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Become a 2017–18 subscriber by purchasing 4 or more eligible concerts and enjoy exclusive benefits including unlimited no-fee ticket exchanges and immediate presale access to all 2017–18 concerts.

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Calendar

SINATRA: Voice for a Century

Location

David Geffen Hall

Directions
Price Range

$95-350

Duration

1 hour 30 minutes no intermission

Date & Times

3

Dec, 2015

Thursday, 7:30 PM

Event Info

The New York Philharmonic is teaming up with Lincoln Center for the Performing Arts to present SINATRA: Voice for a Century, a star-studded concert celebrating the 100th birthday of Ol’ Blue Eyes.

Please join us for the Gala! For information about the Sinatra Gala — which enhances your concert experience with a pre-concert champagne reception and a glamorous dinner with the artists — please download this form or please contact Betsy Baron, Lincoln Center Office of Special Events, at bbaron@lincolncenter.org, or (212) 875-5444.

Program

To Be Announced

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Artists

New York Philharmonic

New York Philharmonic

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Christina Aguilera

Vocalist

Christina Aguilera

Vocalist

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Chris Botti

Trumpet

Chris Botti

Trumpet

Trumpet

Since the release of his 2004 critically acclaimed CD When I Fall in Love, trumpet player Chris Botti has become the largest-selling American instrumental artist. His success has crossed over to audiences usually reserved for pop muisc, and his ongoing association with PBS has led to four number-one jazz albums, as well as multiple Gold, Platinum, and Grammy Awards. His latest album, Impressions, won the Grammy for Best Pop Instrumental Album at the 55th Grammy Awards in 2013. Performing worldwide and selling more than four million albums, he has found a form of creative expression that begins in jazz and expands beyond the limits of any single genre. Over the past three decades Mr. Botti has recorded and performed with Sting, Barbra Streisand, Tony Bennett, Lady Gaga, Josh Groban, Yo-Yo Ma, Michael Bublé, Paul Simon, Joni Mitchell, John Mayer, Andrea Bocelli, Joshua Bell, Aerosmith’s Steven Tyler, and Frank Sinatra. Traveling for as many as 300 days per year, the trumpeter has also performed with orchestras around the world and in venues from Carnegie Hall and the Hollywood Bowl to the Sydney Opera House and the Real Teatro di San Carlo in Italy. The Grammy-winning Impressions (Columbia Records) is the latest in a parade of albums — including When I Fall in Love (2004), To Love Again: The Duets (2005), Italia (2007), and the CD/DVD Chris Botti in Boston (2009) — that has established him as a clarion voice in the American contemporary music scene. Mr. Botti is joined on the disc by featured artists Andrea Bocelli, Vince Gill, Herbie Hancock, Mark Knopfler, and David Foster. Chris Botti made his New York Philharmonic debut in Central Park as part of the September 2011 Andrea Bocelli Live in Central Park, led by Music Director Alan Gilbert; most recently he appeared as part of the December 2015 SINATRA: Voice for a Century gala, also led by Alan Gilbert.

Learn more about Chris Botti

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Fantasia

Vocalist

Fantasia

Vocalist

Vocalist

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Sutton Foster

Vocalist

Sutton Foster

Vocalist

Vocalist

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Seth MacFarlane

Host and Vocalist

Seth MacFarlane

Host and Vocalist

Host and Vocalist

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Kyle Dean Massey

Vocalist

Kyle Dean Massey

Vocalist

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Bernadette Peters

Vocalist

Bernadette Peters

Vocalist

Vocalist

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Billy Porter

Vocalist

Billy Porter

Vocalist

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Sting

Vocalist

Sting

Vocalist

Vocalist

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Alan Gilbert

Conductor

Alan Gilbert

Conductor

Alan Gilbert

Conductor

The 2016–17 season marks Alan Gilbert’s eighth and final season as Music Director of the New York Philharmonic. The first native New Yorker to hold the post, he has sought to make the Orchestra a point of pride for the city and country. The Financial Times called him “the imaginative maestro-impresario in residence.”

