Due to technical difficulties, the New York Philharmonic Customer Relations department phone lines are temporarily down. Please email customerservice@nyphil.org and a representative will be happy to contact you.

We apologize for any inconvenience.

The New York Philharmonic

Update Browser

Pages don't look right?

You are using a browser that does not support the technology used on our website.

Please select a different browser or use your phone or tablet to access our site.

Download: Firefox | Chrome | Safari

If you're using Internet Explorer, please update to the latest version.

CYO

Become a 2017–18 subscriber by purchasing 4 or more eligible concerts and enjoy exclusive benefits including unlimited no-fee ticket exchanges and immediate presale access to all 2017–18 concerts.

×

Calendar

Alan Gilbert Conducts Boulez, Stucky, and Nørgård

Play
Location

David Geffen Hall

Directions
Price Range

$25-45

Date & Times

11

Jun, 2016

Saturday, 7:00 PM

Event Info

Part of NY PHIL BIENNIAL

martiniPlay Date with composers and performers after concert at Bar Biennial in David Geffen Hall lobby.

The grand finale of the 2016 NY PHIL BIENNIAL features the Philharmonic and Alan Gilbert in music by two late, great Philharmonic friends: Messagesquisse for cello solo and six cellos by former Music Director Pierre Boulez, and Second Concerto for Orchestra by Pulitzer Prize winner Steven Stucky. Plus the U.S. Premiere of Per Nørgård’s Symphony No. 8 (listen for traces of Sibelius).

Presented by the New York Philharmonic

Program

Boulez

Messagesquisse

×

Stucky

Second Concerto for Orchestra (New York Premiere)

×

Per Nørgård

Symphony No. 8 (U.S. Premiere)

×
Artists

Alan Gilbert

Conductor

Alan Gilbert

Conductor

Alan Gilbert

Conductor

The 2016–17 season marks Alan Gilbert’s eighth and final season as Music Director of the New York Philharmonic. The first native New Yorker to hold the post, he has sought to make the Orchestra a point of pride for the city and country. The Financial Times called him “the imaginative maestro-impresario in residence.”

Mr. Gilbert and the Philharmonic have forged artistic partnerships, introducing the positions of The Marie-Josée Kravis Composer-in-Residence and The Mary and James G. Wallach Artist-in-Residence — held in the 2016–17 season by Esa-Pekka Salonen and violinist Leonidas Kavakos, respectively — as well as Artist-in-Association, currently held by pianist Inon Barnatan, who inaugurated the role in the 2014–15 season; an annual festival, which this season is Beloved Friend — Tchaikovsky and His World, featuring Russian-born Semyon Bychkov conducting works by Tchaikovsky as well as composers he was influenced by and whom he influenced; CONTACT!, the new-music series; and the NY PHIL BIENNIAL, an exploration of today’s music by a wide range of contemporary and modern composers. During his tenure the Philharmonic launched the New York Philharmonic Global Academy, partnerships with cultural institutions to offer training of pre-professional musicians, often alongside performance residencies. These include the Shanghai Orchestra Academy and Residency Partnership and collaborations with Santa Barbara’s Music Academy of the West and the Shepherd School of Music at Rice University. Alan Gilbert and the Philharmonic also launched a five-year partnership with the University Musical Society at the University of Michigan.

Alan Gilbert concludes his final season as Music Director with four programs that reflect signature themes of his tenure, featuring works that hold particular meaning for him and musicians with whom he has formed close relationships. These include a pairing of Beethoven’s Ninth Symphony with Schoenberg’s A Survivor from Warsaw; Wagner’s complete Das Rheingold in concert; the New York Premiere of Composer-in-Residence Esa-Pekka Salonen’s Wing on Wing alongside Artist-in-Residence Leonidas Kavakos in Brahms’s Violin Concerto and the New York Premiere of Aeriality by Anna Thorvaldsdottir, the second Kravis Emerging Composer, an honor introduced during Alan Gilbert’s tenure; and an exploration of how music can effect positive change in the world. Other 2016–17 season highlights include four World Premieres; Dvořák’s Symphony No. 9, From the New World, as part of the New York Philharmonic’s 175th anniversary celebrations; Mahler’s Fourth Symphony and Handel’s Messiah; the World Premiere presentation of Gershwin’s score to Manhattan, performed live to the film; Ligeti’s Mysteries of the Macabre; a concert with friends celebrating his 50th birthday; works by John Adams marking the composer’s 70th birthday; and the EUROPE / SPRING 2017 tour. As part of the New York Philharmonic Global Academy, he will lead the Orchestra in its third annual performance residency through the Shanghai Orchestra Academy and Residency Partnership, and will lead the Philharmonic and Academy Festival Orchestra together in Santa Barbara through the partnership with Santa Barbara’s Music Academy of the West.

