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Location

David Geffen Hall

Directions
Price Range

$89-275

Date & Times

31

Dec, 2015

Thursday, 7:30 PM

Event Info

Join the New York Philharmonic this New Year’s Eve for La Vie Parisienne, a musical love letter to Paris. Featuring the Philharmonic and special guests in some of France’s greatest creations — “La Vie en rose,” Saint-Saëns’s Carnival of the Animals, Offenbach’s Can-Can, and much more — conducted by Alan Gilbert.

Program

Offenbach

Orpheus in the Underworld Overture

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Offenbach

“Ah! que j’aime les militaires” from The Grand Duchess of Gerolstein

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Offenbach

“Ah! quel dîner” from La Périchole

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Saint-Saëns

Carnival of the Animals

Listen
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Ravel

Pavane pour une Infante défunte

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Simons

“C’est ça la vie, c’est ça l’amour” from Toi c’est moi

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Piaf & Louiguy

"La Vie en rose"

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Offenbach/Orch. Rosenthal

Selections from Gaîté Parisienne

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Artists

Alan Gilbert

Conductor

Alan Gilbert

Conductor

Alan Gilbert

Conductor

The 2016–17 season marks Alan Gilbert’s eighth and final season as Music Director of the New York Philharmonic. The first native New Yorker to hold the post, he has sought to make the Orchestra a point of pride for the city and country. The Financial Times called him “the imaginative maestro-impresario in residence.

Mr. Gilbert and the Philharmonic have forged artistic partnerships, introducing the positions of The Marie-Josée Kravis Composer-in-Residence and The Mary and James G. Wallach Artist-in-Residence — held in the 2016–17 season by Esa-Pekka Salonen and violinist Leonidas Kavakos, respectively — as well as Artist-in-Association, currently held by pianist Inon Barnatan, who inaugurated the role in the 2014–15 season; an annual festival, which this season is Beloved Friend — Tchaikovsky and His World, featuring Russian-born Semyon Bychkov conducting works by Tchaikovsky as well as composers he was influenced by and whom he influenced; CONTACT!, the new-music series; and the NY PHIL BIENNIAL, an exploration of today’s music by a wide range of contemporary and modern composers. During his tenure the Philharmonic launched the New York Philharmonic Global Academy, partnerships with cultural institutions to offer training of pre-professional musicians, often alongside performance residencies. These include the Shanghai Orchestra Academy and Residency Partnership and collaborations with Santa Barbara’s Music Academy of the West and the Shepherd School of Music at Rice University. Alan Gilbert and the Philharmonic also launched a five-year partnership with the University Musical Society at the University of Michigan.

Alan Gilbert concludes his final season as Music Director with four programs that reflect signature themes of his tenure, featuring works that hold particular meaning for him and musicians with whom he has formed close relationships. These include a pairing of Beethoven’s Ninth Symphony with Schoenberg’s A Survivor from Warsaw; Wagner’s complete Das Rheingold in concert; the New York Premiere of Composer-in-Residence Esa-Pekka Salonen’s Wing on Wing alongside Artist-in-Residence Leonidas Kavakos in Brahms’s Violin Concerto and the New York Premiere of Aeriality by Anna Thorvaldsdottir, the second Kravis Emerging Composer, an honor introduced during Alan Gilbert’s tenure; and an exploration of how music can effect positive change in the world. Other 2016–17 season highlights include three World Premieres; Dvořák’s Symphony No. 9, From the New World, as part of the New York Philharmonic’s 175th anniversary celebrations; Mahler’s Fourth Symphony and Handel’s Messiah; the World Premiere presentation of Gershwin’s score to Manhattan, performed live to the film; Ligeti’s Mysteries of the Macabre; a concert with friends celebrating his 50th birthday; works by John Adams marking the composer’s 70th birthday; and the EUROPE / SPRING 2017 tour. As part of the New York Philharmonic Global Academy, he will lead the Orchestra in its third annual performance residency through the Shanghai Orchestra Academy and Residency Partnership, and will lead the Philharmonic and Academy Festival Orchestra together in Santa Barbara through the partnership with Santa Barbara’s Music Academy of the West.