Mr. Gilbert and the Philharmonic have forged artistic partnerships, introducing the positions of The Marie-Josée Kravis Composer-in-Residence and The Mary and James G. Wallach Artist-in-Residence — held in the 2016–17 season by Esa-Pekka Salonen and violinist Leonidas Kavakos, respectively — as well as Artist-in-Association, currently held by pianist Inon Barnatan, who inaugurated the role in the 2014–15 season; an annual festival, which this season is Beloved Friend — Tchaikovsky and His World, featuring Russian-born Semyon Bychkov conducting works by Tchaikovsky as well as composers he was influenced by and whom he influenced; CONTACT!, the new-music series; and the NY PHIL BIENNIAL, an exploration of today’s music by a wide range of contemporary and modern composers. During his tenure the Philharmonic launched the New York Philharmonic Global Academy, partnerships with cultural institutions to offer training of pre-professional musicians, often alongside performance residencies. These include the Shanghai Orchestra Academy and Residency Partnership and collaborations with Santa Barbara’s Music Academy of the West and the Shepherd School of Music at Rice University. Alan Gilbert and the Philharmonic also launched a five-year partnership with the University Musical Society at the University of Michigan.

Alan Gilbert concludes his final season as Music Director with four programs that reflect signature themes of his tenure, featuring works that hold particular meaning for him and musicians with whom he has formed close relationships. These include a pairing of Beethoven’s Ninth Symphony with Schoenberg’s A Survivor from Warsaw; Wagner’s complete Das Rheingold in concert; the New York Premiere of Composer-in-Residence Esa-Pekka Salonen’s Wing on Wing alongside Artist-in-Residence Leonidas Kavakos in Brahms’s Violin Concerto and the New York Premiere of Aeriality by Anna Thorvaldsdottir, the second Kravis Emerging Composer, an honor introduced during Alan Gilbert’s tenure; and an exploration of how music can effect positive change in the world. Other 2016–17 season highlights include four World Premieres; Dvořák’s Symphony No. 9, From the New World, as part of the New York Philharmonic’s 175th anniversary celebrations; Mahler’s Fourth Symphony and Handel’s Messiah; the World Premiere presentation of Gershwin’s score to Manhattan, performed live to the film; Ligeti’s Mysteries of the Macabre; a concert with friends celebrating his 50th birthday; works by John Adams marking the composer’s 70th birthday; and the EUROPE / SPRING 2017 tour. As part of the New York Philharmonic Global Academy, he will lead the Orchestra in its third annual performance residency through the Shanghai Orchestra Academy and Residency Partnership, and will lead the Philharmonic and Academy Festival Orchestra together in Santa Barbara through the partnership with Santa Barbara’s Music Academy of the West.

Last season’s Philharmonic highlights included R. Strauss’s Ein Heldenleben to welcome newly appointed Concertmaster Frank Huang; Carnegie Hall’s 125th anniversary Opening Night Gala; premieres by William Bolcom, Franck Krawczyk, Magnus Lindberg, and Marc Neikrug; works by Sibelius in celebration of the 150th anniversary of the composer’s birth; as well as Mahler’s Das Lied von der Erde and an all-Mozart program. He also co-curated the second NY PHIL BIENNIAL — during which he conducted works by Boulez and Stucky, in tribute to the late composers, as well as premieres by William Bolcom, John Corigliano, and Per Nørgård, the second recipient of The Marie-Josée Kravis Prize for New Music at the New York Philharmonic, an honor introduced during Alan Gilbert’s tenure. The Music Director also performed violin in Messiaen’s Quartet for the End of Time alongside Philharmonic principals and Mr. Barnatan. Under the New York Philharmonic Global Academy he led the Orchestra in its second performance residency in Shanghai and made his second appearance conducting the Music Academy of the West’s Academy Festival Orchestra.

