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The New York Philharmonic

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Mark Grey is an Emmy Award–winning sound designer who first worked with the New York Philharmonic on the World Premiere and resulting recording of John Adams’s On the Transmigration of Souls in 2002, which went on to win both the Pulitzer Prize for Music and multiple Grammy Awards. He has also worked with The Metropolitan Opera (John Adams’s Doctor Atomic in 2008, Nixon in China in 2011, and The Death of Klinghoffer in 2014; Lehár’s The Merry Widow in 2015; Bartók’s Bluebeard’s Castle / Tchaikovsky’s Iolanta in 2015; and Kaija Saariaho’s L’Amour de Loin in 2016). He has collaborated intimately with composer John Adams, and several others, for nearly three decades, and designed and toured extensively with Kronos Quartet for nearly 15 years. Mr. Grey’s association with Lyric Opera of Chicago has encompassed many productions since 2007, and he has designed several productions for Park Avenue Armory, including J.S. Bach’s St. Matthew Passion with the Berlin Philharmonic, Simon Rattle, and Peter Sellars, and Circle Map, the Philharmonic’s performance of works by Kaija Saariaho, in 2016. His sound designs have been heard throughout most major concert halls, in HD simulcasts to theaters, and in opera houses worldwide. As a composer, his opera Frankenstein recently premiered at La Monnaie in Brussels.

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