Last season’s Philharmonic highlights included R. Strauss’s Ein Heldenleben to welcome newly appointed Concertmaster Frank Huang; Carnegie Hall’s 125th anniversary Opening Night Gala; premieres by William Bolcom, Franck Krawczyk, Magnus Lindberg, and Marc Neikrug; works by Sibelius in celebration of the 150th anniversary of the composer’s birth; as well as Mahler’s Das Lied von der Erde and an all-Mozart program. He also co-curated the second NY PHIL BIENNIAL — during which he conducted works by Boulez and Stucky, in tribute to the late composers, as well as premieres by William Bolcom, John Corigliano, and Per Nørgård, the second recipient of The Marie-Josée Kravis Prize for New Music at the New York Philharmonic, an honor introduced during Alan Gilbert’s tenure. The Music Director also performed violin in Messiaen’s Quartet for the End of Time alongside Philharmonic principals and Mr. Barnatan. Under the New York Philharmonic Global Academy he led the Orchestra in its second performance residency in Shanghai and made his second appearance conducting the Music Academy of the West’s Academy Festival Orchestra.

Previous high points among Mr. Gilbert’s Philharmonic appearances include critically celebrated staged productions such as Ligeti’s Le Grand Macabre (2010) and Janáček’s The Cunning Little Vixen (2011), both cited as the top cultural events of their respective years; Philharmonic 360 at Park Avenue Armory (2012), the acclaimed spatial music program featuring Stockhausen’s Gruppen; A Dancer’s Dream: Two Works by Stravinsky (2013, and later presented in movie theaters internationally); a staged production of Sondheim’s Sweeney Todd starring Bryn Terfel and Emma Thompson that was broadcast on Live From Lincoln Center, earning Mr. Gilbert an Emmy nomination for Outstanding Music Direction (2014); and the U.S. Premiere of a staging of Honegger’s Joan of Arc at the Stake featuring Oscar winner Marion Cotillard (2015). Other highlights include the first two editions of the NY PHIL BIENNIAL; World Premieres of works by Christopher Rouse, Magnus Lindberg, Peter Eötvös , and composers featured on CONTACT!; the score from 2001: A Space Odyssey, performed live to the film; Mahler’s Second Symphony, Resurrection, on A Concert for New York on September 10; the Verdi Requiem; the conclusion of The Nielsen Project, the multi-year initiative to perform and record the Danish composer’s symphonies and concertos; Mr. Gilbert’s Philharmonic debut as violin soloist in J.S. Bach’s Concerto for Two Violins; six concerts at Carnegie Hall; and ten tours around the world. In August 2015 he led the Mahler Chamber Orchestra in the U.S. Stage Premiere of George Benjamin’s Written on Skin, co-presented by the New York Philharmonic and Lincoln Center, the inaugural production of the Lincoln Center–New York Philharmonic Opera Initiative.

Conductor laureate of the Royal Stockholm Philharmonic Orchestra and former principal guest conductor of Hamburg’s NDR Symphony Orchestra, he regularly conducts leading orchestras nationally and internationally, such as the Boston Symphony Orchestra, The Philadelphia Orchestra, Amsterdam’s Royal Concertgebouw Orchestra, Berlin Philharmonic, Munich Philharmonic, Leipzig Gewandhaus Orchestra, Bavarian Radio Symphony Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, and Orchestre philharmonique de Radio France. He has appeared at The Metropolitan, Los Angeles, Zurich, Royal Swedish, and Santa Fe opera companies. This season Mr. Gilbert returns to the foremost European orchestras, records Beethoven’s complete piano concertos with the Academy of St Martin in the Fields and Inon Barnatan, and conducts Gershwin’s Porgy and Bess at Milan’s Teatro alla Scala, his first time leading a staged opera there.