Previous high points among Mr. Gilbert’s Philharmonic appearances include critically celebrated staged productions such as Ligeti’s Le Grand Macabre (2010) and Janáček’s The Cunning Little Vixen (2011), both cited as the top cultural events of their respective years; Philharmonic 360 at Park Avenue Armory (2012), the acclaimed spatial music program featuring Stockhausen’s Gruppen; A Dancer’s Dream: Two Works by Stravinsky (2013, and later presented in movie theaters internationally); a staged production of Sondheim’s Sweeney Todd starring Bryn Terfel and Emma Thompson that was broadcast on Live From Lincoln Center, earning Mr. Gilbert an Emmy nomination for Outstanding Music Direction (2014); and the U.S. Premiere of a staging of Honegger’s Joan of Arc at the Stake featuring Oscar winner Marion Cotillard (2015). Other highlights include the first two editions of the NY PHIL BIENNIAL; World Premieres of works by Christopher Rouse, Magnus Lindberg, Peter Eötvös , and composers featured on CONTACT!; the score from 2001: A Space Odyssey, performed live to the film; Mahler’s Second Symphony, Resurrection, on A Concert for New York on September 10; the Verdi Requiem; the conclusion of The Nielsen Project, the multi-year initiative to perform and record the Danish composer’s symphonies and concertos; Mr. Gilbert’s Philharmonic debut as violin soloist in J.S. Bach’s Concerto for Two Violins; six concerts at Carnegie Hall; and ten tours around the world. In August 2015 he led the Mahler Chamber Orchestra in the U.S. Stage Premiere of George Benjamin’s Written on Skin, co-presented by the New York Philharmonic and Lincoln Center, the inaugural production of the Lincoln Center–New York Philharmonic Opera Initiative.

Conductor laureate of the Royal Stockholm Philharmonic Orchestra and former principal guest conductor of Hamburg’s NDR Symphony Orchestra, he regularly conducts leading orchestras nationally and internationally, such as the Boston Symphony Orchestra, The Philadelphia Orchestra, Amsterdam’s Royal Concertgebouw Orchestra, Berlin Philharmonic, Munich Philharmonic, Leipzig Gewandhaus Orchestra, Bavarian Radio Symphony Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, and Orchestre philharmonique de Radio France. He has appeared at The Metropolitan, Los Angeles, Zurich, Royal Swedish, and Santa Fe opera companies. This season Mr. Gilbert returns to the foremost European orchestras, records Beethoven’s complete piano concertos with the Academy of St Martin in the Fields and Inon Barnatan, and conducts Gershwin’s Porgy and Bess at Milan’s Teatro alla Scala, his first time leading a staged opera there.

In September 2011 Alan Gilbert became Director of Conducting and Orchestral Studies at The Juilliard School, where he is also the first holder of Juilliard’s William Schuman Chair in Musical Studies. He made his acclaimed Metropolitan Opera debut in 2008 leading John Adams’s Doctor Atomic; the DVD and Blu-ray of this production received the 2012 Grammy Award for Best Opera Recording. Renée Fleming’s Decca recording Poèmes, on which he conducted, received a 2013 Grammy Award. Earlier releases garnered Grammy Award nominations and top honors from the Chicago Tribune and Gramophone magazine. He received his second Emmy nomination for Outstanding Music Direction for Sinatra: Voice for a Century, broadcast on Live From Lincoln Center in 2015. Mr. Gilbert conducted Messiaen’s Des Canyons aux étoiles on a recent album recorded live at the Santa Fe Chamber Music Festival.

Alan Gilbert studied at Harvard University, The Curtis Institute of Music, and Juilliard and was assistant conductor of The Cleveland Orchestra (1995–97). He received Honorary Doctor of Music degrees from Curtis in May 2010 and from Westminster Choir College in May 2016, and in December 2011 he received Columbia University’s Ditson Conductor’s Award for his “exceptional commitment to the performance of works by American composers and to contemporary music.” In 2014 he was elected to The American Academy of Arts & Sciences, in 2015 he received a Foreign Policy Association Medal for his commitment to cultural diplomacy and was named Officier de l’Ordre des Arts et des Lettres, and in 2016 he received New York University’s Lewis Rudin Award for Exemplary Service to New York City in recognition of his leadership in making New York one of the world’s great centers for music and the arts.

