Due to technical difficulties, the New York Philharmonic Customer Relations department phone lines are temporarily down. Please email customerservice@nyphil.org and a representative will be happy to contact you.

We apologize for any inconvenience.

The New York Philharmonic

Update Browser

Pages don't look right?

You are using a browser that does not support the technology used on our website.

Please select a different browser or use your phone or tablet to access our site.

Download: Firefox | Chrome | Safari

If you're using Internet Explorer, please update to the latest version.

CYO

Become a 2017–18 subscriber when you purchase 3 or more eligible concerts and enjoy exclusive benefits including unlimited no-fee ticket exchanges.

Calendar

Insights at the Atrium: "Inside the Orchestra: Yesterday, Today, and Imagining the Future"

Location

David Rubenstein Atrium

Directions
Price Range

Free

Date & Times

5

Dec, 2017

Tuesday, 7:30 PM

Event Info

To mark the 175th anniversary of the New York Philharmonic’s first concert, on December 7, 1842, four generations of New York Philharmonic musicians — dating back to 1948 — will join Philharmonic Archivist / Historian Barbara Haws to reminisce about the Orchestra they joined; how it has changed and what has stayed the same; favorite musical moments, accompanied by audio / video excerpts; and a free-wheeling imagining of the Philharmonic of the 22nd century.

Seating is available on a first-come, first-served basis. Subscribers, Friends at the Fellow level and above, and Patrons may secure guaranteed admission by e-mailing AdultEd@nyphil.org.
 

Artists

Eric Bartlett

Speaker

Eric Bartlett

Speaker

Eric Bartlett

Speaker

Before joining the New York Philharmonic in 1997, cellist Eric Bartlett had already established himself as an artist of formidable talent and artistic integrity. He has appeared frequently as a member soloist with the world famous Orpheus Chamber Orchestra and is featured on several of their Deutsche Grammophon recordings. In addition to Orpheus, his solo appearances include the Cabrillo Festival, the Mostly Mozart Festival Orchestra, the Anchorage Symphony, the Hartford Chamber Orchestra, the Aspen and Juilliard Orchestras, and the New York Philharmonic’s “Horizons ‘84” series. Mr. Bartlett is the recipient of a Solo Recitalist’s Award from the National Endowment for the Arts and a special Performance Award as a finalist of the 1987 New England Conservatory/Piatigorsky Award. Recent solo appearances include the Cabrillo Music Festival, and the Brattleboro Music Center in Vermont.

Recognized as a leading performer of contemporary music, Mr. Bartlett has participated in more than 90 premieres with ensembles such as Speculum Musicae, the New York New Music Ensemble, the Group for Contemporary Music, and the Columbia String Quartet, and he has commissioned new works for the cello from American composers. During the summer of 2000, Mr. Bartlett was invited by Marin Alsop to be a featured soloist in the North American premiere of James McMillan’s Triduum, the middle third of which is a cello concerto. He has served as either Artist-President or Vice-President of Speculum Musicae since 1990. Mr. Bartlett has performed at the Mostly Mozart, Marlboro, Aspen, Adirondack, Grand Teton, and Waterloo music festivals, and has been a regular participant at the Bridgehampton Chamber Music Festival since 1996. Mr. Bartlett served as the principal cellist of the Mostly Mozart Festival Orchestra and co-principal of Orpheus from 1984 until 1997.

A native of Marlboro, Vermont, Mr. Bartlett’s early teachers included George Finckel and Blanche Honegger Moyse. From 1973 to 1975 he was a student of Leopold Teraspulsky at the University of Massachusetts. He was awarded full scholarships to both the Curtis Institute of Music and The Juilliard School and received both his Bachelor and Master of Music degrees from Juilliard, where he was a student of Leonard Rose and Channing Robbins.

Mr. Bartlett recorded the cello music of Larry Bell for North-South Records on a CD entitled River of Ponds (which includes a collaboration with narrator Robert J. Lurtsema) and has also recorded for CRI, Opus One, Bridge, Delos, and Deutsche Grammophon. He has served on the faculty of the University of Massachusetts and is currently an adjunct professor at The Juilliard School and the Manhattan School of Music. He lives in Bergen County, New Jersey, with his wife, Orpheus violist Sarah Clarke, and their son, Cory.

Learn more about Eric Bartlett

×

Irene Breslaw

Speaker

Irene Breslaw

Speaker

Irene Breslaw

Speaker

A former Naumburg Scholarship winner and graduate of The Juilliard School, Irene Breslaw joined the viola section of the New York Philharmonic in August 1976. She was named Assistant Principal Viola in 1989. Prior to joining the Orchestra, Ms. Breslaw was a member of both the St. Louis Symphony Ochestra and the Baltimore Symphony Orchestra. In May 2001 Ms. Breslaw celebrated 25 years as a member of the New York Philharmonic.

