Video designer and director Tal Rosner works with musicians and theater makers, combining multiple layers of sound and visuals to create a new language of classical / contemporary video installations and live performances. Most recently he was commissioned to create visual interpretations for Steve Reich’s Tehillim (Psalms) by London’s Barbican Centre and for Olga Neuwirth’s Disenchanted Island by IRCAM and Centre Pompidou. Mr. Rosner’s other work includes serving as video content director for the Rolling Stones European tour Stones — No Filter (2017); Britten’s Four Sea Interludes and Passacaglia (2013–16), commissioned by the New World Symphony, San Francisco Symphony, Los Angeles Philharmonic, The Philadelphia Orchestra, and BBC Symphony Orchestra; Chronograph (2011), a site-specific digital art mural in collaboration with artist Casey Reas, which inaugurated the New World Symphony’s Frank Gehry–designed building and is still screened daily on its 7,000-square-foot exterior projection wall; and In Seven Days (Piano Concerto with Moving Image), a collaboration with Thomas Adès, commissioned by the Southbank Centre and the Los Angeles Philharmonic (2008), and later performed with the Tonhalle Zürich, Cologne Philharmonie, and the New York Philharmonic (in January 2011, led by Alan Gilbert). Theater and dance credits include Everyman (Rufus Norris, director) and Husbands and Sons (Marianne Elliott, director) at the National Theatre; You For Me For You (Richard Twyman, director) and X (Vicky Featherstone, director) at the Royal Court; and Les Enfants Terribles (Philip Glass; Javier de Frutos, director) at The Royal Ballet. Mr. Rosner co-designed Shopping and F’ing (Sean Holmes, director) with Jon Bausor for the Lyric Hammersmith, where he is also an associate artist, and co-created 8 Minutes (2017), a multimedia dance piece with choreographer Alexander Whitley and composer Daniel Wohl for Sadler’s Wells. He is currently working on the revival of The Most Incredible Thing (Pet Shop Boys; Javier de Frutos, director) for North Carolina’s Charlotte Ballet, and directing a semi-staged concert performance of Ligeti’s Violin Concerto with violinist Jennifer Koh. In 2008 Tal Rosner won the BAFTA for Best Title Sequence for the Channel 4 television series Skins. He was born in Jerusalem and now lives and works in London.