Dvořák and Friends: A Chamber Concert With Alisa Weilerstein, Inon Barnatan, and New York Philharmonic Musicians

The New York Philharmonic

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Calendar

Dvořák and Friends: A Chamber Concert
With Alisa Weilerstein, Inon Barnatan, and New York Philharmonic Musicians

Location

92Y

Directions
Price Range

$39.00 - $61.00

Duration

1 hour 45 minutes with intermission

Date & Times

7

Dec, 2014

Sunday, 3:00 PM

Event Info

A co-presentation with 92nd Street Y

Come early to immerse yourself in the vibrant musical worlds of Dvořák with renowned scholars and musicians. Join us for Insights Immersions.

See all events from Dohnányi / Dvořák:
A Philharmonic Festival

Program

Dvořák

Terzetto in C major for Two Violins and Viola, Op. 74

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Martinů

La Revue de cuisine Suite, for Clarinet, Bassoon, Trumpet, Violin, Cello and Piano, H.161

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Schulhoff

Divertissement for Oboe, Clarinet, and Bassoon

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Dvořák

Piano Quartet in E-flat major, Op. 87

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Artists

Alisa Weilerstein

Cello

Alisa Weilerstein

Cello

Alisa Weilerstein

Cello

In the 2018–19 season, American cellist Alisa Weilerstein, a 2011 MacArthur Fellowship winner, releases Transfigured Night on Pentatone, on which she is joined by Norway’s Trondheim Soloists for Haydn’s First and Second Cello Concertos and Schoenberg’s Verklärte Nacht. Two Scandinavian performances of the album’s repertoire with the same ensemble opened the season. In the spring she returns to Verklärte Nacht but in a chamber music version, when she tours Europe and the US with pianist Inon Barnatan, violinist Sergey Khachatryan, and percussionist Colin Currie. Also in the season she performs Shostakovich’s Second Cello Concerto with five different orchestras; tours the US playing Dvořák’s Cello Concerto with the Czech Philharmonic led by Semyon Bychkov, and plays the Schumann Concerto with the Rotterdam Philharmonic and Saint-Saëns’s First Cello Concerto, Britten’s Symphony for Cello and Orchestra, Richard Strauss’s Don Quixote, and Bloch’s Schelomo: Rhapsodie Hébraïque in cities ranging from San Diego to Vienna. Finally, she gives two performances of Matthias Pintscher’s new cello concerto, Un despertar, with the composer leading both the Danish National Symphony Orchestra and the Cincinnati Symphony Orchestra. She performs Bach’s complete cello suites in Beverly Hills, Paris, Berkeley, for Boston’s Celebrity Series, and at Hamburg’s Elbiphilharmonie.

Ms. Weilerstein’s career milestones include an emotionally-tumultuous account of Elgar’s Cello Concerto with the Berlin Philharmonic and Daniel Barenboim in Oxford, and a performance at The White House for President and Mrs. Obama. A champion of new music, she has worked on multiple projects with Osvaldo Golijov and Pintscher, and premiered works by Pascal Dusapin, Lera Auerbach, and Joseph Hallman. Ms. Weilerstein, whose honors include Lincoln Center’s 2008 Martin E. Segal Prize and the 2006 Leonard Bernstein Award, is a graduate of The Cleveland Institute of Music and Columbia University. Diagnosed with type 1 diabetes, she is a celebrity advocate for the Juvenile Diabetes Research Foundation.

Learn more about Alisa Weilerstein

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Inon Barnatan

Piano

Inon Barnatan

Piano

Inon Barnatan

Piano

Israeli pianist Inon Barnatan is a recipient of both the Avery Fisher Career Grant and Lincoln Center’s Martin E. Segal Award. He has performed extensively with many of the world’s foremost orchestras, including the Los Angeles Philharmonic, Cleveland and Philadelphia Orchestras, San Francisco Symphony, Deutsches Symphonie-Orchester Berlin, Royal Stockholm Symphony Orchestra, and Lisbon’s Gulbenkian Orchestra. He has worked with such conductors as Gustavo Dudamel, James Gaffigan, Susanna Mälkki, Matthias Pintscher, David Robertson, Thomas Søndergård, Michael Tilson Thomas, Edo de Waart, Pinchas Zukerman, and Jaap van Zweden. Passionate about contemporary music, the pianist has premiered new works composed for him by Matthias Pintscher, Sebastian Currier, and Avner Dorman.