Relive the magic of the combination of Alan Gilbert and the Philharmonic through video, audio, and photos.

Visit Alan Gilbert’s Official Website.

Learn more about Alan Gilbert

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Lonny Price

Co-Director

Lonny Price

Co-Director

Lonny Price

Co-Director

Lonny Price directed the stage and film versions of the New York Philharmonic’s production of Stephen Sondheim’s Company (starring Neil Patrick Harris, Patti LuPone, and Stephen Colbert), which played in more than 700 movie theaters across the country. Mr. Price’s other Philharmonic collaborations include the stage and film versions of SONDHEIM: The Birthday Concert! (for which he received a 2011 Emmy Award); the Live from Lincoln Center broadcasts of Camelot starring Gabriel Byrne (2008), Candide starring Kristin Chenoweth (2004, broadcast on Great Performances), and Sweeney Todd starring Patti LuPone and George Hearn (2000). Mr. Price also directed the Emmy Award–winning production of Sondheim’s Passion starring Patti LuPone, Audra McDonald, and Michael Cerveris, broadcast on Live From Lincoln Center, and he won an Emmy for his 2001 production of Sweeney Todd with the San Francisco Symphony. On Broadway, he directed Audra McDonald in 110 in the Shade, Danny Glover in Athol Fugard’s “Master Harold” ... and the Boys; Joan Rivers in Sally Marr and Her Escorts (which he co-wrote with Ms. Rivers and Erin Sanders); Jenn Colella in Urban Cowboy; and himself in A Class Act, for which he earned a Tony nomination and co-wrote the book with Linda Kline. Mr. Price’s Off-Broadway work includes Visiting Mr. Green starring Eli Wallach, Grown Ups, and Stopping Traffic. He made his opera directing debut at Houston Grand Opera directing Audra McDonald in Poulenc’s La Voix humaine and Michael John LaChiusa’s Send. His feature film, “Master Harold” ... and the Boys, received the Best Director of a Feature Film award from the New York International Independent Film and Video Festival. He has directed episodes of ABC’s Desperate Housewives and CBS’s 2 Broke Girls. As an actor, he appeared in a variety of plays and musicals on and off-Broadway highlights of which include “Master Harold” ... and the boys, Burn This, and Merrily We Roll Along.

Learn more about Lonny Price

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Matt Cowart

Co-Director

Matt Cowart

Co-Director

Matt Cowart

Co-Director

Matt Cowart served as producer and associate director of the New York Philharmonic’s April 2011 production of Stephen Sondheim’s Company, starring Neil Patrick Harris, Stephen Colbert, Martha Plimpton, Jon Cryer, Patti LuPone, and Christina Hendricks. In addition to the performances at Avery Fisher Hall, the production was shown in movie theaters across the country, and has been released on DVD. Mr. Cowart’s additional New York Philharmonic credits include: One Singular Sensation: Celebrating Marvin Hamlisch, SONDHEIM: The Birthday Concert!, and Camelot, starring Gabriel Byrne. His other directing credits include: Kiki Baby at the New York Musical Theater Festival, with longtime collaborator Lonny Price; CAMP WANATACHI, a new “electro-musical” that premiered Off-Broadway at La MaMa ETC; Annie Get Your Gun at Ravinia, starring Patti LuPone (associate director); Broadway: Three Generations at the Kennedy Center, co-directed with Mr. Price; My Favorite Things, a Rodgers and Hammerstein revue starring Shirley Jones (associate director); Beautiful Girls, starring Zoe Caldwell, Patti LuPone, Marin Mazzie, Donna McKechnie, and Jenn Colella (associate director); and the Broadway revival of 110 in the Shade, starring Audra McDonald (assistant director). Mr. Cowart is a member of Stage Directors and Choreographers and a graduate of the University of North Carolina School of the Arts. He is currently developing a new musical, Legend of the Word, with Isaac Klein and James Stewart.

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Joshua Bergasse

Choreographer

Joshua Bergasse

Choreographer

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