Amanda Majeski’s season commenced with her Nuremberg Symphony Orchestra debut with Richard Strauss’s Four Last Songs, conducted by Kahchun Wong. She returns to Lyric Opera of Chicago to sing Donna Elvira in Mozart’s Don Giovanni and to Harris Theater for Beyond the Aria, followed by her New York Philharmonic debut, in these performances, and Hugo Wolf’s Italian Songbook at 92nd Street Y. Her season continues with her debut with Teatro dell’Opera di Roma in the title role in Janáček’s Káťa Kabanová, and closes with singing Marta in Weinberg’s The Passenger (a role that she debuted at Lyric Opera of Chicago) in its Spanish premiere at Teatro Real Madrid in its Spanish premiere.
Highlights of previous seasons include Káťa Kabanová at the Royal Opera House, Covent Garden, and debuts with the Sydney Symphony Orchestra, Colorado Symphony, Music of the Baroque, and the Stuttgart Staatsoper (in the title role in Gluck’s Iphigénie en Tauride). She also returned to Santa Fe Opera as Fiordiligi in Mozart’s Così fan tutte in a new production conducted by Harry Bicket and directed by R.B. Schlather.
Ms. Majeski made her Metropolitan Opera debut on the opening night of the 2014–15 season, singing Countess Almaviva in a new production of Mozart’s The Marriage of Figaro conducted by James Levine, broadcast in HD internationally and on PBS across the United States. Since then, she has returned to The Met for revivals of The Marriage of Figaro and Don Giovanni, both conducted by Fabio Luisi, and a new production of Così fan tutte, conducted by David Robertson.