Last season’s Philharmonic highlights included R. Strauss’s Ein Heldenleben to welcome newly appointed Concertmaster Frank Huang; Carnegie Hall’s 125th anniversary Opening Night Gala; premieres by William Bolcom, Franck Krawczyk, Magnus Lindberg, and Marc Neikrug; works by Sibelius in celebration of the 150th anniversary of the composer’s birth; as well as Mahler’s Das Lied von der Erde and an all-Mozart program. He also co-curated the second NY PHIL BIENNIAL — during which he conducted works by Boulez and Stucky, in tribute to the late composers, as well as premieres by William Bolcom, John Corigliano, and Per Nørgård, the second recipient of The Marie-Josée Kravis Prize for New Music at the New York Philharmonic, an honor introduced during Alan Gilbert’s tenure. The Music Director also performed violin in Messiaen’s Quartet for the End of Time alongside Philharmonic principals and Mr. Barnatan. Under the New York Philharmonic Global Academy he led the Orchestra in its second performance residency in Shanghai and made his second appearance conducting the Music Academy of the West’s Academy Festival Orchestra.

Previous high points among Mr. Gilbert’s Philharmonic appearances include critically celebrated staged productions such as Ligeti’s Le Grand Macabre (2010) and Janáček’s The Cunning Little Vixen (2011), both cited as the top cultural events of their respective years; Philharmonic 360 at Park Avenue Armory (2012), the acclaimed spatial music program featuring Stockhausen’s Gruppen; A Dancer’s Dream: Two Works by Stravinsky (2013, and later presented in movie theaters internationally); a staged production of Sondheim’s Sweeney Todd starring Bryn Terfel and Emma Thompson that was broadcast on Live From Lincoln Center, earning Mr. Gilbert an Emmy nomination for Outstanding Music Direction (2014); and the U.S. Premiere of a staging of Honegger’s Joan of Arc at the Stake featuring Oscar winner Marion Cotillard (2015). Other highlights include the first two editions of the NY PHIL BIENNIAL; World Premieres of works by Christopher Rouse, Magnus Lindberg, Peter Eötvös, and composers featured on CONTACT!; the score from 2001: A Space Odyssey, performed live to the film; Mahler’s Second Symphony, Resurrection, on A Concert for New York on September 10; the Verdi Requiem; the conclusion of The Nielsen Project, the multi-year initiative to perform and record the Danish composer’s symphonies and concertos; Mr. Gilbert’s Philharmonic debut as violin soloist in J.S. Bach’s Concerto for Two Violins; six concerts at Carnegie Hall; and ten tours around the world. In August 2015 he led the Mahler Chamber Orchestra in the U.S. Stage Premiere of George Benjamin’s Written on Skin, co-presented by the New York Philharmonic and Lincoln Center, the inaugural production of the Lincoln Center–New York Philharmonic Opera Initiative.

Conductor laureate of the Royal Stockholm Philharmonic Orchestra and former principal guest conductor of Hamburg’s NDR Symphony Orchestra, he regularly conducts leading orchestras nationally and internationally, such as the Boston Symphony Orchestra, The Philadelphia Orchestra, Amsterdam’s Royal Concertgebouw Orchestra, Berlin Philharmonic, Munich Philharmonic, Leipzig Gewandhaus Orchestra, Bavarian Radio Symphony Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, and Orchestre philharmonique de Radio France. He has appeared at The Metropolitan, Los Angeles, Zurich, Royal Swedish, and Santa Fe opera companies. This season Mr. Gilbert returns to the foremost European orchestras, records Beethoven’s complete piano concertos with the Academy of St Martin in the Fields and Inon Barnatan, and conducts Gershwin’s Porgy and Bess at Milan’s Teatro alla Scala, his first time leading a staged opera there.

In September 2011 Alan Gilbert became Director of Conducting and Orchestral Studies at The Juilliard School, where he is also the first holder of Juilliard’s William Schuman Chair in Musical Studies. He made his acclaimed Metropolitan Opera debut in 2008 leading John Adams’s Doctor Atomic; the DVD and Blu-ray of this production received the 2012 Grammy Award for Best Opera Recording. Renée Fleming’s Decca recording Poèmes, on which he conducted, received a 2013 Grammy Award. Earlier releases garnered Grammy Award nominations and top honors from the Chicago Tribune and Gramophone magazine. He received his second Emmy nomination for Outstanding Music Direction for Sinatra: Voice for a Century, broadcast on Live From Lincoln Center in 2015. Mr. Gilbert conducted Messiaen’s Des Canyons aux étoiles on a recent album recorded live at the Santa Fe Chamber Music Festival.

