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CYO

Create Your Own

Create Your Own

CYO

Become a 2017–18 subscriber when you purchase 4 or more eligible concerts and enjoy exclusive benefits including unlimited no-fee ticket exchanges and immediate presale access to all 2017–18 concerts.

CYO

Become a 2017–18 subscriber when you purchase 4 or more eligible concerts and enjoy exclusive benefits including unlimited no-fee ticket exchanges and immediate presale access to all 2017–18 concerts.

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Calendar

The Silk Road Ensemble with Yo-Yo Ma

Location

David Geffen Hall

Directions
Price Range

$48.00 - $174.00

Duration

2 hours 15 minutes with intermission

Date & Times

19

Feb, 2015

Thursday, 7:30 PM

20

Feb, 2015

Friday, 8:00 PM

21

Feb, 2015

Saturday, 8:00 PM

Event Info

Chinese New YearYo-Yo Ma fans! Join us Feb. 24 for Chinese New Year with Yo-Yo Ma.


 

Composer Osvaldo Golijov will participate in the Pre-Concert Insights on Thursday, February 19. Daniel Felsenfeld, the speaker that evening, will facilitate a conversation with him.

Program

Cristina Pato and Wu Tong

Fanfare for Gaita, Suona, and Brass

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Various

The Silk Road Suite

Listen
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Dmitri Yanov-Yanovsky

Selections from Sacred Signs: Concerto for 13 Musicians

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R. Strauss

Death and Transfiguration

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Osvaldo Golijov

Rose of the Winds

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Artists

Alan Gilbert

Conductor

Alan Gilbert

Conductor

Alan Gilbert

Conductor

The 2016–17 season marks Alan Gilbert’s eighth and final season as Music Director of the New York Philharmonic. The first native New Yorker to hold the post, he has sought to make the Orchestra a point of pride for the city and country. The Financial Times called him “the imaginative maestro-impresario in residence.”

Mr. Gilbert and the Philharmonic have forged artistic partnerships, introducing the positions of The Marie-Josée Kravis Composer-in-Residence and The Mary and James G. Wallach Artist-in-Residence — held in the 2016–17 season by Esa-Pekka Salonen and violinist Leonidas Kavakos, respectively — as well as Artist-in-Association, currently held by pianist Inon Barnatan, who inaugurated the role in the 2014–15 season; an annual festival, which this season is Beloved Friend — Tchaikovsky and His World, featuring Russian-born Semyon Bychkov conducting works by Tchaikovsky as well as composers he was influenced by and whom he influenced; CONTACT!, the new-music series; and the NY PHIL BIENNIAL, an exploration of today’s music by a wide range of contemporary and modern composers. During his tenure the Philharmonic launched the New York Philharmonic Global Academy, partnerships with cultural institutions to offer training of pre-professional musicians, often alongside performance residencies. These include the Shanghai Orchestra Academy and Residency Partnership and collaborations with Santa Barbara’s Music Academy of the West and the Shepherd School of Music at Rice University. Alan Gilbert and the Philharmonic also launched a five-year partnership with the University Musical Society at the University of Michigan.

Alan Gilbert concludes his final season as Music Director with four programs that reflect signature themes of his tenure, featuring works that hold particular meaning for him and musicians with whom he has formed close relationships. These include a pairing of Beethoven’s Ninth Symphony with Schoenberg’s A Survivor from Warsaw; Wagner’s complete Das Rheingold in concert; the New York Premiere of Composer-in-Residence Esa-Pekka Salonen’s Wing on Wing alongside Artist-in-Residence Leonidas Kavakos in Brahms’s Violin Concerto and the New York Premiere of Aeriality by Anna Thorvaldsdottir, the second Kravis Emerging Composer, an honor introduced during Alan Gilbert’s tenure; and an exploration of how music can effect positive change in the world. Other 2016–17 season highlights include four World Premieres; Dvořák’s Symphony No. 9, From the New World, as part of the New York Philharmonic’s 175th anniversary celebrations; Mahler’s Fourth Symphony and Handel’s Messiah; the World Premiere presentation of Gershwin’s score to Manhattan, performed live to the film; Ligeti’s Mysteries of the Macabre; a concert with friends celebrating his 50th birthday; works by John Adams marking the composer’s 70th birthday; and the EUROPE / SPRING 2017 tour. As part of the New York Philharmonic Global Academy, he will lead the Orchestra in its third annual performance residency through the Shanghai Orchestra Academy and Residency Partnership, and will lead the Philharmonic and Academy Festival Orchestra together in Santa Barbara through the partnership with Santa Barbara’s Music Academy of the West.

