Michael Slattery made his New York Philharmonic debut in November 2013 singing Britten’s Serenade for Tenor, Horn, and Strings in the Orchestra’s celebrations of the composer’s 100th birthday as an acclaimed last-minute substitute for an ailing singer. Career highlights include the title role in Bernstein’s Candide at London’s Royal Festival Hall; The Very Best of Lerner & Loewe with Kelli O'Hara, Paolo Szot, and the New York Pops at Carnegie Hall; Peter Sellars’s Tristan Project with Esa-Pekka Salonen and Philip Glass’s Akhnaten with John Adams, both with the Los Angeles Philharmonic; J.S. Bach’s B-minor Mass with Iván Fischer and the National Symphony Orchestra; Monteverdi Vespers of 1610 at the Berlin Staatsoper; and the title role in Monteverdi’s L’Orfeo at the Théâtre du Châtelet in Paris. He has also performed at the Edinburgh, Spoleto, Holland, Athens, Aspen Music, Mostly Mozart, and Williamstown Theater festivals, and as a soloist with ensembles including The Philadelphia, Seattle Symphony, St. Paul Chamber, and Philharmonia Baroque orchestras, and the Houston, Charlotte, San Antonio, Fort Worth, Pacific, and Kansas City symphony orchestras. Mr. Slattery’s solo recordings include The Irish Heart and Dowland in Dublin, chosen by Opera News as one of the best recordings of 2012. He has recorded a number of Handel’s works, including Saul with René Jacobs, for Harmonia Mundi, and Acis und Galatea, Atalanta, Samson, and Solomon with Nicholas McGegan. Recent projects have included Britten’s Curlew River with Olivier Py, and the World Premiere of Roland Auzet and Fabrice Melquiot’s Steve V (King different), the Steve Jobs digital opera, with Opéra de Lyon. Michael Slattery will perform in Robert Carsen’s production of Britten’s A Midsummer Night’s Dream at the Festival d’Aix-en-Provence next summer. He is a long-time supporter of the organization Sing for Hope and resides in New York City.