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CYO

Become a 2017–18 subscriber by purchasing 5 or more eligible concerts and enjoy exclusive benefits including unlimited no-fee ticket exchanges and immediate presale access to all 2017–18 concerts.

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Location

David Geffen Hall

Directions
Price Range

$105-285

Duration

1 hour & 30 minutes, no intermission

Date & Times

31

Dec, 2016

Saturday, 8:00 PM

Event Info

SOLD OUT. Additional tickets may be released as concert dates near. Check back for availability.

Ring in 2017 with Alan Gilbert and the New York Philharmonic in an “Enchanted Evening” of American classics. Grammy-winning mezzo-soprano Joyce DiDonato and Tony-winning baritone Paulo Szot serenade you, and each other, with beloved songs from The Sound of Music, My Fair Lady, and more, and the Orchestra performs catchy Copland and sumptuous Strauss.

This concert is a special event of the 2016–17 season.

Program

Copland

Four Dance Episodes from Rodeo

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Copland

Selections from Old American Songs

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Rodgers & Hammerstein

"Billy’s Soliloquy" from Carousel

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J. Strauss II

On the Beautiful Blue Danube

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Rodgers & Hammerstein

Selections from The Sound of Music

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Lerner & Loewe

Selections from My Fair Lady

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Rodgers

Carousel Waltz

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Artists

Alan Gilbert

Conductor

Alan Gilbert

Conductor

Alan Gilbert

Conductor

The 2016–17 season marks Alan Gilbert’s eighth and final season as Music Director of the New York Philharmonic. The first native New Yorker to hold the post, he has sought to make the Orchestra a point of pride for the city and country. The Financial Times called him “the imaginative maestro-impresario in residence.”

Mr. Gilbert and the Philharmonic have forged artistic partnerships, introducing the positions of The Marie-Josée Kravis Composer-in-Residence and The Mary and James G. Wallach Artist-in-Residence — held in the 2016–17 season by Esa-Pekka Salonen and violinist Leonidas Kavakos, respectively — as well as Artist-in-Association, currently held by pianist Inon Barnatan, who inaugurated the role in the 2014–15 season; an annual festival, which this season is Beloved Friend — Tchaikovsky and His World, featuring Russian-born Semyon Bychkov conducting works by Tchaikovsky as well as composers he was influenced by and whom he influenced; CONTACT!, the new-music series; and the NY PHIL BIENNIAL, an exploration of today’s music by a wide range of contemporary and modern composers. During his tenure the Philharmonic launched the New York Philharmonic Global Academy, partnerships with cultural institutions to offer training of pre-professional musicians, often alongside performance residencies. These include the Shanghai Orchestra Academy and Residency Partnership and collaborations with Santa Barbara’s Music Academy of the West and the Shepherd School of Music at Rice University. Alan Gilbert and the Philharmonic also launched a five-year partnership with the University Musical Society at the University of Michigan.

Alan Gilbert concludes his final season as Music Director with four programs that reflect signature themes of his tenure, featuring works that hold particular meaning for him and musicians with whom he has formed close relationships. These include a pairing of Beethoven’s Ninth Symphony with Schoenberg’s A Survivor from Warsaw; Wagner’s complete Das Rheingold in concert; the New York Premiere of Composer-in-Residence Esa-Pekka Salonen’s Wing on Wing alongside Artist-in-Residence Leonidas Kavakos in Brahms’s Violin Concerto and the New York Premiere of Aeriality by Anna Thorvaldsdottir, the second Kravis Emerging Composer, an honor introduced during Alan Gilbert’s tenure; and an exploration of how music can effect positive change in the world. Other 2016–17 season highlights include four World Premieres; Dvořák’s Symphony No. 9, From the New World, as part of the New York Philharmonic’s 175th anniversary celebrations; Mahler’s Fourth Symphony and Handel’s Messiah; the World Premiere presentation of Gershwin’s score to Manhattan, performed live to the film; Ligeti’s Mysteries of the Macabre; a concert with friends celebrating his 50th birthday; works by John Adams marking the composer’s 70th birthday; and the EUROPE / SPRING 2017 tour. As part of the New York Philharmonic Global Academy, he will lead the Orchestra in its third annual performance residency through the Shanghai Orchestra Academy and Residency Partnership, and will lead the Philharmonic and Academy Festival Orchestra together in Santa Barbara through the partnership with Santa Barbara’s Music Academy of the West.

