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CYO

Become a 2017–18 subscriber by purchasing 5 or more eligible concerts and enjoy exclusive benefits including unlimited no-fee ticket exchanges and immediate presale access to all 2017–18 concerts.

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Calendar

Copland and Marsalis

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Location

David Geffen Hall

Directions
Price Range

$44-134

Date & Times

28

Dec, 2016

Wednesday, 7:30 PM

29

Dec, 2016

Thursday, 7:30 PM

30

Dec, 2016

Friday, 8:00 PM

3

Jan, 2017

Tuesday, 7:30 PM

Event Info

SOLD OUT. Additional tickets may be released as concert dates near. Check back for availability.

The Jazz at Lincoln Center Orchestra with Wynton Marsalis joins the Philharmonic in the World Premiere of the jazz legend’s latest creation, one of The New York Commissions for the Orchestra’s 175th anniversary. With style, class, and talent to spare, Marsalis is one of the world’s finest musicians and composers. Plus William Bolcom’s Trombone Concerto, featuring Principal Trombone Joseph Alessi.

Program

Copland

Quiet City

Listen
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William Bolcom

Trombone Concerto (New York Philharmonic Co-Commission with the Shanghai Symphony Orchestra)

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Wynton Marsalis

The Jungle (Symphony No. 4) (World Premiere–New York Philharmonic Commission)

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Artists

Alan Gilbert

Conductor

Alan Gilbert

Conductor

Alan Gilbert

Conductor

The 2016–17 season marks Alan Gilbert’s eighth and final season as Music Director of the New York Philharmonic. The first native New Yorker to hold the post, he has sought to make the Orchestra a point of pride for the city and country. The Financial Times called him “the imaginative maestro-impresario in residence.”

Mr. Gilbert and the Philharmonic have forged artistic partnerships, introducing the positions of The Marie-Josée Kravis Composer-in-Residence and The Mary and James G. Wallach Artist-in-Residence — held in the 2016–17 season by Esa-Pekka Salonen and violinist Leonidas Kavakos, respectively — as well as Artist-in-Association, currently held by pianist Inon Barnatan, who inaugurated the role in the 2014–15 season; an annual festival, which this season is Beloved Friend — Tchaikovsky and His World, featuring Russian-born Semyon Bychkov conducting works by Tchaikovsky as well as composers he was influenced by and whom he influenced; CONTACT!, the new-music series; and the NY PHIL BIENNIAL, an exploration of today’s music by a wide range of contemporary and modern composers. During his tenure the Philharmonic launched the New York Philharmonic Global Academy, partnerships with cultural institutions to offer training of pre-professional musicians, often alongside performance residencies. These include the Shanghai Orchestra Academy and Residency Partnership and collaborations with Santa Barbara’s Music Academy of the West and the Shepherd School of Music at Rice University. Alan Gilbert and the Philharmonic also launched a five-year partnership with the University Musical Society at the University of Michigan.

Alan Gilbert concludes his final season as Music Director with four programs that reflect signature themes of his tenure, featuring works that hold particular meaning for him and musicians with whom he has formed close relationships. These include a pairing of Beethoven’s Ninth Symphony with Schoenberg’s A Survivor from Warsaw; Wagner’s complete Das Rheingold in concert; the New York Premiere of Composer-in-Residence Esa-Pekka Salonen’s Wing on Wing alongside Artist-in-Residence Leonidas Kavakos in Brahms’s Violin Concerto and the New York Premiere of Aeriality by Anna Thorvaldsdottir, the second Kravis Emerging Composer, an honor introduced during Alan Gilbert’s tenure; and an exploration of how music can effect positive change in the world. Other 2016–17 season highlights include four World Premieres; Dvořák’s Symphony No. 9, From the New World, as part of the New York Philharmonic’s 175th anniversary celebrations; Mahler’s Fourth Symphony and Handel’s Messiah; the World Premiere presentation of Gershwin’s score to Manhattan, performed live to the film; Ligeti’s Mysteries of the Macabre; a concert with friends celebrating his 50th birthday; works by John Adams marking the composer’s 70th birthday; and the EUROPE / SPRING 2017 tour. As part of the New York Philharmonic Global Academy, he will lead the Orchestra in its third annual performance residency through the Shanghai Orchestra Academy and Residency Partnership, and will lead the Philharmonic and Academy Festival Orchestra together in Santa Barbara through the partnership with Santa Barbara’s Music Academy of the West.