In 2016–17 Inon Barnatan enters his third and final season as the New York Philharmonic’s inaugural Artist-in-Association, a position created to spotlight an emerging artist over the course of three seasons through both concerto and chamber music performances and by cultivating a relationship among the artist, the Orchestra, and the audience. He also makes debuts with the Leipzig Gewandhaus Orchestra, led by New York Philharmonic Music Director Alan Gilbert; Chicago Symphony Orchestra, led by Jesús López-Cobos; Baltimore Symphony Orchestra, led by Vasily Petrenko; and the Seattle Symphony, led by Ludovic Morlot. In addition to returning to the New York Philharmonic under Manfred Honeck, he embarks on three tours: of the U.S., with the Academy of St Martin in the Fields; of Europe, with cellist Alisa Weilerstein, his frequent recital partner; and of the U.S. again, performing a trio program with Ms. Weilerstein and Philharmonic Principal Clarinet Anthony McGill.

Inon Barnatan’s critically acclaimed discography includes Avie and Bridge recordings of Schubert’s solo piano works, as well as Darknesse Visible, which made The New York Times’s “Best of 2012” list. Last season he released Rachmaninov & Chopin: Cello Sonatas on Decca Classics with Ms. Weilerstein. 

Learn more about Inon Barnatan

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Sheryl Staples

Violin

Sheryl Staples

Violin

Sheryl Staples

Violin

Violinist Sheryl Staples joined the New York Philharmonic as Principal Associate Concertmaster, The Elizabeth G. Beinecke Chair, in September 1998. She made her solo debut with the Philharmonic in 1999 performing Tchaikovsky’s Violin Concerto, led by Kurt Masur. She has since been featured in more than 25 performances, playing concertos by Mendelssohn, Mozart, Haydn, Bach, and Vivaldi with conductors including Alan Gilbert, Lorin Maazel, Kent Nagano, Jeffrey Kahane, and Sir Colin Davis. In addition she has performed as soloist with more than 45 orchestras nationwide, including The Cleveland Orchestra, Los Angeles Philharmonic, San Diego and Richmond Symphony Orchestras, and Louisiana Philharmonic. Most recently, she performed Mozart’s Violin Concerto No. 3, led by Concertmaster Frank Huang, in May–June 2018.

The New York Times wrote that “she is a perceptive musician, who plays with great rhythmic integrity and a lucid sense of phrase structure. ... she draws a wonderful array of vibrant and luminous colors ... interpretive honesty and unmannered elegance.” The Los Angeles Times said she has a “tantalizing mix of qualities. ... refinement and boldness, polish and fire. ... big, rich, sweeping tone, lacking nothing in warmth and evenness.” The Cleveland Plain Dealer praised her “aristocratic artistry coupled with violinistic mastery ... pinpoint accuracy and daring that took the breath away.”

An active chamber musician, Ms. Staples is a member of the New York Philharmonic String Quartet, established in the 2016–17 season, and frequently performs in the New York area in venues including David Geffen Hall, Merkin Concert Hall, 92nd Street Y, and The Metropolitan Museum of Art. Ms. Staples has performed chamber music for U.S. Ambassadors in London, Paris, Berlin, Beijing, and Hong Kong, and in 2013 she toured Mexico, Brazil, and Chile. Recent summer festival appearances include La Jolla Music Society’s SummerFest, Boston Chamber Music Society, and Salt Bay Chamberfest. She has also collaborated and performed at the chamber music festivals of Santa Fe, Mainly Mozart, Seattle, Aspen, Sarasota, Martha’s Vineyard, Strings Music Festival, and Brightstar Music Festival. She appears on three Stereophile compact discs with the Santa Fe Chamber Music Festival.

Sheryl Staples is a native of Los Angeles, where she developed her love for ensemble work at an early age. She began studying the violin at age five, and her major mentors were Robert Lipsett and Heiichiro Ohyama. Before finishing studies at the University of Southern California’s (USC) Thornton School of Music, Ms. Staples was appointed concertmaster of the Santa Barbara Chamber Orchestra and other professional ensembles in Los Angeles. She then became concertmaster of the Pacific Symphony in 1994 while enjoying a varied career consisting of solo appearances, chamber music, teaching (at USC’s Thornton School of Music and the Colburn School of Performing Arts), and Hollywood studio recording work for numerous major motion pictures.