An active chamber musician, Ms. Breslaw appears regularly with the New York Philharmonic Ensembles. In the summers of 1993 and 1995, she traveled to Finland to perform chamber music with several of her Philharmonic colleagues and to coach members of the VIVO Youth Orchestra, an experience she found extremely rewarding. She has also recorded the Mozart Clarinet Trio, "Kegelstatt," with Principal Clarinet Stanley Drucker and pianist Lukas Foss for Elysium Records. Since 1998 Ms. Breslaw has been on the orchestral performance faculty at the Manhattan School of Music, and is an adjunct at Queens College.

Ms. Breslaw is married to Dr. Daniel Grapel and is the mother of a son and daughter.

Learn more about Irene Breslaw

×

Stanley Drucker

Speaker

Stanley Drucker

Speaker

×

Leelanee Sterrett

Speaker

Leelanee Sterrett

Speaker

Sterrett

Speaker

Leelanee Sterrett joined the New York Philharmonic in June 2013; she currently serves as Acting Associate Principal Horn. She was previously a member of the New Haven Symphony Orchestra, and a regular substitute with the New York Philharmonic. Ms. Sterrett is also an alumna of The Academy, Carnegie Hall’s collective of young professionals and music advocates, and a former member of Ensemble ACJW.

A northern-Michigan native, Ms. Sterrett grew up in a musically enthusiastic family and attended Interlochen Arts Academy. She received her bachelor’s degree from the University of Wisconsin–Madison and a master’s degree from the Yale School of Music. Her primary teachers include William Purvis, Douglas Hill, and Julie Schleif. Ms. Sterrett has spent summers at the Tanglewood Music Center, the Pacific and Sarasota music festivals, the National Orchestral Institute, and the Banff Centre for the Arts. She is a past prizewinner in the International Horn Competition of America and the Yamaha Young Performing Artists Program.

In recent seasons, Ms. Sterrett has made solo appearances at Carnegie Hall, with the New Haven Symphony Orchestra, and at the 2015 International Horn Symposium with her Philharmonic colleagues. She currently serves on the horn faculties of Rutgers University and New York University.

Learn more about Leelanee Sterrett

×

Barbara Haws

Moderator

Barbara Haws

Moderator

Moderator

Barbara Haws, the New York Philharmonic’s Archivist/Historian since 1984, has lectured extensively about the Orchestra’s past and curated major exhibitions at the New York Public Library for the Performing Arts (1992), London Barbican (2000), and Cologne Philharmonie (1998). In the fall of 2003 she mounted the largest multimedia exhibition on the Philharmonic’s history, which opened at the UBS Art Gallery and relocated to the Grand Promenade and Tiers of Avery Fisher Hall. She has lectured at Bard College, The Metropolitan Museum of Art, and Grolier Club, as well as in the New York Philharmonic’s Pre-Concert Talks. In 1995 Barbara Haws became the Executive Producer of the Philharmonic’s Special Editions record label, which released award-winning and Grammy-nominated CD collections, including the 12-CD set The Mahler Broadcasts: 1948–1982; the10-CD set Bernstein LIVE; and the first new recording in 20 years of Stephen Sondheim’s Sweeney Todd: Live at the New York Philharmonic. Ms. Haws has been an archival consultant to the Chicago Symphony Orchestra, Los Angeles Philharmonic, and the Leonard Bernstein Estate, and a project archivist for the Bowery Savings Bank, the Jackie Robinson Papers, and Trinity Church. She has served as president of the Archivist Round Table of Metropolitan New York, is a founder of New York Archives Week, and is a Board Advisor to the Brooklyn Academy of Music Archives. Barbara Haws, who has a master’s degree in history from New York University, collaborated with Burton Bernstein as author of Leonard Bernstein: American Original, published in September 2008 by Harper Collins, and authored the essay “U.C. Hill, An American Musician Abroad (1835–37),” in American Orchestras in the Nineteenth Century, ed. John Spitzer (The University of Chicago Press, 2012). She led the effort to digitize 1.3 million pages of archival material, funded by the Leon Levy Foundation and available online at archives.nyphil.org. 

Learn more about Barbara Haws

×
×

Purchase 3 or more eligible concerts & save.

About Create Your Own Series:

Pick three (or more) concerts and and enjoy exclusive Subscriber Benefits including unlimited free ticket exchange. Ideal for concertgoers who want the ultimate in flexibility and the benefits of being a subscriber.

Subscriber Benefits:

  • Free, easy ticket exchange (available online or by phone)
  • Save on subscription concerts all year long
  • Priority notice on special events

How it Works:

  1. Look for the Create Your Own Series icon CYO eligible icon next to a concert and add it to your cart.
  2. Simply follow the directions in the shopping cart and enter promo code CREATE3 at check out.
Go to top