Last season’s Philharmonic highlights included R. Strauss’s Ein Heldenleben to welcome newly appointed Concertmaster Frank Huang; Carnegie Hall’s 125th anniversary Opening Night Gala; premieres by William Bolcom, Franck Krawczyk, Magnus Lindberg, and Marc Neikrug; works by Sibelius in celebration of the 150th anniversary of the composer’s birth; as well as Mahler’s Das Lied von der Erde and an all-Mozart program. He also co-curated the second NY PHIL BIENNIAL — during which he conducted works by Boulez and Stucky, in tribute to the late composers, as well as premieres by William Bolcom, John Corigliano, and Per Nørgård, the second recipient of The Marie-Josée Kravis Prize for New Music at the New York Philharmonic, an honor introduced during Alan Gilbert’s tenure. The Music Director also performed violin in Messiaen’s Quartet for the End of Time alongside Philharmonic principals and Mr. Barnatan. Under the New York Philharmonic Global Academy he led the Orchestra in its second performance residency in Shanghai and made his second appearance conducting the Music Academy of the West’s Academy Festival Orchestra.

Previous high points among Mr. Gilbert’s Philharmonic appearances include critically celebrated staged productions such as Ligeti’s Le Grand Macabre (2010) and Janáček’s The Cunning Little Vixen (2011), both cited as the top cultural events of their respective years; Philharmonic 360 at Park Avenue Armory (2012), the acclaimed spatial music program featuring Stockhausen’s Gruppen; A Dancer’s Dream: Two Works by Stravinsky (2013, and later presented in movie theaters internationally); a staged production of Sondheim’s Sweeney Todd starring Bryn Terfel and Emma Thompson that was broadcast on Live From Lincoln Center, earning Mr. Gilbert an Emmy nomination for Outstanding Music Direction (2014); and the U.S. Premiere of a staging of Honegger’s Joan of Arc at the Stake featuring Oscar winner Marion Cotillard (2015). Other highlights include the first two editions of the NY PHIL BIENNIAL; World Premieres of works by Christopher Rouse, Magnus Lindberg, Peter Eötvös , and composers featured on CONTACT!; the score from 2001: A Space Odyssey, performed live to the film; Mahler’s Second Symphony, Resurrection, on A Concert for New York on September 10; the Verdi Requiem; the conclusion of The Nielsen Project, the multi-year initiative to perform and record the Danish composer’s symphonies and concertos; Mr. Gilbert’s Philharmonic debut as violin soloist in J.S. Bach’s Concerto for Two Violins; six concerts at Carnegie Hall; and ten tours around the world. In August 2015 he led the Mahler Chamber Orchestra in the U.S. Stage Premiere of George Benjamin’s Written on Skin, co-presented by the New York Philharmonic and Lincoln Center, the inaugural production of the Lincoln Center–New York Philharmonic Opera Initiative.

Conductor laureate of the Royal Stockholm Philharmonic Orchestra and former principal guest conductor of Hamburg’s NDR Symphony Orchestra, he regularly conducts leading orchestras nationally and internationally, such as the Boston Symphony Orchestra, The Philadelphia Orchestra, Amsterdam’s Royal Concertgebouw Orchestra, Berlin Philharmonic, Munich Philharmonic, Leipzig Gewandhaus Orchestra, Bavarian Radio Symphony Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, and Orchestre philharmonique de Radio France. He has appeared at The Metropolitan, Los Angeles, Zurich, Royal Swedish, and Santa Fe opera companies. This season Mr. Gilbert returns to the foremost European orchestras, records Beethoven’s complete piano concertos with the Academy of St Martin in the Fields and Inon Barnatan, and conducts Gershwin’s Porgy and Bess at Milan’s Teatro alla Scala, his first time leading a staged opera there.