At the age of 26 Ms. Staples joined The Cleveland Orchestra as associate concertmaster, a position she held for three years. In addition, she taught at the Cleveland Institute of Music, Encore School for Strings, and Kent/Blossom Music Festival, and she was a member of the Cleveland Orchestra Piano Trio. Currently she is on the violin faculty at the Manhattan School of Music and Juilliard Pre-College Division. She also serves on the faculty of The Juilliard School working with students aspiring toward orchestral careers.

Ms. Staples resides in New Jersey with her husband, percussionist Barry Centanni, and children, Michael and Laura. Mr. Centanni and Ms. Staples premiered William Kraft’s Concerto a Tre for piano, violin, and percussion, written for them, at Martha’s Vineyard Chamber Music Society’s summer festival and recorded it for release on the Albany Records label in 2008. They also premiered David Sampson’s Black River Concerto for solo violin, percussion, and orchestra in April 2011 with the Montclair State University Symphony.

Ms. Staples performs on the “Kartman” Guarneri del Gesu, ca. 1728, previously on loan from private collector Peter Mandell and now in the collection of the New York Philharmonic.

Learn more about Sheryl Staples

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Michelle Kim

Violin

Michelle Kim

Violin

Michelle Kim

Violin

Violinist Michelle Kim has been Assistant Concertmaster, The William Petschek Family Chair, of the New York Philharmonic since 2001. She has performed as a soloist with orchestras such as the New York Philharmonic, New Jersey Philharmonic, Santa Barbara Chamber Orchestra, and Pacific Symphony. An active chamber musician, Ms. Kim has collaborated with violinists Cho Liang Lin, Christian Tetzlaff, and Pinchas Zukerman; cellists Mstislav Rostropovich, Lynn Harrell, and Gary Hoffman; and pianists Lang Lang and Yefim Bronfman. She has performed at various festivals including the Santa Fe Chamber Music Festival, La Jolla Chamber Music Festival, Strings in the Mountain, and Bravo! Vail. Ms. Kim has also served as the first violinist of the Rossetti String Quartet, and was a Sterne Virtuoso Artist at Skidmore College in 2007–08.

A student of Robert Lipsett and a former Presidential Scholar, Ms. Kim attended the University of Southern California’s Thornton School of Music as a Starling Foundation scholarship recipient, and considers Heiichiro Ohyama and Henry Gronnier as her mentors. She has been a member of the faculty at the USC Thornton School of Music, the Colburn School, and the University of California Santa Barbara, and currently teaches at the Mannes College of Music.

Learn more about Michelle Kim

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Cynthia Phelps

Viola

Cynthia Phelps

Viola

Cynthia Phelps New York Philharmonic

Viola

Cynthia Phelps is the New York Philharmonic’s Principal Viola, The Mr. and Mrs. Frederick P. Rose Chair. Highlights of her solo appearances with the Orchestra have included the New York Premiere–Philharmonic Co-Commission of Julia Adolphe’s Unearth, Release, in 2016; performances on the 2006 Tour of Italy, sponsored by Generali; Mozart’s Sinfonia concertante in 2010 and 2014; and Sofia Gubaidulina’s Two Paths, which the Orchestra commissioned for her and Philharmonic Associate Principal Viola Rebecca Young and which they premiered in 1999 and reprised both on tour and in New York, most recently in 2011. Other solo engagements have included the Minnesota Orchestra, San Diego Symphony, Orquesta Sinfónica de Bilbao, and Hong Kong Philharmonic.

Ms. Phelps is a member of the New York Philharmonic String Quartet, established in the 2016–17 season, and performs with The Chamber Music Society of Lincoln Center, Jupiter Chamber Players, and the Santa Fe, La Jolla, Seattle, Chamber Music Northwest, and Bridgehampton festivals. She has appeared with the Guarneri, Tokyo, Orion, American, Brentano, and Prague Quartets, and the Kalichstein-Laredo-Robinson Trio. She has given recitals in the major music capitals of Europe and the U.S. She is also a founding member of the chamber group Les Amies, a flute-harp-viola group with Philharmonic Principal Harp Nancy Allen and flutist Carol Wincenc.