Alan Gilbert studied at Harvard University, The Curtis Institute of Music, and Juilliard and was assistant conductor of The Cleveland Orchestra (1995–97). He received Honorary Doctor of Music degrees from Curtis in May 2010 and from Westminster Choir College in May 2016, and in December 2011 he received Columbia University’s Ditson Conductor’s Award for his “exceptional commitment to the performance of works by American composers and to contemporary music.” In 2014 he was elected to The American Academy of Arts & Sciences, in 2015 he received a Foreign Policy Association Medal for his commitment to cultural diplomacy and was named Officier de l’Ordre des Arts et des Lettres, and in 2016 he received New York University’s Lewis Rudin Award for Exemplary Service to New York City in recognition of his leadership in making New York one of the world’s great centers for music and the arts.

Visit Alan Gilbert's Official Website

Learn more about Alan Gilbert
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Susan Graham

Mezzo-Soprano

Susan Graham

Mezzo-Soprano

Mezzo-Soprano

Grammy Award–winning mezzo-soprano Susan Graham achieved international stardom within a few years of her professional debut. Her operatic roles span four centuries, from Monteverdi’s Poppea (L’incoronazione di Poppea) to Jake Heggie’s Sister Helen Prejean (Dead Man Walking), written especially for her, and her recital repertoire is equally wide-ranging. As one of today’s foremost interpreters of French vocal music, the Texas native was awarded the French government’s Chevalier de la Légion d’Honneur. Ms. Graham enjoyed early success in “trouser” roles before mastering more virtuosic parts and title roles. She created the female leads in The Metropolitan Opera’s premiere productions of John Harbison’s The Great Gatsby and Tobias Picker’s An American Tragedy. Her discography features oratorios and song cycles by Berlioz, Ravel, and Chausson, as well as solo albums including her Grammy-winning recording of Ives songs. Among her additional honors are being named Musical America’s Vocalist of the Year and receiving an Opera News Award. She also collaborates frequently with pianist Malcolm Martineau. Susan Graham kicked off the 2015–16 season with a solo recital in Washington, D.C., and a concert with Mercury Baroque in Houston. She then returns to the Met as Countess Geschwitz in a new production of Berg’s Lulu by artist-director William Kentridge, and for a revival of Johann Strauss II’s Die Fledermaus as Prince Orlovsky. European concert dates include Britten at Teatro Real Madrid and recitals at London’s Wigmore Hall, Glasgow’s Royal Conservatoire of Scotland, and the Vienna Konzerthaus. In the United States, Susan Graham appears with the Philharmonia Baroque Orchestra in San Francisco, with Michael Tilson Thomas and the San Francisco Symphony, at the Celebrity Series of Boston, and with Orchestra of St. Luke’s at Carnegie Hall, as well as with the New York Philharmonic. The mezzo-soprano later returns to Carnegie Hall to headline the program Susan Graham & Friends.

Learn more about Susan Graham

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Nathan Lane

Narrator

Nathan Lane

Narrator

Nathan Lane

Narrator

Tony, Emmy, and Screen Actors Guild award–winning actor Nathan Lane most recently starred in The Iceman Cometh at Chicago’s Goodman Theatre. In fall 2012, he made recurring guest-star appearances in CBS’s The Good Wife.

Broadway audiences have long embraced Mr. Lane as one of the shining lights of the theater. He starred in Samuel Beckett’s Waiting for Godot, David Mamet’s November, Neil Simon’s The Odd Couple, and Stephen Sondheim’s adaptation of The Frogs, for which Mr. Lane wrote the book. For his portrayal of Max Bialystock in the Tony Award–winning musical The Producers, Mr. Lane won the Drama Desk, Outer Critics Circle, and Tony Awards for Best Actor in a Musical. He also earned a Golden Globe nomination for his performance in the film version of The Producers. In 1996 his performance in A Funny Thing Happened on the Way to the Forum earned him Tony, Outer Critics Circle, and Drama Desk Awards. Mr. Lane’s other Broadway appearances include The Addams Family; Terrence McNally’s Love! Valor! Compassion! (Drama Desk, Outer Critics Circle, and Obie Awards); Neil Simon’s Laughter on the 23rd Floor; and Guys and Dolls (Drama Desk and Outer Critics Circle Awards and Tony Nomination).

Mr. Lane starred as Albert in Mike Nichols’s film The Birdcage, earning him a Screen Actors Guild Award and a Golden Globe Nomination. He won great acclaim as the voice of Timon in Disney’s The Lion King and appeared in the films Stuart Little, Trixie, Love’s Labours Lost, Addams Family Values, Frankie and Johnny, and Nicholas Nickelby.

Mr. Lane earned an Emmy nomination for his recent guest appearance on Modern Family, and he has been recognized with two Daytime Emmy Awards for Outstanding Performer in an Animated Program for The Lion King’s Timon and Pumbaa and Teacher’s Pet.

