Alice Tully Hall Box Office will be closed on Monday, January 17th in observance of Martin Luther King Jr. Day.
Learn about our updated health and safety guidelines, and read A Promise to Our Audience.

The New York Philharmonic

Update Browser

Pages don't look right?

You are using a browser that does not support the technology used on our website.

Please select a different browser or use your phone or tablet to access our site.

Download: Firefox | Chrome | Safari

If you're using Internet Explorer, please update to the latest version.

Alice Tully Hall Box Office will be closed on Monday, January 17th in observance of Martin Luther King Jr. Day.
Learn about our updated health and safety guidelines, and read A Promise to Our Audience.

Become a 2021–22 subscriber when you purchase 3 or more subscription concerts and enjoy the best seats plus unlimited no-fee ticket exchanges.

Calendar

Holst’s The Planets

Play
Location

David Geffen Hall

Directions
Price Range

Off-Sale

Duration

1 hour & 45 minutes with intermission

Date & Times

26

May, 2016

Thursday, 7:30 PM

27

May, 2016

Friday, 2:00 PM

28

May, 2016

Saturday, 8:00 PM

Event Info

From the mighty Mars to the cinematic Jupiter, Holst's The Planets has inspired sci-fi movie music for generations — most famously, Oscar winner John Williams's The Imperial March from Star Wars. Also on the program: John Williams's Tuba Concerto, which "could fit right into E.T.," says your soloist, Principal Tuba Alan Baer. "You hear a lot of fanfare — like The Empire Strikes Back."

Program

Elgar

Introduction and Allegro

Listen
×

John Williams

Tuba Concerto

×

Holst

The Planets

×
Artists

David Robertson

Conductor

David Robertson

Conductor

David Robertson

Conductor

David Robertson has served in numerous artistic leadership positions, such as chief conductor and artistic director of the Sydney Symphony Orchestra, and a transformative 13-year tenure as music director of the St. Louis Symphony Orchestra, solidifying its status among the nation’s most innovative, establishing fruitful relationships with a spectrum of artists, and garnering a 2014 Grammy for the Nonesuch release of John Adams’s City Noir. Conductor, artist, thinker, and American musical visionary, he is a highly sought-after podium figure in the worlds of opera, orchestral, and new music, celebrated worldwide as a champion of contemporary composers, an ingenious and adventurous programmer, and a masterful communicator whose passionate advocacy for the art form is widely recognized. 

Mr. Robertson’s earlier leadership positions include posts at the Orchestre national de Lyon, Ensemble InterContemporain as a protégé of Pierre Boulez, principal guest conductor at the BBC Symphony Orchestra, and a Carnegie Hall Perspectives Artist, where he has conducted numerous orchestras. He appears regularly with Amsterdam’s Royal Concertgebouw Orchestra, Czech Philharmonic, Bavarian Radio Symphony Orchestra, and other major European orchestras and festivals. He continues a longstanding collaboration with the New York Philharmonic, and conducts numerous North American ensembles, including the Montreal, Cincinnati, Pittsburgh, National, Houston, and Dallas symphony orchestras and the Juilliard Orchestra, where he serves as director of conducting studies, distinguished visiting faculty. 

He continues to build upon his deep conducting relationship with The Metropolitan Opera, including James Robinson’s production of Porgy and Bess (2019) and the premiere of Phelim McDermott’s production of Così fan tutte (2018). Since his 1996 Met Opera debut, leading Janáček’s The Makropulos Case, he has conducted projects ranging from The Met premiere of John Adams’s The Death of Klinghoffer (2014) to the 2016 revival of Janáček’s Jenůfa; and many favorites. He conducts at the world’s most prestigious opera houses, including Milan’s Teatro alla Scala, Paris’s Théâtre du Châtelet, and those in Rome, San Francisco, and Santa Fe.

David Robertson is the recipient of numerous awards, and in 2010 was made a Chevalier de l’Ordre des Arts et des Lettres by the Government of France. He is devoted to supporting young musicians and has worked with students at festivals ranging from Aspen to Tanglewood to Lucerne. 

Learn more about David Robertson
×

Alan Baer

Tuba

Alan Baer

Tuba

Alan Baer

Tuba

Alan Baer joined the New York Philharmonic on June 21, 2004, as Principal Tuba. He was formerly principal tuba with the Milwaukee Symphony Orchestra, Long Beach Symphony Orchestra, and Louisiana Philharmonic Orchestra. His other performing credits include recordings with The Cleveland Orchestra led by Vladimir Ashkenazy, performances with the Peninsula Music Festival of Wisconsin, New Orleans Symphony, Los Angeles Concert Orchestra, Ojai Festival Orchestra (California), Los Angeles Philharmonic, and Chicago Symphony Orchestra. He has also performed as a featured soloist, touring several countries in Europe, including Switzerland, Austria, Germany, and France.