In September 2011 Alan Gilbert became Director of Conducting and Orchestral Studies at The Juilliard School, where he is also the first holder of Juilliard’s William Schuman Chair in Musical Studies. He made his acclaimed Metropolitan Opera debut in 2008 leading John Adams’s Doctor Atomic; the DVD and Blu-ray of this production received the 2012 Grammy Award for Best Opera Recording. Renée Fleming’s Decca recording Poèmes, on which he conducted, received a 2013 Grammy Award. Earlier releases garnered Grammy Award nominations and top honors from the Chicago Tribune and Gramophone magazine. He received his second Emmy nomination for Outstanding Music Direction for Sinatra: Voice for a Century, broadcast on Live From Lincoln Center in 2015. Mr. Gilbert conducted Messiaen’s Des Canyons aux étoiles on a recent album recorded live at the Santa Fe Chamber Music Festival.

Alan Gilbert studied at Harvard University, The Curtis Institute of Music, and Juilliard and was assistant conductor of The Cleveland Orchestra (1995–97). He received Honorary Doctor of Music degrees from Curtis in May 2010 and from Westminster Choir College in May 2016, and in December 2011 he received Columbia University’s Ditson Conductor’s Award for his “exceptional commitment to the performance of works by American composers and to contemporary music.” In 2014 he was elected to The American Academy of Arts & Sciences, in 2015 he received a Foreign Policy Association Medal for his commitment to cultural diplomacy and was named Officier de l’Ordre des Arts et des Lettres, and in 2016 he received New York University’s Lewis Rudin Award for Exemplary Service to New York City in recognition of his leadership in making New York one of the world’s great centers for music and the arts.

Visit Alan Gilbert's Official Website

Learn more about Alan Gilbert
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Christopher Martin

Trumpet

Christopher Martin

Trumpet

Christopher Martin New York Philharmonic

Trumpet

Christopher Martin joins the New York Philharmonic as Principal Trumpet in the 2016–17 season. Currently in his 11th season as principal trumpet of the Chicago Symphony Orchestra (CSO), he has enjoyed a distinctive career of almost 20 years in many of America’s finest orchestras. Prior to his CSO appointment by Daniel Barenboim, Mr. Martin served as principal trumpet of the Atlanta Symphony Orchestra and associate principal trumpet of The Philadelphia Orchestra. Praised as a musician of “effortless understated virtuosity” by The Chicago Tribune, Christopher Martin has appeared as soloist multiple times domestically and internationally with the CSO and music director Riccardo Muti. Highlights of Mr. Martin’s solo appearances include the 2012 World Premiere of Christopher Rouse’s concerto Heimdall’s Trumpet; Panufnik’s Concerto in modo antico, with Mr. Muti; a program of 20th-century French concertos by André Jolivet and Henri Tomasi; and more than a dozen performances of J.S. Bach’s Brandenburg Concerto No. 2. Other solo appearances have featured Mr. Martin with the Australian Chamber Orchestra, Seiji Ozawa’s Saito Kinen Festival, the Atlanta Symphony, the Alabama Symphony, and the National Symphony Orchestra of Mexico. Christopher Martin’s discography includes a solo trumpet performance in John Williams’s score to Steven Spielberg’s Lincoln (2012), the National Brass Ensemble’s Gabrieli album, and CSO Resound label recordings, including the widely acclaimed 2011 release of CSO Brass Live. Dedicated to music education, Mr. Martin serves on the faculty of Northwestern University and coaches the Civic Orchestra of Chicago. In 2010 he co-founded the National Brass Symposium with his brother Michael Martin, a trumpeter in the Boston Symphony Orchestra, and in 2016 he received the Edwin Franko Goldman Memorial Citation from the American Bandmasters Association for outstanding contributions to the wind band genre. Christopher Martin and his wife, Margaret — an organist and pianist — enjoy performing together in recital and, most especially, for their one-year-old daughter, Claire.

Learn more about Christopher Martin

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Grace Shryock

English Horn

Grace Shryock

English Horn

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English Horn

Grace Shryock is principal English horn in the Springfield Symphony Orchestra in Massachusetts and an oboist in the Albany Symphony Orchestra who frequently performs English horn in the New York Philharmonic. Previously, Ms. Shryock was the principal English horn and assistant principal oboe with the Richmond Symphony. She has also made appearances with the Baltimore and New Jersey Symphony Orchestras, Boston Lyric Opera, Boston Modern Orchestra Project, and The Knights, as well as many other orchestras on the East Coast. She can be heard on recordings by the New York Philharmonic, Boston Modern Orchestra Project, and Albany Symphony Orchestra — for which she served as principal oboe in the Grammy-nominated recording of Christopher Rouse’s Kabir Padavali — as well as in the scores to numerous feature films. Ms. Shryock has served as associate oboe teacher at the Manhattan School of Music and oboe instructor at Virginia Commonwealth University, and she has conducted master classes at the Mannes School of Music, New York University, Cornell University, and Brooklyn College. Originally from Grand Rapids, Michigan, Ms. Shryock studied at the Manhattan School of Music and the Peabody Conservatory.