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Inon Barnatan

Piano

Inon Barnatan

Piano

Inon Barnatan

Piano

In the 2016–17 season pianist Inon Barnatan enters his third and final season as the New York Philharmonic’s inaugural Artist-in-Association. The position, which Mr. Gilbert created and launched in the 2014–15 season, complements the Orchestra’s Composer-in-Residence and Artist-in-Residence positions by spotlighting an emerging artist over the course of three seasons through both concerto and chamber music performances and by cultivating a relationship between the artist, the Orchestra, and the audience.

Awarded the Avery Fisher Career Grant in 2009, Mr. Barnatan has performed extensively with many of the world’s foremost orchestras, including the Los Angeles Philharmonic, The Cleveland and Philadelphia Orchestras, Academy of St Martin in the Fields, Deutsches Symphonie-Orchester Berlin, Orchestre de la Suisse Romande, and the San Francisco, Jerusalem, and Shanghai symphony orchestras. He has worked with such conductors as Roberto Abbado, James Gaffigan, Matthias Pintscher, David Robertson, Edo de Waart, and Pinchas Zukerman. Passionate about contemporary music, last season the pianist premiered new pieces composed for him by Matthias Pintscher and Sebastian Currier.

In his second season as the New York Philharmonic’s Artist-in-Association, in 2015–16 he performs concertos by Mozart and Beethoven, including as part of the Philharmonic’s residency partnership with the University Musical Society at the University of Michigan; appears on the annual New Year’s Eve concert; and performs Messiaen’s Quartet for the End of Time alongside Alan Gilbert on violin and Philharmonic principal musicians at The Metropolitan Museum of Art’s Temple of Dendur. Other upcoming highlights include his Disney Hall debut with the Los Angeles Philharmonic and Gustavo Dudamel, and a U.S. tour with the San Francisco Symphony and Michael Tilson Thomas, featuring dates at the Kennedy Center and Carnegie Hall.

Mr. Barnatan’s discography includes Avie and Bridge recordings of Schubert’s solo piano works, as well as Darknesse Visible, which was included on The New York Times’s Best of 2012 list. His Chopin and Rachmaninoff duo sonatas album, recorded with cellist Alisa Weilerstein, will be released by Decca Classics next season.

Learn more about Inon Barnatan

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Makoto Ozone

Piano

Makoto Ozone

Piano

Makoto Ozone

Piano

Pianist Makoto Ozone taught himself to play the organ while very young, made his first television appearance at six, began performing regularly on Osaka Mainichi Broadcasting, and, after attending an Oscar Peterson concert at 12, turned his attention toward jazz piano. He moved to the United States in 1980 to study at Boston’s Berklee College of Music, and graduated at the top of his class in 1983 — the same year he gave a solo recital at Carnegie Hall and became the first Japanese musician to sign an exclusive contract with CBS. He has recently explored classical repertoire with conductors including Alan Gilbert, Charles Dutoit, Thomas Zehetmair, Joseph Swensen, Alexandre Rabinovitch, Arie van Beek, Francois-Xavier Roth, Tadaaki Otaka, Eiji Oue, and Michiyoshi Inoue. He has played Gershwin, Bernstein, Mozart, Beethoven, Rachmaninoff, and Shostakovich with the NDR Symphony Orchestra, Orchestre de chambre de Paris, Orchestre d’Auvergne, Sinfonia Varsovia, and the NHK Symphony Orchestra. He has worked with numerous other jazz artists including Gary Burton, Chick Corea, Paquito D’Rivera, Arturo Sandoval, Branford Marsalis, Jeff “Tain” Watts, Christian McBride, Dave Weckl, and Mike Stern. He is a regular guest of classical music festivals including the Festival de la Roque d’Anthéron in France and La Folle Journée in Nantes and Japan. Makoto Ozone made his New York Philharmonic debut in February 2014 on the ASIA / WINTER 2014 tour performing Gershwin’s Rhapsody in Blue, led by Music Director Alan Gilbert, in Seoul, Tokyo, Osaka, and Yokohama, and was immediately engaged to reprise the work with them in New York that April. The same year he made a jazz arrangement of Mozart’s Piano Concerto No. 9, Jeunehomme, for Scottish National Jazz Orchestra, with which he performed the World Premiere. He also appeared with NDR Radiophilharmonie, San Francisco Symphony, and São Paulo Symphony Orchestra. He also toured Japan with his big band, No Name Horses, and celebrated its tenth anniversary with a new recording.

Learn more about Makoto Ozone

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