Last season’s Philharmonic highlights included R. Strauss’s Ein Heldenleben to welcome newly appointed Concertmaster Frank Huang; Carnegie Hall’s 125th anniversary Opening Night Gala; premieres by William Bolcom, Franck Krawczyk, Magnus Lindberg, and Marc Neikrug; works by Sibelius in celebration of the 150th anniversary of the composer’s birth; as well as Mahler’s Das Lied von der Erde and an all-Mozart program. He also co-curated the second NY PHIL BIENNIAL — during which he conducted works by Boulez and Stucky, in tribute to the late composers, as well as premieres by William Bolcom, John Corigliano, and Per Nørgård, the second recipient of The Marie-Josée Kravis Prize for New Music at the New York Philharmonic, an honor introduced during Alan Gilbert’s tenure. The Music Director also performed violin in Messiaen’s Quartet for the End of Time alongside Philharmonic principals and Mr. Barnatan. Under the New York Philharmonic Global Academy he led the Orchestra in its second performance residency in Shanghai and made his second appearance conducting the Music Academy of the West’s Academy Festival Orchestra.

Previous high points among Mr. Gilbert’s Philharmonic appearances include critically celebrated staged productions such as Ligeti’s Le Grand Macabre (2010) and Janáček’s The Cunning Little Vixen (2011), both cited as the top cultural events of their respective years; Philharmonic 360 at Park Avenue Armory (2012), the acclaimed spatial music program featuring Stockhausen’s Gruppen; A Dancer’s Dream: Two Works by Stravinsky (2013, and later presented in movie theaters internationally); a staged production of Sondheim’s Sweeney Todd starring Bryn Terfel and Emma Thompson that was broadcast on Live From Lincoln Center, earning Mr. Gilbert an Emmy nomination for Outstanding Music Direction (2014); and the U.S. Premiere of a staging of Honegger’s Joan of Arc at the Stake featuring Oscar winner Marion Cotillard (2015). Other highlights include the first two editions of the NY PHIL BIENNIAL; World Premieres of works by Christopher Rouse, Magnus Lindberg, Peter Eötvös , and composers featured on CONTACT!; the score from 2001: A Space Odyssey, performed live to the film; Mahler’s Second Symphony, Resurrection, on A Concert for New York on September 10; the Verdi Requiem; the conclusion of The Nielsen Project, the multi-year initiative to perform and record the Danish composer’s symphonies and concertos; Mr. Gilbert’s Philharmonic debut as violin soloist in J.S. Bach’s Concerto for Two Violins; six concerts at Carnegie Hall; and ten tours around the world. In August 2015 he led the Mahler Chamber Orchestra in the U.S. Stage Premiere of George Benjamin’s Written on Skin, co-presented by the New York Philharmonic and Lincoln Center, the inaugural production of the Lincoln Center–New York Philharmonic Opera Initiative.

Conductor laureate of the Royal Stockholm Philharmonic Orchestra and former principal guest conductor of Hamburg’s NDR Symphony Orchestra, he regularly conducts leading orchestras nationally and internationally, such as the Boston Symphony Orchestra, The Philadelphia Orchestra, Amsterdam’s Royal Concertgebouw Orchestra, Berlin Philharmonic, Munich Philharmonic, Leipzig Gewandhaus Orchestra, Bavarian Radio Symphony Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, and Orchestre philharmonique de Radio France. He has appeared at The Metropolitan, Los Angeles, Zurich, Royal Swedish, and Santa Fe opera companies. This season Mr. Gilbert returns to the foremost European orchestras, records Beethoven’s complete piano concertos with the Academy of St Martin in the Fields and Inon Barnatan, and conducts Gershwin’s Porgy and Bess at Milan’s Teatro alla Scala, his first time leading a staged opera there.

In September 2011 Alan Gilbert became Director of Conducting and Orchestral Studies at The Juilliard School, where he is also the first holder of Juilliard’s William Schuman Chair in Musical Studies. He made his acclaimed Metropolitan Opera debut in 2008 leading John Adams’s Doctor Atomic; the DVD and Blu-ray of this production received the 2012 Grammy Award for Best Opera Recording. Renée Fleming’s Decca recording Poèmes, on which he conducted, received a 2013 Grammy Award. Earlier releases garnered Grammy Award nominations and top honors from the Chicago Tribune and Gramophone magazine. He received his second Emmy nomination for Outstanding Music Direction for Sinatra: Voice for a Century, broadcast on Live From Lincoln Center in 2015. Mr. Gilbert conducted Messiaen’s Des Canyons aux étoiles on a recent album recorded live at the Santa Fe Chamber Music Festival.

Alan Gilbert studied at Harvard University, The Curtis Institute of Music, and Juilliard and was assistant conductor of The Cleveland Orchestra (1995–97). He received Honorary Doctor of Music degrees from Curtis in May 2010 and from Westminster Choir College in May 2016, and in December 2011 he received Columbia University’s Ditson Conductor’s Award for his “exceptional commitment to the performance of works by American composers and to contemporary music.” In 2014 he was elected to The American Academy of Arts & Sciences, in 2015 he received a Foreign Policy Association Medal for his commitment to cultural diplomacy and was named Officier de l’Ordre des Arts et des Lettres, and in 2016 he received New York University’s Lewis Rudin Award for Exemplary Service to New York City in recognition of his leadership in making New York one of the world’s great centers for music and the arts.