Learn more about Grace Shryock

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Joseph Alessi

Trombone

Joseph Alessi

Trombone

Joseph Alessi

Trombone

Joseph Alessi was appointed Principal Trombone of the New York Philharmonic, The Gurnee F. and Marjorie L. Hart Chair, in the spring of 1985. He began musical studies in his native California with his father, Joseph Alessi, Sr., as a high school student in San Rafael, California, and was a soloist with the San Francisco Symphony before continuing his musical training at the Curtis Institute of Music. Before joining the Philharmonic, Mr. Alessi was second trombone of The Philadelphia Orchestra for four seasons, and principal trombone of the Montreal Symphony Orchestra for one season. He has performed as guest principal trombonist with the London Symphony Orchestra in Carnegie Hall, led by Pierre Boulez.

Mr. Alessi is an active soloist, recitalist, and chamber musician. In April 1990 he made his New York Philharmonic solo debut, performing Creston’s Fantasy for Trombone, and in 1992 premiered Christopher Rouse’s Pulitzer Prize–winning Trombone Concerto with the Philharmonic, which commissioned the work for its 150th anniversary celebration. He performed the World Premiere of Melinda Wagner’s Trombone Concerto, conducted by Lorin Maazel in February 2007. In July 2013 he appeared with the Philharmonic as soloist in Bramwell Tovey’s The Lincoln Tunnel Cabaret for Trombone and Orchestra, written for Mr. Alessi, at Summertime Classics and at Bravo! Vail, both performances conducted by the composer. In June 2016 he gave the World Premiere of William Bolcom’s Trombone Concerto, a Philharmonic co-commission, conducted by Music Director Alan Gilbert as part of the NY PHIL BIENNIAL; Mr. Alessi and the Philharmonic, led by Alan Gilbert, reprise the concerto in the 2016–17 season.

Mr. Alessi has been a guest soloist with the Lincoln, Colorado, Syracuse, Virginia, Alabama, Santa Barbara, Puerto Rico, Hartford, and South Dakota symphony orchestras; New Japan, Seoul, Hague, and Helsinki philharmonic orchestras; National Repertory Orchestra; Orchestra of Teatro Massimo Bellini in Catania, Sicily; Mannheim National Theater Orchestra; and National Symphony of Taiwan. Mr. Alessi has also participated in numerous festivals, including the Festivale Musica di Camera in Protogruaro, Italy; Cabrillo Music Festival; Swiss Brass Week; and Lieksa Brass Week in Finland. He was featured in the 1997 International Trombone Festival in Feldkirch, Austria, and the International Meeting of Brass Instruments in Lille, France. He is a founding member of the Summit Brass ensemble at the Rafael Mendez Brass Institute in Tempe, Arizona. In 2002 Mr. Alessi was awarded an International Trombone Association Award for his contributions to the world of trombone music and trombone playing.

Joseph Alessi is currently on the faculty of The Juilliard School; his students now occupy posts with many major symphony orchestras in the U.S. and internationally. As a clinician for the Edwards Instrument Co., he has also given master classes throughout the world and has toured Europe extensively as a master teacher and recitalist. He has performed as soloist with several leading concert bands, including the U.S. Military Academy Band at West Point, U.S. Army Band (“Pershing’s Own”), and the U.S. Marine Band (“The President’s Own”).

Mr. Alessi’s discography includes many releases on the Summit record label, including Trombonastics and Fandango, with retired Philharmonic Principal Trumpet Philip Smith. He also recorded New York Legends on the Cala label, Return to Sorrento on the Naxos record label, and conductor/composer Bramwell Tovey’s Urban Cabaret. His live recording with the Philharmonic of Christopher Rouse’s Pulitzer Prize–winning Trombone Concerto, commissioned for the Orchestra’s 150th anniversary project, can be heard on Volume II of An American Celebration, on New York Philharmonic Special Editions, the Orchestra’s own recording label.

