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The Pinnacle of Cycles: Pianist Yefim Bronfman Speaks on Beethoven’s Piano Concertos

This concert is now past.
Yefim Bronfman
Location: David Rubenstein Atrium (Directions)
Price Range: Free
Tue, May, 20, 2014
7:30 PM
The Mary and James G. Wallach Artist-in-Residence Yefim Bronfman will talk about The Beethoven Piano Concertos: A Philharmonic Festival, his first-ever cycle of this august oeuvre with the New York Philharmonic, which includes the Triple Concerto, the work with which he made his Philharmonic debut 35 years ago.

Learn more about The Beethoven Piano Concertos: A Philharmonic Festival, June 11–28, 2014.

This lecture is free — seating is available on a first-come, first-served basis. Subscribers, Friends at the Affiliate level and above, and Patrons may secure guaranteed admission by emailing AdultEd@nyphil.org.

See all Insights Series events.

This series is co-presented by Lincoln Center for the Performing Arts.
The 2014-15 Season
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Speaker

Yefim Bronfman by Dario Acosta Pianist Yefim Bronfman's 2014–15 season began with summer festivals at Tanglewood, Aspen, Vail, La Jolla, and Santa Fe, and includes U.S. performances with the Chicago, St. Louis, San Francisco, Dallas, Seattle, Atlanta, New World, and Pittsburgh symphony orchestras, The Metropolitan Opera Orchestra, and the New York and Los Angeles Philharmonic orchestras. He performs the World Premiere of a concerto written for him by Jörg Widmann in December with the Berlin Philharmonic, and revisits Magnus Lindberg’s Piano Concerto No. 2 (commissioned for him by the New York Philharmonic, with whom he premiered it in 2012) with the Gothenburg Symphony Orchestra and the London Philharmonic. With The Cleveland Orchestra, led by Franz Welser-Möst, Mr. Bronfman will perform and record both Brahms piano concertos, which he will also take to Milan’s Teatro alla Scala with Valery Gergiev. He will return to Japan for recitals and orchestral concerts with London’s Philharmonia Orchestra led by Esa-Pekka Salonen, as well as to Singapore, Hong Kong, Taipei, Beijing, Sydney, and Melbourne. In the spring he will join Anne-Sophie Mutter and Lynn Harrell for their first U.S. tour together. Mr. Bronfman’s recording of Bartók’s three piano concertos with the Los Angeles Philharmonic, led by Mr. Salonon, received a Grammy Award in 1997; the pianist received a Grammy nomination in 2009, for his Deutsche Grammophon recording of Esa-Pekka Salonen’s Piano Concerto, and in 2013, for his recording of Magnus Lindberg’s Piano Concerto No. 2, with the New York Philharmonic led by Alan Gilbert. Born in Tashkent, in the Soviet Union, in 1958, Yefim Bronfman immigrated to Israel with his family in 1973. There he studied with pianist Arie Vardi, head of the Rubin Academy of Music at Tel Aviv University. He later studied at The Juilliard School, Marlboro, and The Curtis Institute of Music, and with Rudolf Firkusny, Leon Fleisher, and Rudolf Serkin. He became an American citizen in July 1989. Mr. Bronfman was awarded the Avery Fisher Prize in 1991 and the Jean Gimbel Lane Prize in piano performance from Northwestern University in 2010. Mr. Bronfman’s long history with the New York Philharmonic began with his debut in 1978, performing Beethoven’s Triple Concerto alongside Shlomo Mintz and Yo-Yo Ma, led by Alexander Schneider; he appeared throughout the 2013–14 season as The Mary and James G. Wallach Artist-in-Residence.

 

Learn more about Yefim Bronfman

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Moderator

Carol Oja

As The Leonard Bernstein Scholar-in-Residence at the New York Philharmonic for the 2013–14 season, Carol J. Oja presents Insights Series events and conducts research in the Philharmonic Archives. Dr. Oja is William Powell Mason Professor of Music at Harvard University, where she is also on the faculty of the graduate program in American Studies. Her newest book, Bernstein Meets Broadway: Collaborative Art in a Time of War, is in production with Oxford University Press. Dr. Oja’s Making Music Modern: New York in the 1920s won the Lowens Book Award from the Society for American Music and an ASCAP-Deems Taylor Award. Her other books include Aaron Copland and His World (co-edited with Judith Tick); Colin McPhee: Composer in Two Worlds; A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock; and American Music Recordings: A Discography of 20th-Century U.S. Composers. Carol J. Oja has held fellowships from the Guggenheim Foundation, the Newhouse Center for the Humanities at Wellesley College, the National Humanities Center, NEH, and the Mellon Faculty Fellows Program at Harvard. She is past-president of the Society for American Music. 

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