In September 2011 Alan Gilbert became Director of Conducting and Orchestral Studies at The Juilliard School, where he is also the first holder of Juilliard’s William Schuman Chair in Musical Studies. He made his acclaimed Metropolitan Opera debut in 2008 leading John Adams’s Doctor Atomic; the DVD and Blu-ray of this production received the 2012 Grammy Award for Best Opera Recording. Renée Fleming’s Decca recording Poèmes, on which he conducted, received a 2013 Grammy Award. Earlier releases garnered Grammy Award nominations and top honors from the Chicago Tribune and Gramophone magazine. He received his second Emmy nomination for Outstanding Music Direction for Sinatra: Voice for a Century, broadcast on Live From Lincoln Center in 2015. Mr. Gilbert conducted Messiaen’s Des Canyons aux étoiles on a recent album recorded live at the Santa Fe Chamber Music Festival.

Alan Gilbert studied at Harvard University, The Curtis Institute of Music, and Juilliard and was assistant conductor of The Cleveland Orchestra (1995–97). He received Honorary Doctor of Music degrees from Curtis in May 2010 and from Westminster Choir College in May 2016, and in December 2011 he received Columbia University’s Ditson Conductor’s Award for his “exceptional commitment to the performance of works by American composers and to contemporary music.” In 2014 he was elected to The American Academy of Arts & Sciences, in 2015 he received a Foreign Policy Association Medal for his commitment to cultural diplomacy and was named Officier de l’Ordre des Arts et des Lettres, and in 2016 he received New York University’s Lewis Rudin Award for Exemplary Service to New York City in recognition of his leadership in making New York one of the world’s great centers for music and the arts.

Relive the magic of the combination of Alan Gilbert and the Philharmonic through video, audio, and photos.

Visit Alan Gilbert’s Official Website.

Learn more about Alan Gilbert
×

Eric Bartlett

Cello

Eric Bartlett

Cello

Eric Bartlett

Cello

Before joining the New York Philharmonic in 1997, cellist Eric Bartlett had already established himself as an artist of formidable talent and artistic integrity. He has appeared frequently as a member soloist with the world famous Orpheus Chamber Orchestra and is featured on several of their Deutsche Grammophon recordings. In addition to Orpheus, his solo appearances include the Cabrillo Festival, the Mostly Mozart Festival Orchestra, the Anchorage Symphony, the Hartford Chamber Orchestra, the Aspen and Juilliard Orchestras, and the New York Philharmonic’s “Horizons ‘84” series. Mr. Bartlett is the recipient of a Solo Recitalist’s Award from the National Endowment for the Arts and a special Performance Award as a finalist of the 1987 New England Conservatory/Piatigorsky Award. Recent solo appearances include the Cabrillo Music Festival, and the Brattleboro Music Center in Vermont.

Recognized as a leading performer of contemporary music, Mr. Bartlett has participated in more than 90 premieres with ensembles such as Speculum Musicae, the New York New Music Ensemble, the Group for Contemporary Music, and the Columbia String Quartet, and he has commissioned new works for the cello from American composers. During the summer of 2000, Mr. Bartlett was invited by Marin Alsop to be a featured soloist in the North American premiere of James McMillan’s Triduum, the middle third of which is a cello concerto. He has served as either Artist-President or Vice-President of Speculum Musicae since 1990. Mr. Bartlett has performed at the Mostly Mozart, Marlboro, Aspen, Adirondack, Grand Teton, and Waterloo music festivals, and has been a regular participant at the Bridgehampton Chamber Music Festival since 1996. Mr. Bartlett served as the principal cellist of the Mostly Mozart Festival Orchestra and co-principal of Orpheus from 1984 until 1997.

A native of Marlboro, Vermont, Mr. Bartlett’s early teachers included George Finckel and Blanche Honegger Moyse. From 1973 to 1975 he was a student of Leopold Teraspulsky at the University of Massachusetts. He was awarded full scholarships to both the Curtis Institute of Music and The Juilliard School and received both his Bachelor and Master of Music degrees from Juilliard, where he was a student of Leonard Rose and Channing Robbins.

