Marco Cammarota

The New York Philharmonic

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Italian-American tenor Marco Cammarota began the 2017–18 season by returning to Arizona Opera in a role debut as Mario Cavaradossi in Puccini’s Tosca, after making his debut there last season as Pinkerton in Puccini’s Madama Butterfly. Other recent engagements include the roles of Don José in a special shortened version of Bizet’s Carmen at Washington National Opera, Macduff in Verdi’s Macbeth with the Glimmerglass Festival, Mitch in André Previn’s A Streetcar Named Desire with Kentucky Opera, and Nemorino in Donizetti’s L’elisir d’amore at Opera Santa Barbara. Mr. Cammarota has also been seen as Alfredo in Verdi’s La traviata with the Rochester Philharmonic Orchestra, Rodolfo in Puccini’s La bohème with the Owensboro and Lafayette Symphony Orchestras, and Idomeneo in AfterWARds — a retelling of Mozart’s masterpiece Idomeneo that was distilled, reformatted, and reduced to a 90-minute chamber opera. On the concert stage he has appeared as soloist with The Philadelphia Orchestra, Cincinnati Symphony Orchestra, and the Music Center at Strathmore, and has received accolades from the Giulio Gari and Gerda Lissner Foundations. Marco Cammarota is currently in his third year at the Academy of Vocal Arts (AVA), where he is studying with William Schuman. During his time at AVA, he has been seen as the Duke of Mantua in Verdi’s Rigoletto, Luigi in Puccini’s Il tabarro, Prince Sinodal in Rubenstein’s The Demon, and Avito in Montemezzi’s L’amore dei tre re. Upcoming engagements include his European debut as Macduff at l’Opéra de Limoges followed by reprises of the role at l’Opéra de Reims and l’Opéra de Massy.

Upcoming 2019-2020 Performances

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