Visit Alan Gilbert's Official Website

Learn more about Alan Gilbert
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Joyce DiDonato

Mezzo-Soprano

Joyce DiDonato

Mezzo-Soprano

Joyce DiDonato

Mezzo-Soprano

A multiple Grammy Award winner, Kansas-born mezzo-soprano Joyce DiDonato has earned international prominence in operas by Rossini, Handel, and Mozart, and serves the community as an arts advocate.

Ms. DiDonato’s 2016–17 plans include a season-opening gala concert with the Seattle Symphony Orchestra conducted by Ludovic Morlot. She also gives concerts with the Chicago Symphony Orchestra with Riccardo Muti and the Berlin Philharmonic with Yannick Nézet-Séguin, as well as a recital with Philippe Jordan in Paris. On the opera stage, she makes her role debut as Rossini’s Semiramide in a new production at the Bavarian Staatsoper conducted by Michele Mariotti; she also appears as Handel’s Ariodante on tour with the English Concert and Harry Bicket; Dido in Berlioz’s Les Troyens with John Nelsons in Strasbourg; and Sesto in Mozart’s La clemenza di Tito with Yannick Nézet-Séguin in Baden-Baden. Ms. DiDonato also makes her Off-Broadway debut in White Rabbit Red Rabbit, the internationally acclaimed play by Nassim Soleimanpour. The mezzo-soprano’s next major recording release is In War & Peace: Harmony Through Music; the November 2016 release is accompanied by a 20-city international tour that poses the question: in the midst of chaos, how do you find peace?

Her acclaimed discography also includes the Grammy Award–winning Diva Divo, Drama Queens, ReJoyce!, and Stella di Napoli (Erato/Warner Classics). Other honors include the Gramophone Artist of the Year and Recital of the Year awards, three ECHO Klassik Awards for Female Singer of the Year, induction into the Gramophone Hall of Fame, and Best Female Singer of the Year at the 2016 Premios Líricos Teatro Campoamor.

In-demand on the concert and recital circuit, she has recently held residencies at Carnegie Hall and at London’s Barbican Centre; toured extensively in South America, Europe, and Asia; and appeared as guest soloist at the BBC’s Last Night of the Proms.

Learn more about Joyce DiDonato

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Paulo Szot

Baritone

Paulo Szot

Baritone

Paulo Szot

Baritone

Born in São Paulo, baritone Paulo Szot has appeared with many leading opera companies throughout Europe, the United States, and his native Brazil. In 2008 he won the Tony Award for Best Actor in a Musical for his portrayal of Emile De Beque in the Broadway revival of Rodgers & Hammerstein’s South Pacific at Lincoln Center Theater.

In the current season, Mr. Szot sings Don Alfonso in a new production of Mozart’s Così fan tutte at Paris Opéra, and performs a solo recital in Madrid as a salute to Antônio Carlos Jobim. He also returns to Feinstein’s 54 Below in New York City for a series of solo performances, and creates the roles of Alexander Hamilton, Bill Clinton, and Dick Cheney in the World Premiere of Mohammed Fairouz’s The New Prince at Dutch National Opera.

Highlights from previous seasons include Mr. Szot’s critically acclaimed debut at The Metropolitan Opera as Kovalev in Shostakovich’s The Nose, and his returns there as Escamillo in Bizet’s Carmen, Lescaut in Massenet’s Manon, Dr. Falke in R. Strauss’s Die Fledermaus, and the Captain in John Adams’s The Death of Klinghoffer. Mr. Szot has also sung the role of Kovalev at Rome Opera, Guglielmo in Così fan tutte for his Paris Opéra debut, Filippov in Alexander Raskatov’s A Dog’s Heart at Milan’s Teatro alla Scala, Escamillo for his San Francisco Opera debut, Sharpless in Puccini’s Madama Butterfly at Marseille’s Opera Municipal, the title role in Tchaikovsky’s Eugene Onegin with Opera Australia, and Almaviva in Mozart’s The Marriage of Figaro at the Aix-en-Provence Festival.

He has also appeared at Carnegie Hall with Deborah Voigt and the Collegiate Chorale, and the New York Pops Orchestra. Paulo Szot made his New York Philharmonic debut alongside Liza Minnelli, Joel Grey, and Kelli O’Hara in the April 2009 Spring Gala, New York Moments, conducted by Marvin Hamlisch. Most recently, he appeared with the Philharmonic in An Enchanted Evening with Paulo Szot, the June 2013 Spring Gala directed and conducted by Ted Sperling, and also featuring Megan Hilty, Marin Mazzie, and Billy Stritch.

Learn more about Paulo Szot

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