Soprano Camilla Tilling’s early debut at New York City Opera launched her two-decades-long career that has since seen performances on the world’s major opera, concert, and recital stages while simultaneously building an impressive discography.
A highly regarded concert performer, Camilla Tilling is a regular guest with many of the world’s leading orchestras. Recent concert highlights include J.S. Bach’s St. Matthew Passion with the Berlin Philharmonic and Simon Rattle, Schumann’s Faustszenen with NDR Elbphilharmonie Orchestra and Thomas Hengelbrock, Brahms’s A German Requiem with both the New York Philharmonic under Christoph von Dohnányi and with the Zurich’s Tonhalle Orchestra under Bernard Haitink, Dutilleux’s Correspondances with the Los Angeles Philharmonic and Esa-Pekka Salonen, J.S. Bach’s Mass in B minor with the Vienna Radio Symphony Orchestra and Philippe Jordan, and Berg’s Seven Early Songs with Sydney Symphony Orchestra under Christoph von Dohnányi, Orchestre National de France under Daniele Gatti, and the London Symphony Orchestra under François-Xavier Roth.
Current season opera highlights include a house debut at Royal Swedish Opera as Countess Almaviva in Mozart’s The Marriage of Figaro, while in concert she performs Mahler’s Symphony No. 4 with the Berlin Philharmonic and Rattle, Beethoven’s Missa solemnis at Milan’s Teatro alla Scala with Haitink and also with the Royal Stockholm Philharmonic Orchestra under Michael Tilson Thomas, A German Requiem with the Boston Symphony Orchestra and Andris Nelsons, and Beethoven’s Symphony No. 9 with the New York Philharmonic and Alan Gilbert.
Ms. Tilling’s many recordings include three recital discs with Paul Rivinius on the BIS label: the most recent, I Skogen (July 2015), is a celebration of Nordic composers. She appears on Haydn’s The Creation with the Bavarian Radio Symphony Orchestra and Haitink, and Handel’s The Resurrection with Le Concert d’Astree and Emmanuelle Haim, and she performs the role of Ilia in Mozart’s Idomeneo on DVD from Teatro alla Scala conducted by Daniel Harding.