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Become a subscriber when you purchase 3 or more eligible concerts and enjoy exclusive benefits including the best seats, discounts on single-ticket prices, unlimited no-fee ticket exchange privileges, and much more.

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Calendar

Kavakos Plays Brahms

Location

David Geffen Hall

Directions
Price Range

$34-130

Duration

1 hour & 45 minutes with intermission

Date & Times

19

May, 2017

Friday, 8:00 PM

20

May, 2017

Saturday, 8:00 PM

23

May, 2017

Tuesday, 7:30 PM

Event Info

Leonidas Kavakos performs Brahms’s formidable — and popular — Violin Concerto, with its perfect melding of bravura passages, serene melodies, and spicy Gypsy folk rhythms. Plus New York Premieres of Esa-Pekka Salonen’s magical Wing on Wing (“the most unabashedly beautiful and introspective music that Salonen has written” — Los Angeles Times) and Kravis Emerging Composer Anna Thorvaldsdottir’s Aeriality.

Program To Include

Brahms

Violin Concerto

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Anna Thorvaldsdottir

Aeriality (New York Premiere)

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Esa-Pekka Salonen

Wing on Wing (New York Premiere)

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Artists

Alan Gilbert

Conductor

Alan Gilbert

Conductor

Alan Gilbert

Conductor

The 2016–17 season marks Alan Gilbert’s eighth and final season as Music Director of the New York Philharmonic. The first native New Yorker to hold the post, he has sought to make the Orchestra a point of pride for the city and country. The Financial Times called him “the imaginative maestro-impresario in residence.”

Mr. Gilbert and the Philharmonic have forged artistic partnerships, introducing the positions of The Marie-Josée Kravis Composer-in-Residence and The Mary and James G. Wallach Artist-in-Residence — held in the 2016–17 season by Esa-Pekka Salonen and violinist Leonidas Kavakos, respectively — as well as Artist-in-Association, currently held by pianist Inon Barnatan, who inaugurated the role in the 2014–15 season; an annual festival, which this season is Beloved Friend — Tchaikovsky and His World, featuring Russian-born Semyon Bychkov conducting works by Tchaikovsky as well as composers he was influenced by and whom he influenced; CONTACT!, the new-music series; and the NY PHIL BIENNIAL, an exploration of today’s music by a wide range of contemporary and modern composers. During his tenure the Philharmonic launched the New York Philharmonic Global Academy, partnerships with cultural institutions to offer training of pre-professional musicians, often alongside performance residencies. These include the Shanghai Orchestra Academy and Residency Partnership and collaborations with Santa Barbara’s Music Academy of the West and the Shepherd School of Music at Rice University. Alan Gilbert and the Philharmonic also launched a five-year partnership with the University Musical Society at the University of Michigan.

Alan Gilbert concludes his final season as Music Director with four programs that reflect signature themes of his tenure, featuring works that hold particular meaning for him and musicians with whom he has formed close relationships. These include a pairing of Beethoven’s Ninth Symphony with Schoenberg’s A Survivor from Warsaw; Wagner’s complete Das Rheingold in concert; the New York Premiere of Composer-in-Residence Esa-Pekka Salonen’s Wing on Wing alongside Artist-in-Residence Leonidas Kavakos in Brahms’s Violin Concerto and the New York Premiere of Aeriality by Anna Thorvaldsdottir, the second Kravis Emerging Composer, an honor introduced during Alan Gilbert’s tenure; and an exploration of how music can effect positive change in the world. Other 2016–17 season highlights include three World Premieres; Dvořák’s Symphony No. 9, From the New World, as part of the New York Philharmonic’s 175th anniversary celebrations; Mahler’s Fourth Symphony and Handel’s Messiah; the World Premiere presentation of Gershwin’s score to Manhattan, performed live to the film; Ligeti’s Mysteries of the Macabre; a concert with friends celebrating his 50th birthday; works by John Adams marking the composer’s 70th birthday; and the EUROPE / SPRING 2017 tour. As part of the New York Philharmonic Global Academy, he will lead the Orchestra in its third annual performance residency through the Shanghai Orchestra Academy and Residency Partnership, and will lead the Philharmonic and Academy Festival Orchestra together in Santa Barbara through the partnership with Santa Barbara’s Music Academy of the West.

