Due to technical difficulties, the New York Philharmonic Customer Relations department phone lines are temporarily down. Please email customerservice@nyphil.org and a representative will be happy to contact you.

We apologize for any inconvenience.

The New York Philharmonic

Update Browser

Pages don't look right?

You are using a browser that does not support the technology used on our website.

Please select a different browser or use your phone or tablet to access our site.

Download: Firefox | Chrome | Safari

If you're using Internet Explorer, please update to the latest version.

Alan Gilbert Leads Philadelphia Orchestra in 'Thrilling' Janáček

Alan Gilbert rehearses with The Philadelphia Orchestra

Last week Music Director Alan Gilbert was the guest conductor of The Philadelphia Orchestra in a program centered on Janáček's Glagolitic Mass. The rare work was performed alongside Sibelius's Night Ride and Sunrise and Dvořák's The Golden Spinning Wheel. (Rehearsal photo above: Facebook.com/The Philadelphia Singers)

The Philadelphia Inquirer wrote, "Thursday's performance will likely stand among the more thrilling of the season. ... Gilbert's artistic cool was a good temperamental match [for the Janáček], shaping and building the piece's wild musical paragraphs but never actually taming them."

Superconductor wrote that in the Dvořák, "Mr. Gilbert's experience as an opera conductor served to drive the story forward, with bright orchestra colors coming from the Philadelphia woodwinds and strings, contrasting with wine-dark figures in the brass and a repeated sense of perpetual forward motion throughout."

Read about Gilbert's guest-conducting stint with the Leipzig Gewandhaus Orchestra in September.

Dream a Little Dream

pinterest

Delve into our season finale, A Dancer’s Dream, with a look at our newest Pinterest board: "Inside A Dancer’s Dream. Director and designer Doug Fitch (who helped create our productions of Ligeti’s Le Grand Macabre and Janáček’s The Cunning Little Vixen) has given us an exclusive peek at the inspiration boards that went into costuming the Ice Maiden, Columbine, The Moor, and Petrushka for The Fairy’s Kiss and Petrushka, two ballets by Stravinsky that make up our season finale in June that stars New York City Ballet principal dancer Sara Mearns. See how designers like Alexander McQueen, Christian Dior, Comme des Garçons, Jean Paul Gaultier, and Viktor & Rolf combine with artful origami and the looks of everyone from Mad Max to classical ballet to create this one-of-a-kind dream.

Go to top