Last season’s Philharmonic highlights included R. Strauss’s Ein Heldenleben to welcome newly appointed Concertmaster Frank Huang; Carnegie Hall’s 125th anniversary Opening Night Gala; premieres by William Bolcom, Franck Krawczyk, Magnus Lindberg, and Marc Neikrug; works by Sibelius in celebration of the 150th anniversary of the composer’s birth; as well as Mahler’s Das Lied von der Erde and an all-Mozart program. He also co-curated the second NY PHIL BIENNIAL — during which he conducted works by Boulez and Stucky, in tribute to the late composers, as well as premieres by William Bolcom, John Corigliano, and Per Nørgård, the second recipient of The Marie-Josée Kravis Prize for New Music at the New York Philharmonic, an honor introduced during Alan Gilbert’s tenure. The Music Director also performed violin in Messiaen’s Quartet for the End of Time alongside Philharmonic principals and Mr. Barnatan. Under the New York Philharmonic Global Academy he led the Orchestra in its second performance residency in Shanghai and made his second appearance conducting the Music Academy of the West’s Academy Festival Orchestra.

Previous high points among Mr. Gilbert’s Philharmonic appearances include critically celebrated staged productions such as Ligeti’s Le Grand Macabre (2010) and Janáček’s The Cunning Little Vixen (2011), both cited as the top cultural events of their respective years; Philharmonic 360 at Park Avenue Armory (2012), the acclaimed spatial music program featuring Stockhausen’s Gruppen; A Dancer’s Dream: Two Works by Stravinsky (2013, and later presented in movie theaters internationally); a staged production of Sondheim’s Sweeney Todd starring Bryn Terfel and Emma Thompson that was broadcast on Live From Lincoln Center, earning Mr. Gilbert an Emmy nomination for Outstanding Music Direction (2014); and the U.S. Premiere of a staging of Honegger’s Joan of Arc at the Stake featuring Oscar winner Marion Cotillard (2015). Other highlights include the first two editions of the NY PHIL BIENNIAL; World Premieres of works by Christopher Rouse, Magnus Lindberg, Peter Eötvös , and composers featured on CONTACT!; the score from 2001: A Space Odyssey, performed live to the film; Mahler’s Second Symphony, Resurrection, on A Concert for New York on September 10; the Verdi Requiem; the conclusion of The Nielsen Project, the multi-year initiative to perform and record the Danish composer’s symphonies and concertos; Mr. Gilbert’s Philharmonic debut as violin soloist in J.S. Bach’s Concerto for Two Violins; six concerts at Carnegie Hall; and ten tours around the world. In August 2015 he led the Mahler Chamber Orchestra in the U.S. Stage Premiere of George Benjamin’s Written on Skin, co-presented by the New York Philharmonic and Lincoln Center, the inaugural production of the Lincoln Center–New York Philharmonic Opera Initiative.

Conductor laureate of the Royal Stockholm Philharmonic Orchestra and former principal guest conductor of Hamburg’s NDR Symphony Orchestra, he regularly conducts leading orchestras nationally and internationally, such as the Boston Symphony Orchestra, The Philadelphia Orchestra, Amsterdam’s Royal Concertgebouw Orchestra, Berlin Philharmonic, Munich Philharmonic, Leipzig Gewandhaus Orchestra, Bavarian Radio Symphony Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, and Orchestre philharmonique de Radio France. He has appeared at The Metropolitan, Los Angeles, Zurich, Royal Swedish, and Santa Fe opera companies. This season Mr. Gilbert returns to the foremost European orchestras, records Beethoven’s complete piano concertos with the Academy of St Martin in the Fields and Inon Barnatan, and conducts Gershwin’s Porgy and Bess at Milan’s Teatro alla Scala, his first time leading a staged opera there.

In September 2011 Alan Gilbert became Director of Conducting and Orchestral Studies at The Juilliard School, where he is also the first holder of Juilliard’s William Schuman Chair in Musical Studies. He made his acclaimed Metropolitan Opera debut in 2008 leading John Adams’s Doctor Atomic; the DVD and Blu-ray of this production received the 2012 Grammy Award for Best Opera Recording. Renée Fleming’s Decca recording Poèmes, on which he conducted, received a 2013 Grammy Award. Earlier releases garnered Grammy Award nominations and top honors from the Chicago Tribune and Gramophone magazine. He received his second Emmy nomination for Outstanding Music Direction for Sinatra: Voice for a Century, broadcast on Live From Lincoln Center in 2015. Mr. Gilbert conducted Messiaen’s Des Canyons aux étoiles on a recent album recorded live at the Santa Fe Chamber Music Festival.

Alan Gilbert studied at Harvard University, The Curtis Institute of Music, and Juilliard and was assistant conductor of The Cleveland Orchestra (1995–97). He received Honorary Doctor of Music degrees from Curtis in May 2010 and from Westminster Choir College in May 2016, and in December 2011 he received Columbia University’s Ditson Conductor’s Award for his “exceptional commitment to the performance of works by American composers and to contemporary music.” In 2014 he was elected to The American Academy of Arts & Sciences, in 2015 he received a Foreign Policy Association Medal for his commitment to cultural diplomacy and was named Officier de l’Ordre des Arts et des Lettres, and in 2016 he received New York University’s Lewis Rudin Award for Exemplary Service to New York City in recognition of his leadership in making New York one of the world’s great centers for music and the arts.

