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Create Your Own

Create Your Own

This event is part of the Create Your Own subscription series. Become a 2016–17 subscriber by purchasing 4 eligible concerts. You'll get better seats and save on single ticket prices, unlimited free ticket exchange privileges (saving $10 per exchange), and much more.

This event is currently available to subscribers and will go on sale to the general public on August 9. Become a 2016–17 subscriber by purchasing 4 eligible concerts. You'll get better seats and save on single ticket prices, unlimited free ticket exchange privileges (saving $10 per exchange), and much more.


David Geffen Hall

Price Range

$33.00 - $129.00


2 hours with intermission

Date & Times


Oct, 2014

Thursday, 7:30 PM


Oct, 2014

Friday, 8:00 PM


Oct, 2014

Saturday, 8:00 PM


Oct, 2014

Tuesday, 7:30 PM



Piano Concerto No. 3



Symphony No. 8


Alan Gilbert


Alan Gilbert


Alan Gilbert


New York Philharmonic Music Director Alan Gilbert began his tenure in September 2009. The first native New Yorker to hold the post, he has sought to make the Orchestra a point of pride for the city and country. As The New Yorker wrote, “Gilbert has made an indelible mark on the orchestra’s history and that of the city itself.”

Mr. Gilbert and the Philharmonic have forged artistic partnerships, introducing the positions of The Marie-Josée Kravis Composer-in-Residence and The Mary and James G. Wallach Artist-in-Residence — held in the 2015–16 season by Esa-Pekka Salonen and bass-baritone Eric Owens, respectively — as well as Artist-in-Association, currently held by pianist Inon Barnatan, who inaugurated the role in the 2014–15 season; an annual festival, which this season is Rachmaninoff: A Philharmonic Festival, featuring pianist Daniil Trifonov; CONTACT!, the new-music series; and the NY PHIL BIENNIAL, an exploration of today’s music by a wide range of contemporary and modern composers. During his tenure the Philharmonic launched the New York Philharmonic Global Academy, partnerships with cultural institutions to offer training of pre-professional musicians, often alongside performance residencies. These include the Shanghai Orchestra Academy and Residency Partnership and collaborations with Santa Barbara’s Music Academy of the West and The Shepherd School of Music at Rice University.

In the 2015–16 season Alan Gilbert conducts the New York Philharmonic in R. Strauss’s Ein Heldenleben to welcome newly appointed Concertmaster Frank Huang; Carnegie Hall’s Opening Night Gala; premieres by Esa-Pekka Salonen, Magnus Lindberg, Franck Krawczyk, William Bolcom, and Marc Neikrug; Mahler’s Das Lied von der Erde; works by Sibelius in celebration of his 150th anniversary; and an all-Mozart program. He also co-curates the second NY PHIL BIENNIAL — during which he conducts the World Premiere of Bolcom’s Trombone Concerto, a Philharmonic co-commission, as well as the U.S. Premiere of Symphony No. 8 by Per Nørgård, the second recipient of The Marie-Josée Kravis Prize for New Music at the New York Philharmonic, an honor introduced during Alan Gilbert’s tenure. The Music Director performs on the violin alongside Philharmonic principals and Mr. Barnatan in Messiaen’s Quartet for the End of Time at The Metropolitan Museum of Art’s Temple of Dendur as part of the Philharmonic’s Messiaen Week. Alan Gilbert and the Philharmonic launch a five-year partnership with the University Musical Society at the University of Michigan. Under the New York Philharmonic Global Academy, he will lead the Orchestra in its second performance residency through the Shanghai Orchestra Academy and Residency Partnership and make his second appearance conducting the Academy Festival Orchestra as part of the partnership with Santa Barbara’s Music Academy of the West.

Last season’s highlights included a staging of Honegger’s Joan of Arc at the Stake featuring Oscar winner Marion Cotillard; the U.S. Premiere of Unsuk Chin’s Clarinet Concerto, a Philharmonic co-commission, alongside Mahler’s First Symphony; the Verdi Requiem; three World Premieres; works by contemporary Nordic composers during CONTACT!; the Silk Road Ensemble and Yo-Yo Ma’s 15th-anniversary celebration; the conclusion of The Nielsen Project, the multi-year initiative to perform and record the Danish composer’s symphonies and concertos; and the EUROPE / SPRING 2015 tour. In August 2015 he led the Mahler Chamber Orchestra in the U.S. Stage Premiere of George Benjamin’s Written on Skin, co-presented by the New York Philharmonic and Lincoln Center as part of the Lincoln Center–New York Philharmonic Opera Initiative. High points of Mr. Gilbert’s first five Philharmonic seasons include the critically celebrated productions of Ligeti’s Le Grand Macabre (2010) and Janáček’s The Cunning Little Vixen (2011) — both cited as the top cultural events of their respective years — as well as Philharmonic 360 at Park Avenue Armory (2012), the acclaimed spatial music program featuring Stockhausen’s Gruppen, and A Dancer’s Dream: Two Works by Stravinsky (2013, and later presented in movie theaters internationally). Other highlights include the inaugural NY PHIL BIENNIAL; a staged production of Sondheim’s Sweeney Todd starring Bryn Terfel and Emma Thompson that was broadcast on Live From Lincoln Center, earning Mr. Gilbert a 2015 Emmy nomination for Outstanding Music Direction; World Premieres of works by Magnus Lindberg, Christopher Rouse, John Corigliano, John Adams, and composers featured on CONTACT!; the score from 2001: A Space Odyssey as the film was screened; Mahler’s Second Symphony, Resurrection, on A Concert for New York on September 10; Mr. Gilbert’s Philharmonic debut as violin soloist in J.S. Bach’s Concerto for Two Violins; five concerts at Carnegie Hall; and nine tours around the world.