Mr. Alessi was invited by the International Trombone Association to record a solo disc of newly composed works, which was distributed to the Association’s membership of 5,000 trombonists in early 1999 and is now available as Beyond the End of the Century through Summit Records. His recording of George Crumb’s Starchild on the Bridge record label, featuring Mr. Alessi as soloist, won a Grammy Award for 1999–2000. Other recordings featuring Mr. Alessi are with the Canadian Brass (Sony Classical and Philips Records). Further information about Mr. Alessi can be found on his website, www.slidearea.com.

Learn more about Joseph Alessi

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Jazz at Lincoln Center Orchestra with Wynton Marsalis

Jazz at Lincoln Center Orchestra with Wynton Marsalis

The Jazz at Lincoln Center Orchestra with Wynton Marsalis (JLCO) comprises 15 of the finest jazz soloists and ensemble players today. Led by Wynton Marsalis, Jazz at Lincoln Center managing and artistic director, this remarkably versatile orchestra performs a vast repertoire ranging from original compositions and Jazz at Lincoln Center–commissioned works to rare historic compositions and masterworks by Duke Ellington, Count Basie, Fletcher Henderson, Thelonious Monk, Mary Lou Williams, Dizzy Gillespie, Benny Goodman, Charles Mingus, and many others. JLCO has been the Jazz at Lincoln Center resident orchestra since 1988, performing and leading educational events in New York, across the United States, and around the globe. Alongside symphony orchestras, ballet troupes, local students, and an ever-expanding roster of guest artists, JLCO has toured to more than 300 cities across six continents. Guest conductors have included Benny Carter, John Lewis, Jimmy Heath, Chico O’Farrill, Ray Santos, Paquito D’Rivera, Jon Faddis, Robert Sadin, David Berger, Gerald Wilson, and Loren Schoenberg. JLCO has been voted best Big Band in the annual DownBeat Readers’ Poll for the past three years (2013–15).

In 2015 Jazz at Lincoln Center announced the launch of Blue Engine Records, a new platform to make its archive of recorded concerts available to jazz audiences everywhere. The first release from Blue Engine Records, Live in Cuba, was recorded on JLCO’s historic 2010 trip to Havana and was released in October 2015. Big Band Holidays was released in December 2015, and The Abyssinian Mass was released in March 2016. To date, 14 other recordings featuring JLCO have been released and distributed internationally: Vitoria Suite (2010), Portrait in Seven Shades (2010), Congo Square (2007), Don’t Be Afraid ... The Music of Charles Mingus (2005), A Love Supreme (2005), All Rise (2002), Big Train (1999), Sweet Release & Ghost Story (1999), Live in Swing City (1999), Jump Start and Jazz (1997), Blood on the Fields (1997), They Came to Swing (1994), The Fire of the Fundamentals (1993), and Portraits by Ellington (1992).

Trumpet player and composer Wynton Marsalis is the managing and artistic director of Jazz at Lincoln Center. Born in New Orleans, he began classical trumpet at 12, entered The Juilliard School at 17, and then joined Art Blakey and the Jazz Messengers. He made his recording debut as a leader in 1982, and has since made more than 60 jazz and classical albums, earning him nine Grammy Awards. In 1983 he became the first artist to win both classical and jazz Grammys in the same year, a feat he repeated in 1984. A teacher and spokesman for music education, he has received honorary doctorates from dozens of U.S. universities and has written six books. In 1997 he became the first jazz artist to be awarded the Pulitzer Prize in music for his oratorio Blood on the Fields, and he is a United Nations Messenger of Peace and cultural ambassador for the U.S. in the State Department’s CultureConnect program. He was instrumental in the Higher Ground Hurricane Relief concert, which raised more than $3 million to benefit those affected by Hurricane Katrina in the Greater New Orleans area.

Learn more about Jazz at Lincoln Center Orchestra with Wynton Marsalis

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Special Thanks

These concerts are presented by The Andrew W. Mellon Foundation.

Additional support is provided by the Francis Goelet Charitable Lead Trusts.

Major support for Wynton Marsalis’s commission is made possible by The Deane A. and John D. Gilliam Foundation.

William Bolcom’s commission was made possible with generous support from Edward Stanford & Barbara Scheulen.

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