Ms. Phelps is a first-prize winner of both the Lionel Tertis International Viola Competition and the Washington International String Competition, and is a recipient of the Pro Musicis International award. Under the auspices of this philanthropic organization, she has appeared as soloist in New York, Los Angeles, Boston, Rome, and Paris, as well as in prisons, hospitals, and drug rehabilitation centers worldwide. Her recording Air, for flute, viola, and harp on Arabesque, was nominated for a Grammy Award. Her television and radio credits include Live From Lincoln Center on PBS; St. Paul Sunday Morning on NPR; Radio France; Italy’s RAI; and WGBH in Boston. Ms. Phelps has served on the faculties at The Juilliard School and the Manhattan School of Music. She is married to cellist Ronald Thomas.

Learn more about Cynthia Phelps

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Sherry Sylar

Oboe

Sherry Sylar

Oboe

Sherry Sylar

Oboe

Sherry Sylar joined the New York Philharmonic in 1984 as Associate Principal Oboe; she currently serves as Acting Principal Oboe, The Alice Tully Chair. She was the Orchestra’s Acting Principal Oboe during the 2005–06 season and has also served as guest principal oboe for other major orchestras, including the Chicago Symphony Orchestra (in December 2015, led by Riccardo Muti), Boston Symphony Orchestra (in its 2001 tour, led by Bernard Haitink), the Orchestre Philharmonique de Radio France (for its 2003 Carnegie Hall debut, conducted by Myung-Whun Chung), the Orpheus Chamber Orchestra (in its 2007 American tour), and the St. Louis Symphony. Prior to joining the New York Philharmonic she was a member of the Louisville Orchestra. She was among the select group of Philharmonic musicians who joined the orchestra that Leonard Bernstein conducted in the historic Freedom Concert at the falling of the Berlin Wall in 1989.

As a featured soloist with the New York Philharmonic, she has performed Haydn’s Sinfonia Concertante in B-flat major, conducted by Jeffrey Kahane, and Bach’s Concerto for Violin and Oboe, with the Orchestra’s Principal Associate Concertmaster Sheryl Staples, conducted by Kent Nagano. In 1989 she was soloist in the Orchestra’s performances and recording of Handel’s Oboe Concerto in G minor, Zubin Mehta conducting. She also serves as the New York Philharmonic’s oboe d’amore player, and she earned praise from The New York Times for her solos on that instrument during the orchestra’s 2013 The Bach Variations: A Philharmonic Festival. In March 2016 she performed the World Premiere of Pablo Furman’s Concerto for Oboe and Strings with the San Jose Chamber Orchestra.

An avid performer of chamber music, she appears often in the concerts of the New York Philharmonic Ensembles and has participated in the Aspen and Grand Teton Music Festivals. She played Luciano Berio’s Sequenza VIIa for solo oboe at Jazz at Lincoln Center’s Rose Theater as part of the New York Philharmonic’s celebration of the late composer in 2008. She is also a member of the Philharmonic Quintet of New York, which was formed in 2001 to give concerts for workers in the World Trade Center area following the disaster of 9/11. The quintet has gone on to give master classes and recitals worldwide and is preparing its first CD.

Ms. Sylar gives master classes for oboists internationally and was invited to China as a judge for the Beijing National Orchestra’s first-ever auditions. A native of Chattanooga, Tennessee, she earned her bachelor’s degree at Indiana University and her master’s degree from Northwestern University. She formerly taught at the University of Evansville in Indiana and since 2005 has served on the oboe faculty of Mannes College The New School for Music in New York City. Her new CD, Oboe Dolce, includes solo oboe and chamber music featuring Principal Bassoon Judith LeClair, Principal Viola Cynthia Phelps, Harriet Wingreen, Jonathan Feldman, Yi Fang Wang, and Norman Weiss. 

