Bernstein's Philharmonic: Bernstein and Rhapsody in Blue

The New York Philharmonic

Update Browser

Pages don't look right?

You are using a browser that does not support the technology used on our website.

Please select a different browser or use your phone or tablet to access our site.

Download: Firefox | Chrome | Safari

If you're using Internet Explorer, please update to the latest version.

CYO

Single tickets are on sale for the 2019–20 season. Save money on your purchase by choosing 3 or more eligible concerts and you’ll also enjoy exclusive subscriber benefits, including unlimited no-fee ticket exchanges.

Location

David Geffen Hall

Directions
Price Range

$42-166

Duration

2 hours with intermission

Date & Times

2

Nov, 2017

Thursday, 7:30 PM

3

Nov, 2017

Friday, 2:00 PM

4

Nov, 2017

Saturday, 8:00 PM

Event Info

Our Bernstein festival continues with Prelude, Fugue, and Riffs, a flashy score that features our Principal Clarinet Anthony McGill. Jazz pianist Makoto Ozone (“Thrilling, virtuosic” — The New York Times) is the soloist in Gershwin’s all-American favorite Rhapsody in Blue — infectiously melodic, bluesy, romantic at heart — and the composer’s voice in Bernstein’s The Age of Anxiety.

Program

Bernstein

Prelude, Fugue, and Riffs

Listen
×

Gershwin

Rhapsody in Blue, for Piano and Orchestra

Listen
×

Bernstein

Symphony No. 2, The Age of Anxiety

Listen
×
Artists

Alan Gilbert

Conductor

Alan Gilbert

Conductor

Alan Gilbert

Conductor

Alan Gilbert, former Music Director of the New York Philharmonic, launches his tenure as chief conductor of Hamburg’s NDR Elbphilharmonie Orchestra in September 2019. The Grammy Award–winning conductor previously served as principal guest conductor of the orchestra (then known as NDR Symphony Orchestra Hamburg) for more than a decade, and began serving as chief conductor designate in 2017, shortly after the opening of the orchestra’s already iconic new home. This position follows his truly transformative eight-year tenure as Music Director of the New York Philharmonic, during which, through such key initiatives as the NY PHIL BIENNIAL, he succeeded in making the Orchestra a leader on the cultural landscape. Alan Gilbert is also conductor laureate of the Royal Stockholm Philharmonic and the founder and president of Musicians for Unity. With the endorsement and guidance of the United Nations, this new organization will bring together musicians from around the world to perform in support of peace, development, and human rights.

Alan Gilbert makes regular guest appearances with orchestras including the Berlin Philharmonic, Amsterdam’s Royal Concertgebouw Orchestra, The Cleveland Orchestra, Boston Symphony Orchestra, The Philadelphia Orchestra, Dresden Staatskapelle, and Orchestre Philharmonique de Radio France. He has led operatic productions for Milan’s Teatro alla Scala, The Metropolitan Opera, Los Angeles Opera, Zurich Opera, Royal Swedish Opera, and Santa Fe Opera, where he was the inaugural music director.

His discography includes The Nielsen Project, a box set recorded with the New York Philharmonic, and John Adams’s Doctor Atomic, captured on DVD at The Metropolitan Opera, for which he won a Grammy Award. He received Emmy Award nominations for Outstanding Music Direction in PBS’s Live From Lincoln Center broadcasts of two star-studded New York Philharmonic productions: of Sweeney Todd and Sinatra: Voice for a Century.

Alan Gilbert has received Honorary Doctor of Music degrees from the Curtis Institute of Music and Westminster Choir College, as well as Columbia University’s Ditson Conductor’s Award. He is a member of The American Academy of Arts & Sciences, and was named an Officier de l’Ordre des Arts et des Lettres by the French government. At The Juilliard School, he is the first holder of the William Schuman Chair in Musical Studies and serves as Director of Conducting and Orchestral Studies. After giving the annual Royal Philharmonic Society Lecture on Orchestras in the 21st Century: A New Paradigm during the New York Philharmonic’s EUROPE / SPRING 2015 tour, he received a 2015 Foreign Policy Association Medal for his commitment to cultural diplomacy.

Learn more about Alan Gilbert
×

Anthony McGill

Clarinet

Anthony McGill

Clarinet

Anthony McGill

Clarinet

Anthony McGill joined the New York Philharmonic as Principal Clarinet, The Edna and W. Van Alan Clark Chair, in September 2014, becoming the Philharmonic’s first African American Principal player. Hailed for his “trademark brilliance, penetrating sound and rich character” (The New York Times) and “exquisite combination of technical refinement and expressive radiance” (The Baltimore Sun), he is recognized as one of the classical music world’s finest solo, chamber, and orchestral musicians. Mr. McGill also serves as an ardent advocate for helping music education reach underserved communities and for addressing issues of diversity, equity, and inclusion in classical music. He took part in the inauguration of President Barack Obama, premiering a piece written for the occasion by John Williams alongside violinist Itzhak Perlman, cellist Yo-Yo Ma, and pianist Gabriela Montero.

Anthony McGill’s 2019–20 season includes a premiere by Tyshawn Sorey at 92nd Street Y and a collaboration with mezzo-soprano Joyce DiDonato at Carnegie Hall. He will also perform the Copland Clarinet Concerto at the Kennedy Center’s SHIFT Festival of American Orchestras with the Jacksonville Symphony as well as concertos by Copland, Mozart, and Danielpour with the Richmond, Delaware, Alabama, Reno, and San Antonio symphony orchestras. Additional collaborations include programs with Gloria Chien, Demarre McGill, Michael McHale, Anna Polonsky, Arnaud Sussman, and the Pacifica Quartet.

