Tamara Wilson

The New York Philharmonic

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Tamara Wilson (photo: Stacey Dershem)

American soprano Tamara Wilson is quickly gaining international recognition for her interpretations of Verdi, Mozart, Richard Strauss, and Wagner. She makes her New York Philharmonic debut in Bernstein’s Symphony No. 3, Kaddish, with Leonard Slatkin, and is the 2016 recipient of the prestigious Richard Tucker Award. Ms. Wilson begins the 2017–18 season as Verdi’s Aida in Francesca Zambello’s production at Washington National Opera. She returns to Houston Grand Opera for her role debut as Chrysothemis in Richard Strauss’s Elektra, and makes her Paris debut as Sieglinde in Wagner’s Die Walküre with the Mariinsky Orchestra conducted by Valery Gergiev. She returns for Mahler’s Symphony No. 8 with the BBC National Orchestra of Wales at the BBC Proms, and makes her Italian debut with Riccardo Chailly at Milan’s Teatro alla Scala in the Verdi Requiem. Ms. Wilson made her Metropolitan Opera debut in Aida and her London debut in Calixto Bieto’s new production of Verdi’s La forza del destino at English National Opera, for which she received an Olivier Award nomination. She inaugurated Kyoto’s new opera house as Rosalinde in R. Strauss’s Die Fledermaus, led by Seiji Ozawa, and was heard at Oper Frankfurt as the Empress in R. Strauss’s Die Frau ohne Schatten, conducted by Sebastian Weigle. She recently made her Bavarian Staatsoper and Zurich Opera House debuts as Elisabetta di Valois in Verdi’s Don Carlo conducted by Fabio Luisi, and made her Deutsche Oper Berlin debut as Amelia in Verdi’s Un ballo in maschera. She performed in two different presentations of Act III of Die Walküre: as Brünnhilde with Mark Wigglesworth and the BBC National Orchestra of Wales at Royal Albert Hall, and as Sieglinde in her debut at Amsterdam’s Royal Concertgebouw Orchestra conducted by Valery Gergiev.

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