Mr. Bartlett recorded the cello music of Larry Bell for North-South Records on a CD entitled River of Ponds (which includes a collaboration with narrator Robert J. Lurtsema) and has also recorded for CRI, Opus One, Bridge, Delos, and Deutsche Grammophon. He has served on the faculty of the University of Massachusetts and is currently an adjunct professor at The Juilliard School and the Manhattan School of Music. He lives in Bergen County, New Jersey, with his wife, Orpheus violist Sarah Clarke, and their son, Cory.

Learn more about Eric Bartlett

×

Alexei Yupanqui Gonzales

Cello

Alexei Yupanqui Gonzales

Cello

Gonzalez

Cello

Alexei Yupanqui Gonzales was appointed to the cello section of the New York Philharmonic in November 2012. He has served as the principal cellist of the Rhode Island Philharmonic and the Boston Lyric Opera. He has also been a member of the Boston Ballet Orchestra and has performed with the Boston Symphony, Boston Pops, A Far Cry Chamber Orchestra, Emmanuel Music under the late Craig Smith, and the Bach Ensemble with harpsichordist John Gibbons.

An avid chamber musician, Mr. Gonzales has performed in various concert venues including Jordan Hall, Isabella Stewart Gardner Museum, Seattle Town Hall, Currier Museum of Art, and the Library of Congress in Washington, D.C. He won first prize in the Coleman International Chamber Competition with the Azure Trio, and he was a recipient of the Borromeo String Quartet Artist Award. He has also taught chamber music at the New England Conservatory Preparatory School.

Mr. Gonzales was a Tanglewood Music Center Fellow for three summers, where he received the Samuel Mayes Memorial Prize and participated in the Bach Institute Seminar. He has spent other summers at the Schleswig-Holstein Music Festival, Banff, the International Music Arts Institute, and the Killington Music Festival.

Mr. Gonzales studied with Laurence Lesser and Paul Katz at the New England Conservatory of Music. The son of Peruvian and German immigrants, Mr. Gonzales was raised in Andover, Massachusetts. Currently, he lives in Manhattan with his wife, Mie, an oboist. He is an avid Bayern Munich soccer fan.

Learn more about Alexei Yupanqui Gonzales

×

Patrick Jee

Cello

Patrick Jee

Cello

Patrick Jee

Cello

Cellist Patrick Jee joined the New York Philharmonic in July 2013. A native New Yorker, he has toured extensively in the United States, Europe, and Asia, making appearances at New York’s Alice Tully Hall and Carnegie Hall, the Kennedy Center in Washington, D.C., London’s Wigmore Hall, Paris’s Salle Gaveau, and the Seoul Arts Center. He also performed on CNN’s American Morning as well as at the United Nations at the commemoration of the 50th anniversary of the Korean War armistice.

As a soloist, he has performed with the Buffalo and Rochester Philharmonic orchestras, Moscow Chamber Orchestra, National Orchestra of Toulouse, Edmonton Symphony, and the Orchestre National d’Île de France. He has been a guest artist at major music festivals including Aspen, Banff, Caramoor, Casals, Kneisel Hall, La Jolla, and Olympic.

In 2006 Mr. Jee was the Grand Prize winner of the Carlos Prieto International Cello Competition, which earned him concerts throughout Mexico and a recording contract with Naxos’s subsidiary, Urtext Digital Classics. He has also won top awards at the Andre Navarra International Cello Competition, the Holland-America Music Society Cello Competition, and the Irving Klein String Competition.

An avid chamber musician, he is a member of the New Piano Trio, winners of the 2008 Fischoff, 2007 Coleman, and 2007 Plowman chamber music competitions and recipient of the Harvard Musical Association’s Arthur W. Foote Prize. Since 2001 he has performed with Sejong Soloists, collaborating with artists such as Barry Douglas, Vladimir Feltsman, Lynn Harrell, Cho-Liang Lin, and Gil Shaham. As a founding member of Ensemble Ditto, he helped introduce more than 15,000 people to chamber music as South Korea’s most popular classical musical presentation of 2008.