Anthony McGill appears regularly as a soloist with top orchestras around North America, including the New York Philharmonic, The Metropolitan Opera Orchestra, Baltimore Symphony, San Diego Symphony, and Kansas City Symphony. As a chamber musician, he is a favorite collaborator of the Brentano, Daedalus, Guarneri, JACK, Miró, Pacifica, Shanghai, Takacs, and Tokyo Quartets, as well as Emanuel Ax, Inon Barnatan, Gloria Chien, Yefim Bronfman, Gil Shaham, Midori, Mitsuko Uchida, and Lang Lang. He has led tours with Musicians from Marlboro and regularly performs for The Chamber Music Society of Lincoln Center and the Philadelphia Chamber Music Society. Festival appearances include Tanglewood, Marlboro, Mainly Mozart, and Music@Menlo as well as the Santa Fe, Seattle, and Skaneateles Chamber Music Festivals.

In January 2015, McGill recorded Nielsen’s Clarinet Concerto with the New York Philharmonic, led by then Music Director Alan Gilbert, released on Dacapo Records. He also recorded two albums released by Cedille Records: one with his brother, Seattle Symphony principal flute Demarre McGill, and pianist Michael McHale, and the other featuring the Mozart and Brahms Clarinet Quintets with the Pacifica Quartet.

A dedicated champion of new music, Anthony McGill premiered Richard Danielpour’s From the Mountaintop in 2014, written for him and commissioned by the New Jersey Symphony, Kansas City Symphony, and Orchestra 2001. He served as the 2015–16 Artist-in-Residence for WQXR and has appeared on Performance Today, MPR’s Saint Paul Sunday, and Mister Rogers’ Neighborhood. In 2013 he appeared on NBC Nightly News and MSNBC in stories about the McGill brothers.

A graduate of the Curtis Institute of Music, Anthony McGill previously served as principal clarinet of The Metropolitan Opera Orchestra and associate principal clarinet of the Cincinnati Symphony Orchestra. In-demand as a teacher, he serves on the faculty of The Juilliard School, the Curtis Institute of Music, and the Bard College Conservatory of Music. He also serves as artistic director of the Music Advancement Program at Juilliard, on the Board of Directors for both the League of American Orchestras and the Harmony Program, and on the advisory council for the InterSchool Orchestras of New York.

Learn more about Anthony McGill

×

Makoto Ozone

Piano

Makoto Ozone

Piano

Makoto Ozone

Piano

Pianist Makoto Ozone taught himself to play the organ while very young, made his first television appearance at age six, began performing regularly on Osaka Mainichi Broadcasting, and, after attending an Oscar Peterson concert at 12, turned his attention toward jazz piano. He moved to the United States in 1980 to study at Boston’s Berklee College of Music; in 1983 he graduated at the top of his class and gave a solo recital at Carnegie Hall. He became the first Japanese musician to sign an exclusive contract with CBS.

Mr. Ozone has recently explored classical repertoire with conductors including Charles Dutoit, Thomas Zehetmair, Joseph Swensen, Alexandre Rabinovitch, Arie van Beek, Francois-Xavier Roth, Tadaaki Otaka, Eiji Oue, and Michiyoshi Inoue. He has played works by Gershwin, Bernstein, Mozart, Beethoven, Rachmaninoff, and Shostakovich with the NDR and NHK symphony orchestras, Orchestre de chambre de Paris, Orchestre d’Auvergne, Sinfonia Varsovia, and others. He made his New York Philharmonic debut on the ASIA / WINTER 2014 tour, performing Gershwin’s Rhapsody in Blue, led by Alan Gilbert, and was immediately engaged to reprise the work with them in New York two months later. The same year he gave the World Premiere of his own jazz arrangement of Mozart’s Piano Concerto No. 9, Jeunehomme, with Scottish National Jazz Orchestra, and appeared with NDR Radio Philharmonic and São Paulo Symphony Orchestra.

He also toured Japan with his big band, No Name Horses, and celebrated its tenth anniversary with a new recording. Mr. Ozone has collaborated with numerous other jazz artists including Gary Burton, Paquito D’Rivera, Arturo Sandoval, Branford Marsalis, Jeff “Tain” Watts, Christian McBride, Dave Weckl, and Mike Stern. He is a regular guest of classical music festivals including the Festival de la Roque d’Anthéron in France and La Folle Journée in Nantes and Japan. In 2016 he joined Chick Corea for the Piano Duo Plays “Acoustic” tour throughout Japan, including two performances of Mozart’s Concerto for Two Pianos with the NHK Symphony Orchestra led by Tadaaki Otaka.

Learn more about Makoto Ozone

×
×

Purchase 3 or more eligible concerts & save.

About Create Your Own Series:

Pick three (or more) concerts and and enjoy exclusive Subscriber Benefits including unlimited free ticket exchange. Ideal for concertgoers who want the ultimate in flexibility and the benefits of being a subscriber.

Subscriber Benefits:

  • Free, easy ticket exchange (available online or by phone)
  • Save on subscription concerts all year long
  • Priority notice on special events

How it Works:

  1. Look for the Create Your Own Series icon CYO eligible icon next to a concert and add it to your cart.
  2. Simply follow the directions in the shopping cart and enter promo code CREATE3 at check out.
Go to top