Learn more about Sherry Sylar

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Anthony McGill

Clarinet

Anthony McGill

Clarinet

Anthony McGill

Clarinet

Anthony McGill joined the New York Philharmonic as Principal Clarinet, The Edna and W. Van Alan Clark Chair, in September 2014. Previously principal clarinet of The Metropolitan Opera Orchestra beginning in 2004, he is recognized as one of the classical music world’s finest solo, chamber, and orchestral musicians. He has appeared as soloist at Carnegie Hall with many orchestras, including the MET Orchestra, American Symphony Orchestra, and New York String Orchestra. He has also recently performed with the Baltimore, New Jersey, San Diego, and Memphis symphony orchestras and Orchestra 2001. As a chamber musician Mr. McGill has appeared throughout the United States, Europe, and Asia with quartets including the Guarneri, Tokyo, Brentano, Pacifica, Shanghai, Miró, and Daedalus. He has also appeared with Musicians from Marlboro and at The Chamber Music Society of Lincoln Center, Philadelphia Chamber Music Society, and University of Chicago Presents. His festival appearances have included Tanglewood, Marlboro, Mainly Mozart, Music@Menlo, and Santa Fe Chamber Music. He has collaborated with pianists Emanuel Ax, Yefim Bronfman, Mitsuko Uchida, and Lang Lang, as well as violinists Gil Shaham and Midori. On January 20, 2009, he performed with Itzhak Perlman, Yo-Yo Ma, and Gabriela Montero at the inauguration of President Barack Obama. He has appeared on Performance Today, MPR’s Saint Paul Sunday, and Mister Rogers’ Neighborhood. In 2013 with his brother Demarre, he appeared on NBC Nightly News, the Steve Harvey Show, and on MSNBC with Melissa Harris-Perry. In demand as a teacher, Anthony McGill serves on the faculties of The Juilliard School, Peabody Institute of The Johns Hopkins University, Bard College Conservatory of Music, and Manhattan School of Music, and has given master classes throughout the United States, Europe, and South Africa. In 2016 he was one of five leaders honored with a John Jay Justice Award for being a “true champion of justice.”

Learn more about Anthony McGill

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Judith LeClair

Bassoon

Judith LeClair

Bassoon

Judith LeClair

Bassoon

Judith LeClair joined the New York Philharmonic as Principal Bassoon in 1981, at the age of 23. Since then, she has made more than 50 solo appearances with the Orchestra, performing with conductors such as Sir Colin Davis, Sir Andrew Davis, Alan Gilbert, Christopher Hogwood, Rafael Kubelik, Erich Leinsdorf, Lorin Maazel, Kurt Masur, Zubin Mehta, André Previn, John Williams, and Andrey Boreyko.

Ms. LeClair is a graduate of the Eastman School of Music, where she studied with K. David Van Hoesen. She made her professional debut with The Philadelphia Orchestra at age 15, playing Mozart’s Sinfonia concertante with colleagues from the Settlement Music School in Philadelphia, where she studied with Shirley Curtiss. Before joining the New York Philharmonic, she was Principal Bassoonist for two seasons with the San Diego Symphony and San Diego Opera.  

Active as a chamber musician, she has performed with numerous leading artists and has participated in leading festivals around the country. She has given solo recitals and master classes at the Eastman School of Music, Northwestern University, New England Conservatory, Oberlin College, University of Michigan, Ohio University, and the University of Colorado at Boulder. Every August she gives a solo recital and week-long master class at the Hidden Valley Music Seminar in Carmel Valley, California. She performed with the Philharmonic Woodwind Quintet of New York, formed in 2001 with her colleagues from the New York Philharmonic wind section. They gave recitals throughout the country and on the Orchestra’s foreign tours.

In April 1995 Ms. LeClair premiered The Five Sacred Trees, a concerto written for her by John Williams and commissioned by the New York Philharmonic as part of its 150th Anniversary celebration. She later performed the concerto with the San Francisco Symphony and with the Royal Academy Orchestra in London. She recorded it for Sony Classical with the London Symphony Orchestra in June 1996, with Mr. Williams conducting. This, along with her solo New York Legends CD for Cala Records, was released in March 1997. Her newest CD, Works for Bassoon, was released in the spring of 2010.

Ms. LeClair is on the faculty of The Juilliard School, and she will join the faculty of the Manhattan School of Music in fall 2014. She lives in New Jersey with her husband, pianist Jonathan Feldman, and their son, Gabriel.

Learn more about Judith LeClair

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Special Thanks
Alisa Weilerstein's appearance is made possible through the Florence Blau Trust.

Christoph von Dohnanyi's appearance is made possible through the Charles A. Dana Distinguished Conductors Endowment Fund.

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