Last season’s Philharmonic highlights included R. Strauss’s Ein Heldenleben to welcome newly appointed Concertmaster Frank Huang; Carnegie Hall’s 125th anniversary Opening Night Gala; premieres by William Bolcom, Franck Krawczyk, Magnus Lindberg, and Marc Neikrug; works by Sibelius in celebration of the 150th anniversary of the composer’s birth; as well as Mahler’s Das Lied von der Erde and an all-Mozart program. He also co-curated the second NY PHIL BIENNIAL — during which he conducted works by Boulez and Stucky, in tribute to the late composers, as well as premieres by William Bolcom, John Corigliano, and Per Nørgård, the second recipient of The Marie-Josée Kravis Prize for New Music at the New York Philharmonic, an honor introduced during Alan Gilbert’s tenure. The Music Director also performed violin in Messiaen’s Quartet for the End of Time alongside Philharmonic principals and Mr. Barnatan. Under the New York Philharmonic Global Academy he led the Orchestra in its second performance residency in Shanghai and made his second appearance conducting the Music Academy of the West’s Academy Festival Orchestra.

Previous high points among Mr. Gilbert’s Philharmonic appearances include critically celebrated staged productions such as Ligeti’s Le Grand Macabre (2010) and Janáček’s The Cunning Little Vixen (2011), both cited as the top cultural events of their respective years; Philharmonic 360 at Park Avenue Armory (2012), the acclaimed spatial music program featuring Stockhausen’s Gruppen; A Dancer’s Dream: Two Works by Stravinsky (2013, and later presented in movie theaters internationally); a staged production of Sondheim’s Sweeney Todd starring Bryn Terfel and Emma Thompson that was broadcast on Live From Lincoln Center, earning Mr. Gilbert an Emmy nomination for Outstanding Music Direction (2014); and the U.S. Premiere of a staging of Honegger’s Joan of Arc at the Stake featuring Oscar winner Marion Cotillard (2015). Other highlights include the first two editions of the NY PHIL BIENNIAL; World Premieres of works by Christopher Rouse, Magnus Lindberg, Peter Eötvös , and composers featured on CONTACT!; the score from 2001: A Space Odyssey, performed live to the film; Mahler’s Second Symphony, Resurrection, on A Concert for New York on September 10; the Verdi Requiem; the conclusion of The Nielsen Project, the multi-year initiative to perform and record the Danish composer’s symphonies and concertos; Mr. Gilbert’s Philharmonic debut as violin soloist in J.S. Bach’s Concerto for Two Violins; six concerts at Carnegie Hall; and ten tours around the world. In August 2015 he led the Mahler Chamber Orchestra in the U.S. Stage Premiere of George Benjamin’s Written on Skin, co-presented by the New York Philharmonic and Lincoln Center, the inaugural production of the Lincoln Center–New York Philharmonic Opera Initiative.

Conductor laureate of the Royal Stockholm Philharmonic Orchestra and former principal guest conductor of Hamburg’s NDR Symphony Orchestra, he regularly conducts leading orchestras nationally and internationally, such as the Boston Symphony Orchestra, The Philadelphia Orchestra, Amsterdam’s Royal Concertgebouw Orchestra, Berlin Philharmonic, Munich Philharmonic, Leipzig Gewandhaus Orchestra, Bavarian Radio Symphony Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, and Orchestre philharmonique de Radio France. He has appeared at The Metropolitan, Los Angeles, Zurich, Royal Swedish, and Santa Fe opera companies. This season Mr. Gilbert returns to the foremost European orchestras, records Beethoven’s complete piano concertos with the Academy of St Martin in the Fields and Inon Barnatan, and conducts Gershwin’s Porgy and Bess at Milan’s Teatro alla Scala, his first time leading a staged opera there.

In September 2011 Alan Gilbert became Director of Conducting and Orchestral Studies at The Juilliard School, where he is also the first holder of Juilliard’s William Schuman Chair in Musical Studies. He made his acclaimed Metropolitan Opera debut in 2008 leading John Adams’s Doctor Atomic; the DVD and Blu-ray of this production received the 2012 Grammy Award for Best Opera Recording. Renée Fleming’s Decca recording Poèmes, on which he conducted, received a 2013 Grammy Award. Earlier releases garnered Grammy Award nominations and top honors from the Chicago Tribune and Gramophone magazine. He received his second Emmy nomination for Outstanding Music Direction for Sinatra: Voice for a Century, broadcast on Live From Lincoln Center in 2015. Mr. Gilbert conducted Messiaen’s Des Canyons aux étoiles on a recent album recorded live at the Santa Fe Chamber Music Festival.