Mr. Baer began his undergraduate work at Indiana University of Pennsylvania, where he studied with Dr. Gary Bird. He completed his bachelor of music degree with Ronald Bishop at the Cleveland Institute of Music, and has done graduate work at the University of Southern California, Cleveland Institute of Music, and California State University, Long Beach, where he studied with Tommy Johnson. While in Long Beach, Mr. Baer taught at California State University, where he also directed the university tuba ensemble and the brass choir. In Milwaukee, Mr. Baer was adjunct professor of tuba and euphonium at the University of Wisconsin and director of the Tuba-Euphonium Ensemble.

Learn more about Alan Baer

×

Women of the Oratorio Society of New York

Women of the Oratorio Society of New York

Founded in 1873 by Leopold Damrosch, the Oratorio Society of New York is one of the city’s oldest musical organizations. From its earliest days, the Society played an integral role in the musical life of the city, presenting its own concerts and performing at musically and historically significant events. It also created a fund to finance building a concert hall. When Andrew Carnegie became the Society’s fifth president in 1888, he adopted the cause, enlisting architect William Tuthill, a fellow board member, to design a “Music Hall” that would provide a suitable artistic home for the Society. In 1891, singing under Tchaikovsky’s baton, the Society — as well as the New York Symphony (one of the forebears of today’s New York Philharmonic) — helped inaugurate the concert hall that came to be known as Carnegie Hall. It has appeared there ever since. Throughout its history, the Society has sung the traditional repertory — it has performed Handel’s Messiah every December since 1874 — as well as infrequently performed and contemporary works. In May 2016 it will present the New York Premiere of Marjorie Merryman’s Jonah and Haydn’s Missa Angustiis (Nelson Mass) at Carnegie Hall, and in November 2015 it presented the Carnegie Hall premiere of Juraj Filas’s Requiem: Opera Spei. In the summer of 2015 it presented a series of concerts in Germany. In March 2003 the Society received the UNESCO Commemorative Medal and the Cocos Island World Natural Heritage Site Award for its series of benefit concerts in Costa Rica. It made its European debut in 1982 and has since performed in Europe, Asia, and Latin and South America. On its 100th anniversary the Society was presented with the Handel Medallion, New York City’s highest cultural award, in recognition of these contributions. The Oratorio Society’s Women’s Chorus is drawn from the Society’s full membership. The Women’s Chorus also performed in the New York Philharmonic’s 2013 The Planets — An HD Odyssey. The Oratorio Society’s relationship with the Philharmonic dates to January 1877, when the ensemble participated in a program led by Leopold Damrosch; it most recently appeared on a July 2013 Summertime Classics concert conducted by Bramwell Tovey.

Learn more about Women of the Oratorio Society of New York

×

Kent Tritle

Kent Tritle

Kent Tritle, music director of the Oratorio Society of New York, is also director of choral activities at the Manhattan School of Music; director of cathedral music and organist at the Cathedral of Saint John the Divine; and music director of Musica Sacra, New York’s longest continuously performing professional chorus. In addition, Mr. Tritle is a member of the graduate faculty of The Juilliard School, chair of the organ department of the Manhattan School of Music, and the organist of the New York Philharmonic. Kent Tritle founded the Sacred Music in a Sacred Space concert series at New York’s Church of St. Ignatius Loyola, and led it to great acclaim from 1989 to 2011. From 1996 to 2004, he was music director of New York’s The Dessoff Choirs. Mr. Tritle hosted The Choral Mix with Kent Tritle, a weekly program on WQXR, from 2010 to 2014. Kent Tritle has made more than a dozen recordings on Telarc, AMDG, Epiphany, Gothic, VAI, and MSR Classics. 

Learn more about Kent Tritle

×
×

Purchase 3 or more eligible concerts & save.

About Create Your Own Series:

Pick three (or more) concerts and and enjoy exclusive Subscriber Benefits including unlimited free ticket exchange. Ideal for concertgoers who want the ultimate in flexibility and the benefits of being a subscriber.

Subscriber Benefits:

  • Free, easy ticket exchange (available online or by phone)
  • Save on subscription concerts all year long
  • Priority notice on special events

How it Works:

  1. Look for the Create Your Own Series icon CYO eligible icon next to a concert and add it to your cart.
  2. Simply follow the directions in the shopping cart and enter promo code CREATE3 at check out.
Go to top