Relive the magic of the combination of Alan Gilbert and the Philharmonic through video, audio, and photos.

Visit Alan Gilbert’s Official Website.

Learn more about Alan Gilbert
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Yo-Yo Ma

Cello

Yo-Yo Ma

Cello

Yo-Yo Ma

Cello

The many-faceted career of cellist Yo-Yo Ma is testament to his continual search for new ways to communicate with audiences and to his personal desire for artistic growth and renewal. Mr. Ma maintains a balance between his engagements as soloist with orchestras worldwide and his recital and chamber music activities. His discography includes more than 100 albums, including 18 Grammy award winners.

Mr. Ma serves as the artistic director of Silkroad, an organization he founded to promote cross-cultural performance and collaborations at the edge where education, business, and the arts come together to transform the world. More than 80 works have been commissioned specifically for the Silk Road Ensemble, which tours annually. Mr. Ma also serves as the Judson and Joyce Green Creative Consultant to the Chicago Symphony Orchestra’s Negaunee Music Institute. His work focuses on the transformative power music can have in individuals’ lives, and on increasing the number and variety of opportunities audiences have to experience music in their communities.

Yo-Yo Ma was born in Paris to Chinese parents who later moved the family to New York. He began to study cello at the age of four, attended The Juilliard School, and in 1976 graduated from Harvard University. He recently joined the Aspen Institute Board of Trustees. Mr. Ma has received numerous awards, among them the Avery Fisher Prize (1978), the National Medal of Arts (2001), and the Presidential Medal of Freedom (2010), and in 2011 was recognized as a Kennedy Center Honoree. He has performed for eight American presidents, most recently at the invitation of President Obama on the occasion of the 56th Inaugural Ceremony.

Learn more about Yo-Yo Ma

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Silk Road Ensemble

Silk Road Ensemble

Since 2000 the Silk Road Ensemble has been redefining classical music for 21st-century audiences. Representing a global array of cultures, Silk Road Ensemble members co-create art, performances, and ideas. Cellist Yo-Yo Ma established the nonprofit organization Silkroad and the Ensemble to explore the role of the arts in fostering cross-cultural understanding, deepening learning, and promoting innovation. Silk Road Ensemble performers and composers hail from more than 20 countries. Passionate about learning from one another’s traditions, these rooted explorers perform on instruments ranging from world percussion to Western strings to the Chinese pipa (lute) and sheng (mouth organ), the Japanese shakuhachi (bamboo flute), the Galician gaita (bagpipe), Indian tabla (paired drums), and Persian kamancheh (spike fiddle), among others. Under the artistic direction of Mr. Ma, these storytelling musicians celebrate the multiplicity of approaches to music from around the world. They also develop new repertoire that responds to the new realities of our global society. In engaging, high-energy performances, the Silk Road Ensemble draws on a rich tapestry of traditions that make up our shared cultural heritage, creating a new musical language — a uniquely engaging and accessible encounter between the foreign and the familiar that reflects our many-layered contemporary identities. The Silk Road Ensemble has performed in more than 100 cities in over 30 countries, in venues including Carnegie Hall, Suntory Hall, Amsterdam’s Concertgebouw, and the John F. Kennedy Center for the Performing Arts. Ensemble performances have also highlighted the Nobel Prize celebrations in Stockholm, the Sir Bani Yas Forum in the United Arab Emirates, the Special Olympics in Shanghai, the Lucerne Festival in Switzerland, and London’s BBC Proms. The Ensemble has recorded five albums, including the most recent CD, A Playlist Without Borders, and Live From Tanglewood DVD. The Sound of Silk, a documentary about the ensemble by the Academy Award–winning filmmaker Morgan Neville, is in production and is expected to premiere in 2015. Ensemble members in this performance are clarinetist Kinan Azmeh, bassist Jeffrey Beecher, cellist singer, composer, and educator Mike Block, violist Nicholas Cords, tabla player Sandeep Das, violinist and composer Johnny Gandelsman, percussionist and composer Joseph Gramley, sheng soloist and composer Hu Jianbing, violinist and composer Colin Jacobsen, kamancheh player Kayhan Kalhor, cellist Yo-Yo Ma, composer, pianist, and gaita player Cristina Pato, percussionist and composer Shane Shanahan, percussionist and composer Mark Suter, performer and composer Kojiro Umezaki, accordionist Michael Ward-Bergeman, and pipa virtuoso and composer Wu Man.

Learn more about Silk Road Ensemble

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