and evenness.” The Cleveland Plain Dealer praised her “aristocratic artistry coupled with violinistic mastery ... pinpoint accuracy and daring that took the breath away.”

An active chamber musician, Ms. Staples is a member of the New York Philharmonic String Quartet, established in the 2016–17 season, and frequently performs in the New York area in venues including David Geffen Hall, Merkin Concert Hall, 92nd Street Y, and The Metropolitan Museum of Art. Ms. Staples has performed chamber music for U.S. Ambassadors in London, Paris, Berlin, Beijing, and Hong Kong, and in 2013 she toured Mexico, Brazil, and Chile. Recent summer festival appearances include La Jolla Music Society’s SummerFest, Boston Chamber Music Society, and Salt Bay Chamberfest. She has also collaborated and performed at the chamber music festivals of Santa Fe, Mainly Mozart, Seattle, Aspen, Sarasota, Martha’s Vineyard, Strings Music Festival, and Brightstar Music Festival. She appears on three Stereophile compact discs with the Santa Fe Chamber Music Festival.

Sheryl Staples is a native of Los Angeles, where she developed her love for ensemble work at an early age. She began studying the violin at age five, and her major mentors were Robert Lipsett and Heiichiro Ohyama. Before finishing studies at the University of Southern California’s (USC) Thornton School of Music, Ms. Staples was appointed concertmaster of the Santa Barbara Chamber Orchestra and other professional ensembles in Los Angeles. She then became concertmaster of the Pacific Symphony in 1994 while enjoying a varied career consisting of solo appearances, chamber music, teaching (at USC’s Thornton School of Music and the Colburn School of Performing Arts), and Hollywood studio recording work for numerous major motion pictures.

At the age of 26 Ms. Staples joined The Cleveland Orchestra as associate concertmaster, a position she held for three years. In addition, she taught at the Cleveland Institute of Music, Encore School for Strings, and Kent/Blossom Music Festival, and she was a member of the Cleveland Orchestra Piano Trio. Currently she is on the violin faculty at the Manhattan School of Music and Juilliard Pre-College Division. She also serves on the faculty of The Juilliard School working with students aspiring toward orchestral careers.

Ms. Staples resides in New Jersey with her husband, percussionist Barry Centanni, and children, Michael and Laura. Mr. Centanni and Ms. Staples premiered William Kraft’s Concerto a Tre for piano, violin, and percussion, written for them, at Martha’s Vineyard Chamber Music Society’s summer festival and recorded it for release on the Albany Records label in 2008. They also premiered David Sampson’s Black River Concerto for solo violin, percussion, and orchestra in April 2011 with the Montclair State University Symphony.

Ms. Staples performs on the “Kartman” Guarneri del Gesu, ca. 1728, previously on loan from private collector Peter Mandell and now in the collection of the New York Philharmonic.

Learn more about Sheryl Staples

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