Alan Gilbert studied at Harvard University, The Curtis Institute of Music, and Juilliard and was assistant conductor of The Cleveland Orchestra (1995–97). He received Honorary Doctor of Music degrees from Curtis in May 2010 and from Westminster Choir College in May 2016, and in December 2011 he received Columbia University’s Ditson Conductor’s Award for his “exceptional commitment to the performance of works by American composers and to contemporary music.” In 2014 he was elected to The American Academy of Arts & Sciences, in 2015 he received a Foreign Policy Association Medal for his commitment to cultural diplomacy and was named Officier de l’Ordre des Arts et des Lettres, and in 2016 he received New York University’s Lewis Rudin Award for Exemplary Service to New York City in recognition of his leadership in making New York one of the world’s great centers for music and the arts.

Visit Alan Gilbert's Official Website

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Leonidas Kavakos

Violin

Leonidas Kavakos

Violin

Leonidas Kavakos

Violin

The New York Philharmonic has named violinist and conductor Leonidas Kavakos The Mary and James G. Wallach Artist-in-Residence for the 2016–17 season. His residency features three solo appearances in repertoire ranging from the Baroque to the contemporary, his Philharmonic conducting debut, a recital with pianist Yuja Wang (presented in association with Lincoln Center’s Great Performers),and a Young People’s Concert. Also in the season he appears with The Philadelphia Orchestra; plays and conducts the Houston Symphony; embarks on a recital tour with Ms. Wang in both Europe and the U.S.; and undertakes a European tour with the Budapest Festival Orchestra and a tour to Switzerland with the Mariinsky Orchestra.

Mr. Kavakos had already won three major competitions by age 21: the Sibelius (1985), the Paganini (1988), and the Naumburg (1988). This success led to his making the first recording in history of the original Sibelius Violin Concerto (1903–04), which won the 1991 Gramophone Concerto of the Year Award.

He has since appeared regularly as soloist with the Vienna, Berlin, New York, and Los Angeles philharmonic orchestras; London, Boston, and Chicago symphony orchestras; and the Leipzig Gewandhaus and Philadelphia Orchestras. As a conductor Mr. Kavakos has worked with the Atlanta, Boston, London, and Vienna symphony orchestras; Deutsches Symphonie-Orchester Berlin; Maggio Musicale Fiorentino; Chamber Orchestra of Europe; Orchestre Philharmonique de Radio France; and Budapest Festival Orchestra. This season he makes conducting debuts with the Gürzenich-Orchester Köln and Finnish Radio Symphony Orchestra.

An exclusive Decca Classics recording artist, Mr. Kavakos’s first release on the label, of the complete Beethoven violin sonatas with pianist Enrico Pace (2013), earned him an ECHO Klassik Instrumentalist of the Year award. Later recordings include Brahms’s Violin Concerto with the Leipzig Gewandhaus Orchestra and Riccardo Chailly; Brahms’s violin sonatas with Yuja Wang; and, his most recent recording, Virtuoso (released in April 2016). His earlier discography includes recordings for BIS, ECM, and Sony Classical. Mr. Kavakos was named Gramophone Artist of the Year 2014.

Leonidas Kavakos plays the “Abergavenny” Stradivarius violin of 1724. 

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Anu Komsi

Soprano

Anu Komsi

Soprano

Anu Komsi

Soprano

Coloratura soprano Anu Komsi began her musical education in Kokkola, Finland, where she played both flute and violin in the Ostrobothnian Chamber Orchestra. At home on both opera and concert stages, she appears regularly throughout Europe and the U.S., and is a versatile recitalist and chamber musician with a repertoire ranging from Renaissance to contemporary music.