Before joining the New York Philharmonic, Patrick Jee served as assistant principal cello of the Lyric Opera of Chicago, principal cello of the Grant Park Orchestra, and was on faculty at Roosevelt University-Chicago College of Performing Arts. His transcription of Glazunov’s Meditation, published by International Music Company (IMC), recently won First Prize from the Music Publishers Association’s Paul Revere Awards, and his transcription of Corelli’s La Folia Variations will be released by IMC in 2013.  

Mr. Jee holds a bachelor of music from The Juilliard School and a master of music from Yale University, where he studied with Aldo Parisot. He can be heard on the Albany, Urtext, and HM record labels.

He resides on the Upper West Side with his wife, violinist Nanae Iwata, and is an ardent New York Yankees fan.

Learn more about Patrick Jee

×

Maria Kitsopoulos

Cello

Maria Kitsopoulos

Cello

Maria Kitsopoulos

Cello

Cellist Maria Kitsopoulos comes from a musical family — her mother being an opera singer, one brother a conductor, and her other brother a composer. She was a finalist in the first Emmanuel Feuermann Cello Competition and a prizewinner in the National Society of Arts and Letters Cello Competition, and she won fellowships for study from the Aspen and Tanglewood music festivals. She received her bachelor’s, master’s, and doctor of musical arts degrees from The Juilliard School where, upon graduation, she was awarded the Peter Mennin Prize for Outstanding Leadership. Her teachers have included Jerome Carrington, Ardyth Alton, Scott Ballantyne, Harvey Shapiro, and Aldo Parisot.

Before joining the New York Philharmonic, Ms. Kitsopoulos was an active performer of contemporary music with groups such as Ensemble Intercontemporain, Music Mobile, Guild of Composers, and Continuum, with whom she appeared as soloist in the New York Premieres of works by Leon Kirchner, Valentin Silvestrov, and Chinary Ung. As a member of the popular four-cello ensemble CELLO, Ms. Kitsopoulos performed music commissioned by that quartet — including works by Peter Schickele, Meyer Kupferman, and Reza Vali — at the Kennedy Center, Lincoln Center, and Merkin Concert Hall, as well as at colleges and universities throughout the United States. In addition she performed in Broadway productions and Community Concerts.

In the spring of 1996, Ms. Kitsopoulos earned a position with the New York Philharmonic. She has since performed chamber music with fellow New York Philharmonic musicians as well as guests including violinists Nikolaj Znaider and Leonidas Kavakos and pianists Emanuel Ax and Yefim Bronfman.

Maria Kitsopoulos has performed as soloist with the Phoenix Symphony, Westfield Symphony, and Graz orchestras, among others. Her solo recital debut in New York’s Merkin Concert Hall was sponsored by the Guild of Composers as well as the Alexander S. Onassis Foundation. Other recent appearances have included a solo engagement with the Athens State Orchestra. In New York, Ms. Kitsopoulos has performed with the Orpheus Chamber Orchestra, Orchestra of St. Luke’s, and the New York Chamber Symphony.

Ms. Kitsopoulos performs on a 300-year-old cello made by Carlo Giuseppe Testore. She previously served on the faculty of Juilliard. An active recording artist, she has recorded for Musical Heritage Society, Angel Records, Deutsche Grammophon, Columbia, Mogul Entertainment, and MK Records. In September 2012 she performed the Prelude from Bach’s Suite No. 1 for Unaccompanied Cello on an episode of The Colbert Report.

Learn more about Maria Kitsopoulos

×

Sumire Kudo

Cello

Sumire Kudo

Cello

Sumire Kudo Photo Credit: Chris Lee

Cello

Sumire Kudo joined the Philharmonic as a cellist in June 2006. Previously she taught at Indiana University–South Bend and was the cellist of the Avalon String Quartet. Born in Tokyo, Japan, Ms. Kudo began cello studies at age four with her father, cellist Akiyoshi Kudo. She came to the United States in 2000, after establishing herself in her native country through solo performances and recordings. Her honors include the Hideo Saito Memorial Fund Award, which she received from the Sony Music Foundation after being chosen by Seiji Ozawa and Tsuyoshi Tsutsumi as the most promising cellist in 2005, and prizes at the Sapporo Junior Cello Competition and 62nd Japan Music Competition. Ms. Kudo is a graduate of Tokyo’s Toho School and The Juilliard School. She has participated in the Nagano-Aspen Music, Aspen Music, Santa Fe, and Marlboro Music festivals. Record Geijutsu, Japan’s leading classical music magazine, named her second solo CD, Love of Beauty, Best Recording.

