Messiaen in the Temple - Quartet for the End of Time

The New York Philharmonic

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Messiaen in the Temple: Quartet for the End of Time

Location

The Metropolitan Museum of Art, Temple of Dendur

Directions
Date & Times

13

Mar, 2016

Sunday, 2:00 PM

Event Info

Tickets at The Metropolitan Museum of Art

Part of Messiaen Week

Experience “the most ethereally beautiful music of the twentieth century” (The New Yorker) as never before at The Metropolitan Museum of Art’s Temple of Dendur featuring Philharmonic musicians. Messiaen’s Quartet for the End of Time takes on new meaning at the Egyptian temple, relocated from the banks of the Nile to the Upper East Side. Featuring Philharmonic Music Director Alan Gilbert on violin.

Program

Messiaen

Quartet for the End of Time

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Artists

Alan Gilbert

Violin

Alan Gilbert

Violin

Alan Gilbert

Violin

Alan Gilbert, former Music Director of the New York Philharmonic, launches a new appointment as chief conductor designate of Hamburg’s NDR Elbphilharmonie Orchestra this fall, shortly after the opening of its already iconic new home. The Grammy Award–winning conductor previously served as principal guest conductor of the orchestra (then known as NDR Symphony Orchestra Hamburg) for more than a decade, and will assume the role of chief conductor in September 2019. This position follows his truly transformative eight-year tenure as Music Director of the New York Philharmonic, during which, through such key initiatives as the NY PHIL BIENNIAL, he succeeded in making the Orchestra a leader on the cultural landscape. Alan Gilbert is also conductor laureate of the Royal Stockholm Philharmonic and the founder and president of Musicians for Unity. With the endorsement and guidance of the United Nations, this new organization will bring together musicians from around the world to perform in support of peace, development, and human rights.

Alan Gilbert makes regular guest appearances with orchestras including the Berlin Philharmonic, Amsterdam’s Royal Concertgebouw Orchestra, The Cleveland Orchestra, Boston Symphony Orchestra, The Philadelphia Orchestra, Dresden Staatskapelle, and Orchestre Philharmonique de Radio France. He has led operatic productions for Milan’s Teatro alla Scala, The Metropolitan Opera, Los Angeles Opera, Zurich Opera, Royal Swedish Opera, and Santa Fe Opera, where he was the inaugural music director.

His discography includes The Nielsen Project, a box set recorded with the New York Philharmonic, and John Adams’s Doctor Atomic, captured on DVD at The Metropolitan Opera, for which he won a Grammy Award. He received Emmy Award nominations for Outstanding Music Direction in PBS’s Live From Lincoln Center broadcasts of two star-studded New York Philharmonic productions: of Sweeney Todd and Sinatra: Voice for a Century.

Alan Gilbert has received Honorary Doctor of Music degrees from the Curtis Institute of Music and Westminster Choir College, as well as Columbia University’s Ditson Conductor’s Award. He is a member of The American Academy of Arts & Sciences, and was named an Officier de l’Ordre des Arts et des Lettres by the French government. At The Juilliard School, he is the first holder of the William Schuman Chair in Musical Studies and serves as Director of Conducting and Orchestral Studies. After giving the annual Royal Philharmonic Society Lecture on Orchestras in the 21st Century: A New Paradigm during the New York Philharmonic’s EUROPE / SPRING 2015 tour, he received a 2015 Foreign Policy Association Medal for his commitment to cultural diplomacy.

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Inon Barnatan

Piano

Inon Barnatan

Piano

Inon Barnatan

Piano

Israeli pianist Inon Barnatan is a recipient of both the Avery Fisher Career Grant and Lincoln Center’s Martin E. Segal Award. He has performed extensively with many of the world’s foremost orchestras, including the Los Angeles Philharmonic, Cleveland and Philadelphia Orchestras, San Francisco Symphony, Deutsches Symphonie-Orchester Berlin, Royal Stockholm Symphony Orchestra, and Lisbon’s Gulbenkian Orchestra. He has worked with such conductors as Gustavo Dudamel, James Gaffigan, Susanna Mälkki, Matthias Pintscher, David Robertson, Thomas Søndergård, Michael Tilson Thomas, Edo de Waart, Pinchas Zukerman, and Jaap van Zweden. Passionate about contemporary music, the pianist has premiered new works composed for him by Matthias Pintscher, Sebastian Currier, and Avner Dorman.

In 2016–17 Inon Barnatan enters his third and final season as the New York Philharmonic’s inaugural Artist-in-Association, a position created to spotlight an emerging artist over the course of three seasons through both concerto and chamber music performances and by cultivating a relationship among the artist, the Orchestra, and the audience. He also makes debuts with the Leipzig Gewandhaus Orchestra, led by New York Philharmonic Music Director Alan Gilbert; Chicago Symphony Orchestra, led by Jesús López-Cobos; Baltimore Symphony Orchestra, led by Vasily Petrenko; and the Seattle Symphony, led by Ludovic Morlot. In addition to returning to the New York Philharmonic under Manfred Honeck, he embarks on three tours: of the U.S., with the Academy of St Martin in the Fields; of Europe, with cellist Alisa Weilerstein, his frequent recital partner; and of the U.S. again, performing a trio program with Ms. Weilerstein and Philharmonic Principal Clarinet Anthony McGill.

