Hilda Plitmann

The New York Philharmonic

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High lyric soprano Heather Phillips’s 2017–18 season begins with her Austin Lyric Opera debut as Micaëla in Bizet’s Carmen, followed by performances on the concert stage as the soprano soloist in Handel’s Messiah with the Boise Philharmonic, Orff’s Carmina burana with both the Boise Philharmonic and the Valley Symphony Orchestra in Texas, and her New York Philharmonic debut in Beethoven’s Choral Fantasy. Her future engagements include debuts with the Austin and Canton Symphony Orchestras, and her return to the Boise Philharmonic. During the 2016–17 season Ms. Phillips made her Arizona Opera debut as Nannetta in Verdi’s Falstaff, and her Opera Philadelphia debut, reprising the role of Katie in Jennifer Higdon’s Cold Mountain, which she created at Santa Fe Opera and on the Grammy-nominated original cast recording. She returned to Opera Philadelphia later that season for a new composer series, Double Exposure. She appeared as the soprano soloist in Mendelssohn’s Elijah with the Grammy-nominated ensemble True Concord, and returned to the Ravinia Festival and the Tucson Desert Song Festival as a recitalist in collaboration with pianist Kevin Murphy. Her other recent performances include Elvira in Rossini’s L’italiana in Algeri at Lyric Opera of Kansas City, Micaëla in Carmen with Kentucky Opera, Zerlina in Mozart’s Don Giovanni at Opera Southwest, Musetta in Puccini’s La bohème at the Crested Butte Music Festival, and Barbarina in Mozart’s The Marriage of Figaro at Cincinnati Opera.

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