Learn more about Sumire Kudo

×

Qiang Tu

Cello

Qiang Tu

Cello

Qiang Tu

Cello

Chinese-born cellist Qiang Tu enjoys a multi-faceted career as a performer, teacher, and advocate for classical music. Now in his third decade as a member of the New York Philharmonic, he has also concertized as a soloist, recitalist, and chamber musician in Australia, Belgium, China, France, Germany, Italy, Japan, South Korea, Switzerland, Taiwan, and the United Kingdom. In the United States he has performed at major venues in New York, Chicago, Los Angeles, St. Louis, Honolulu, and Princeton. He has shared the stage with numerous distinguished artists including pianists Garrick Ohlsson, Jean-Yves Thibaudet, and Lukas Foss; former New York Philharmonic Concertmaster Glenn Dicterow; and former Principal Clarinet Stanley Drucker. As a recording artist, Mr. Tu has released multiple solo albums on the China Record Corporation label and chamber music recordings on the Bridge Records, Cala Records, and EMI labels. A dedicated teacher, he is a member of the orchestral performance faculty at the Manhattan School of Music; early in his career he taught at the Beijing Central Conservatory.

Qiang Tu was raised in a musical family and began cello studies with his father, Zeguang Tu. He holds a bachelor of arts degree from Beijing Central Conservatory and a master of music degree from Rutgers University. He is an alumnus of the Music Academy of the West, now a partner in the New York Philharmonic Global Academy. His major cello teachers have included Bernard Greenhouse, Zara Nelsova, and Paul Tortelier.

When not at work Mr. Tu is a gourmet chef and enjoys the study of rare Chinese art.

Learn more about Qiang Tu

×

Wendy Sutter

Cello

Wendy Sutter

Cello

Wendy Sutter New York Philharmonic

Cello

Cellist Wendy Sutter has appeared as soloist with the Dallas, Colorado, Tucson, Seattle, La Jolla, Shanghai, and North Netherlands symphony orchestras; Hong Kong, Brussels, and Hague Philharmonic orchestras; and the Cabrillo Festival Orchestra and Youth Orchestra of the Americas. Ms. Sutter has also toured extensively throughout China and the United States with composer/conductor Tan Dun at the podium performing his works, including the Academy Award–winning Crouching Tiger Concerto, The Map Concerto, and as soloist in his Water Passion. As a solo recitalist and chamber musician, Ms. Sutter has performed in festivals worldwide including Marlboro, Aspen, Spoleto, and Ravinia; with The Chamber Music Society of Lincoln Center; and with the Seattle Chamber Music Society. Ms. Sutter was the on-stage soloist with Mikhail Baryshnikov performing A Suite of Dances, a ballet for cello and dancer choreographed for Baryshnikov by Jerome Robbins. Wendy Sutter’s 2008 recording of Philip Glass’s Songs and Poems for solo cello, which was written for her by the composer and has been performed more than 100 times worldwide, was voted best new CD of the year by National Public Radio listeners and was the second best–selling CD in the classical division on iTunes.

Learn more about Wendy Sutter

×
Special Thanks

Major support for the NY PHIL BIENNIAL is provided by The Andrew W. Mellon Foundation, The Fan Fox and Leslie R. Samuels Foundation, and The Francis Goelet Fund.

Additional funding is provided by Howard Gilman Foundation and Honey M. Kurtz.

This performance is made possible by Edward Jay Wohlgemuth.

×

Purchase 3 or more eligible concerts & save.

About Create Your Own Series:

Pick three (or more) concerts and and enjoy exclusive Subscriber Benefits including unlimited free ticket exchange. Ideal for concertgoers who want the ultimate in flexibility and the benefits of being a subscriber.

Subscriber Benefits:

  • Free, easy ticket exchange (available online or by phone)
  • Save on subscription concerts all year long
  • Priority notice on special events

How it Works:

  1. Look for the Create Your Own Series icon CYO eligible icon next to a concert and add it to your cart.
  2. Simply follow the directions in the shopping cart and enter promo code CREATE3 at check out.
Go to top