Michelle Kim,
Assistant Concertmaster
The William Petschek Family Chair
Violinist Michelle Kim has been Assistant Concertmaster (The William Petschek Family Chair) of the New York Philharmonic since 2001. She has performed as soloist with orchestras such as the New York Philharmonic, New Jersey Philharmonic, Santa Barbara Chamber Orchestra, and Pacific Symphony. An active chamber musician, Ms. Kim has collaborated with violinists Cho-Liang Lin, Christian Tetzlaff, and Pinchas Zukerman; cellists Mstislav Rostropovich, Lynn Harrell, and Gary Hoffman; and pianists Lang Lang and Yefim Bronfman. She has performed at the Santa Fe Chamber Music, La Jolla Chamber Music, Strings in the Mountain, and Bravo! Vail Valley Music festivals. She has also served as the first violinist of the Rossetti String Quartet, and was a Sterne Virtuoso Artist at Skidmore College in 2007–08. A former Presidential Scholar, Ms. Kim attended the University of Southern California’s Thornton School of Music as a Starling Foundation scholarship recipient. She has been a member of the faculty at the USC Thornton School of Music; Colburn School of Performing Arts; and University of California, Santa Barbara. Michelle Kim currently teaches at the Mannes College of Music.
Photo of Michelle Kim,: Chris Lee
Q&A with Michelle Kim: January 2007
Michelle Kim, Assistant Concertmaster
The William Petschek Family Chair
THE FACTS: Born in Seoul, South Korea.
Attended the Colburn School of Performing
Arts and the University of Southern
California Thornton School of Music. Prior
to the Philharmonic: Concertmaster of the
Santa Barbara Chamber Orchestra, Fresno
Philharmonic, 20th Century Unlimited
Chamber Orchestra, New Hampshire
Festival Orchestra, and Riverside Philharmonic.
At the Philharmonic: Joined in 2001.
Made solo debut in Bach’s Double
Concerto with Principal Associate
Concertmaster Sheryl Staples. Teaches at
Mannes College of Music. Most recent
recording: a live concert from the Santa Fe
Chamber Music Festival (Stereophile).
EARLIEST MUSICAL MEMORY: I started playing
the piano at seven, and the violin at
about eleven. I remember going to the
Music Center in Los Angeles for the first
time, with my violin teacher, Robert
Lipsett, to hear the Los Angeles Philharmonic
perform the Brahms Double Concerto.
I cannot remember anything else,
but I know I loved every minute of it.
WHO WAS YOUR MOST IMPORTANT MUSICAL
INFLUENCE? My only teacher — Robert
Lipsett — but my father also had a big
part in my career. He was always positive
and supportive, and being a singer and
conductor himself, he used to sing and
beat out all the new pieces for me.
DESCRIBE YOUR JOB AS ASSISTANT CONCERTMASTER:
Aside from assisting and supporting
Glenn [Dicterow] and Sheryl [Staples],
I also have to lead the Orchestra at times.
WHAT IS THE MOST DIFFICULT ASPECT OF YOUR
JOB? The only difficulty is not being able
to spend very much time with my family.
Otherwise, I feel very blessed to be a part
of this amazing orchestra.
MOST INSPIRING COMPOSERS: Mozart and
Bach — elegant, simple, and just heavenly!
DO YOU DO ANY SPECIAL PREPARATION BEFORE A
CONCERT? I make sure to have at least an
hour to warm up and mentally prepare.
ARE YOU PLAYING IN ANY ENSEMBLES CONCERTS
THIS YEAR? I’m playing Brahms’s Piano
Quartet No. 3 on February 25.
IF YOU COULD PLAY ANOTHER INSTRUMENT WHAT
WOULD IT BE? I would love to sing. We are all
ultimately trying to sound like the voice.
WHAT’S IN YOUR CD PLAYER? A recording by
mezzo-soprano Cecilia Bartoli
ARE THERE ANY OTHER MUSICIANS IN YOUR
FAMILY? My father is a tenor, conductor,
and composer. My mother is a homemaker,
but she swears that my musical abilities
come from her side of the family. My
kids, Ethan and Lia, haven’t shown any
interest in music, but I’m hoping that
they will play something as a hobby. My
husband, Brian, tries to keep me looking
glamorous with the jewelry he designs.

