She has worked in leading opera houses and concert halls cultural capitals including Amsterdam, Berlin, Cologne, Frankfurt, London, Los Angeles, New York, Paris, Rome, São Paulo, Stockholm, and Vienna. Her more than 50 operatic roles range from Mozart’s Queen of the Night and Bizet’s Michaela to Richard Strauss’s Zerbinetta and Berg’s Lulu. George Benjamin composed Into the Little Hill for her, and Kaija Saariaho, Esa-Pekka Salonen, Jukka Tiensuu, Jonathan Harvey, Unsuk Chin, James Dillon, Kimmo Hakola, and Heinz-Juhani Hofmann are among the other composers who have written for her. Morton Feldman’s Neither has become one of her signature roles, and she appeared in New York City Opera’s production of John Zorn’s Machine de Léttre.

Anu Komsi made her Salzburg Festival debut in 2011, and was acclaimed for the 2014 BBC Proms premiere of Jukka Tiensuu’s Voice Verser with the BBC Symphony Orchestra. She has appeared with ensembles including the New York, Los Angeles, Oslo, Rotterdam, and Berlin philharmonic orchestras; the BBC, Bavarian Radio, and City of Birmingham symphony orchestras; and the London Sinfonietta, Deutsches Sinfonieorchester Berlin, Ensemble Modern, Ensemble Intercontemporain, Orchestre Philharmonique de Radio France, and Ostrobothnian Chamber Orchestra, led by conductors including Roger Norrington, Esa-Pekka Salonen, Alan Gilbert, Franz Welser-Möst, Heinz Holliger, Peter Eötvös, Jukka-Pekka Saraste, Sakari Oramo, Mikko Franck, Juha Kangas, Oliver Knussen, Santtu-Matias Rouvali, Susanna Mälkki, and Anu Tali. Ms. Komsi’s recent recordings include Being Beauteous and Aarre Merikanto’s Echo (Alba) and Coloratura (BIS).

Learn more about Anu Komsi

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Piia Komsi

Soprano

Piia Komsi

Soprano

Piia Komsi

Soprano

Coloratura soprano Piia Komsi, whose repertoire extends from the Baroque to the contemporary, made her break through as the Maid in Thomas Adès’s opera Powder Her Face. Other roles include the Duchesse de Guise (Wolfgang Mitterer’s Massacre), Gepopo and Venus (Ligeti’s Le Grand Macabre), Pamina and Queen of the Night (Mozart’s The Magic Flute), Brünnhilde (Wagner/Jonathan Dove’s Ring Saga), Medea (Pascal Dusapin’s Medeamaterial), The Cat (Unsuk Chin’s Alice in Wonderland), and the cello­playing daughter (Heinz­Juhani Hofmann’s: Ahti Karjalainen). She has appeared at The Finnish National Opera, Bavarian Staatsoper, Théatre et Musique Paris, San Carlo Teatro Napoli, Teatro Olimpico Rome, and several free opera groups in Finland.

She has appeared as soloist with conductors including Esa­Pekka Salonen (who composed Wing on Wing for Piia and her twin sister, Anu), Peter Eötvös, Kent Nagano, Sakari Oramo, Jukka­Pekka Saraste, Francois­Xavier Roth, and Peter Rundel. She has performed with orchestras including the Los Angeles, Oslo, and Royal Stockholm  philharmonic orchestras; BBC, Bavarian Radio, and Gothenburg symphony orchestras; and BBC National Orchestra of Wales, London Sinfonietta, Ensemble Intercontemporain, Philharmonique Orchestre de Radio France, Ensemble Modern, Gulbenkian Orchestra, Orquestra Sinfónica do Porto Casa da Musica, Remix, MDR Leipzig, NDR Hamburg, Köln Musik Fabrik, Elision, and Finnish orchestras including early music and new music orchestras.

Also a cellist (she was a member of the Finnish National Orchestra until 2001), she has taken up the challenge of singing while playing the instrument. Several composers have already written new pieces for this coloratura/cellist combination.

Ms. Komsi’s recordings include Solaris (Naxos/Proprius, Kotimaa’s Best Art CD 2012), Salonen’s Wing on Wing (Deutsche Grammophon),  Chin’s Akrostichon Wortspiel (both on Deutsche Grammophon) and Alice in Wonderland (DVD 2007), Kaija Saariaho’s From the Grammar of Dreams (Ondine, YLE’s CD of the Year), Wennäkoski’s Procris (Alba, Emma­Prize 2008), Tuomela’s Mothers and Daughters (Aulos), and Heinz­Juhani Hofman Ahti Karjalainen — elämä, Kekkonen ja teot (2015).

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