Inon Barnatan’s critically acclaimed discography includes Avie and Bridge recordings of Schubert’s solo piano works, as well as Darknesse Visible, which made The New York Times’s “Best of 2012” list. Last season he released Rachmaninov & Chopin: Cello Sonatas on Decca Classics with Ms. Weilerstein. 

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Anthony McGill

Clarinet

Anthony McGill

Clarinet

Anthony McGill

Clarinet

Anthony McGill joined the New York Philharmonic as Principal Clarinet, The Edna and W. Van Alan Clark Chair, in September 2014. Previously principal clarinet of The Metropolitan Opera Orchestra beginning in 2004, he is recognized as one of the classical music world’s finest solo, chamber, and orchestral musicians. He has appeared as soloist at Carnegie Hall with many orchestras, including the MET Orchestra, American Symphony Orchestra, and New York String Orchestra. He has also recently performed with the Baltimore, New Jersey, San Diego, and Memphis symphony orchestras and Orchestra 2001. As a chamber musician Mr. McGill has appeared throughout the United States, Europe, and Asia with quartets including the Guarneri, Tokyo, Brentano, Pacifica, Shanghai, Miró, and Daedalus. He has also appeared with Musicians from Marlboro and at The Chamber Music Society of Lincoln Center, Philadelphia Chamber Music Society, and University of Chicago Presents. His festival appearances have included Tanglewood, Marlboro, Mainly Mozart, Music@Menlo, and Santa Fe Chamber Music. He has collaborated with pianists Emanuel Ax, Yefim Bronfman, Mitsuko Uchida, and Lang Lang, as well as violinists Gil Shaham and Midori. On January 20, 2009, he performed with Itzhak Perlman, Yo-Yo Ma, and Gabriela Montero at the inauguration of President Barack Obama. He has appeared on Performance Today, MPR’s Saint Paul Sunday, and Mister Rogers’ Neighborhood. In 2013 with his brother Demarre, he appeared on NBC Nightly News, the Steve Harvey Show, and on MSNBC with Melissa Harris-Perry. In demand as a teacher, Anthony McGill serves on the faculties of The Juilliard School, Peabody Institute of The Johns Hopkins University, Bard College Conservatory of Music, and Manhattan School of Music, and has given master classes throughout the United States, Europe, and South Africa. In 2016 he was one of five leaders honored with a John Jay Justice Award for being a “true champion of justice.”

Learn more about Anthony McGill

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Carter Brey

Cello

Carter Brey

Cello

Carter Brey

Cello

Carter Brey was appointed Principal Cello, The Fan Fox and Leslie R. Samuels Chair, of the New York Philharmonic in 1996. He made his official subscription debut with the Orchestra in May 1997 performing Tchaikovsky’s Rococo Variations under the direction of then Music Director Kurt Masur. He has since appeared as soloist almost every season, and was featured during The Bach Variations: A Philharmonic Festival, when he gave two performances of the cycle of all six of Bach’s cello suites. Most recently, he was the soloist in performances of Schumann’s Cello Concerto on the Orchestra’s CALIFORNIA 2016 tour, led by then Music Director Alan Gilbert.

He rose to international attention in 1981 as a prizewinner in the Rostropovich International Cello Competition. The winner of the Gregor Piatigorsky Memorial Prize, Avery Fisher Career Grant, Young Concert Artists’ Michaels Award, and other honors, he also was the first musician to win the Arts Council of America’s Performing Arts Prize.

Mr. Brey has appeared as soloist with virtually all the major orchestras in the United States, and performed under the batons of prominent conductors including Claudio Abbado, Semyon Bychkov, Sergiu Comissiona, and Christoph von Dohnányi. He is a member of the New York Philharmonic String Quartet, established in the 2016–17 season, and has made regular appearances with the Tokyo and Emerson string quartets,The Chamber Music Society of Lincoln Center, and at festivals such as Spoleto (both in the United States and Italy) and the Santa Fe and La Jolla Chamber Music festivals. He and pianist Christopher O’Riley recorded Le Grand Tango: Music of Latin America, a disc of compositions from South America and Mexico released on Helicon Records.

Mr. Brey was educated at the Peabody Institute, where he studied with Laurence Lesser and Stephen Kates, and at Yale University, where he studied with Aldo Parisot and was a Wardwell Fellow and a Houpt Scholar. His violoncello is a rare J.B. Guadagnini made in Milan in 1754.

Learn more about Carter Brey

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