Conductor laureate of the Royal Stockholm Philharmonic Orchestra and former principal guest conductor of Hamburg’s NDR Symphony Orchestra, he regularly conducts leading orchestras nationally and internationally, such as the Boston Symphony Orchestra, The Philadelphia Orchestra, Amsterdam’s Royal Concertgebouw Orchestra, Berlin Philharmonic, Munich Philharmonic, Leipzig’s Gewandhaus Orchestra, Bavarian Radio Symphony Orchestra, Orchestra della Accademia Nazionale di Santa Cecilia, and Orchestre philharmonique de Radio France. He has appeared at The Metropolitan, Los Angeles, Zurich, Royal Swedish, and Santa Fe opera companies. This season Mr. Gilbert makes debuts with four great European orchestras — Filarmonica della Scala, Dresden Staatskapelle, London Symphony, and Academy of St Martin in the Fields — and returns to The Cleveland Orchestra and Tokyo Metropolitan Symphony Orchestra.

In September 2011 Alan Gilbert became Director of Conducting and Orchestral Studies at The Juilliard School, where he is also the first holder of Juilliard’s William Schuman Chair in Musical Studies. He made his acclaimed Metropolitan Opera debut in 2008 leading John Adams’s Doctor Atomic; the DVD and Blu-ray of this production received the 2012 Grammy Award for Best Opera Recording. Renée Fleming’s recent Decca recording Poèmes, on which he conducted, received a 2013 Grammy Award. Earlier releases garnered Grammy Award nominations and top honors from the Chicago Tribune and Gramophone magazine.

Mr. Gilbert studied at Harvard University, The Curtis Institute of Music, and Juilliard and was assistant conductor of The Cleveland Orchestra (1995–97). He received Honorary Doctor of Music degrees from Curtis in May 2010 and from Westminster Choir College in May 2016, and in December 2011 he received Columbia University’s Ditson Conductor’s Award for his “exceptional commitment to the performance of works by American composers and to contemporary music.” In 2014 he was elected to The American Academy of Arts & Sciences, in 2015 he received a Foreign Policy Association Medal for his commitment to cultural diplomacy and was named Officier de l’Ordre des Arts et des Lettres, and in 2016 he received New York University’s Lewis Rudin Award for Exemplary Service to New York City in recognition of his leadership in making New York one of the world’s great centers for music and the arts.

Visit Alan Gilbert's Official Website

Learn more about Alan Gilbert

Yefim Bronfman


Yefim Bronfman


Yefim Bronfman by Dario Acosta


Internationally recognized as one of today’s most acclaimed and admired pianists, Yefim Bronfman stands among a handful of artists regularly sought by festivals, orchestras, conductors, and recital series. His commanding technique, power, and exceptional lyrical gifts are consistently acknowledged by the press and audiences alike. At the center of his 2015–16 season is a residency with the Dresden Staatskapelle, which includes all the Beethoven concertos conducted by Christian Thielemann in Dresden and on tour in Europe. Mr. Bronfman also performs Bartók concertos with the London Symphony Orchestra and Valery Gergiev in Edinburgh, London, Vienna, Luxembourg, and New York. His recital performances include a cycle of the daunting complete Prokofiev sonatas over three programs in Berlin, New York’s Carnegie Hall, and Cal Performances, Berkeley.

As a regular guest, Mr. Bronfman returns to the New York Philharmonic, where he served as the 2013–14 season Mary and James G. Wallach Artist-in-Residence, as well as to the Vienna and Los Angeles Philharmonic orchestras; the Mariinsky, Cleveland, and Philadelphia orchestras; and the Boston, Montreal, Toronto, San Francisco, and Seattle symphony orchestras. Following the success of their first U.S. tour together last spring, Mr. Bronfman rejoins violinist Anne-Sophie Mutter and cellist Lynn Harrell in May for a European tour that takes them from Madrid to Berlin, Moscow, and Milan.

Mr. Bronfman was awarded the Avery Fisher Prize (in 1991) and the Jean Gimbel Lane Prize in piano performance from Northwestern University (2010). He has been nominated for three Grammy Awards, and won for his recording of Bartók’s three piano concertos with the Los Angeles Philharmonic and Esa-Pekka Salonen. He was nominated for a 2013 Grammy for the recording of Magnus Lindberg’s Piano Concerto No. 2 with Alan Gilbert and the New York Philharmonic, commissioned for him by the Orchestra.

Born in Tashkent in the Soviet Union in 1958, Yefim Bronfman immigrated to Israel with his family in 1973.

Learn more about Yefim Bronfman




Purchase 3 or more eligible concerts & save.

About Create Your Own Series:

Pick three (or more) concerts and and enjoy exclusive Subscriber Benefits including unlimited free ticket exchange. Ideal for concertgoers who want the ultimate in flexibility and the benefits of being a subscriber.

Subscriber Benefits:

  • Free, easy ticket exchange (available online or by phone)
  • Save on subscription concerts all year long
  • Priority notice on special events

How it Works:

  1. Look for the Create Your Own Series icon CYO eligible icon next to a concert and add it to your cart.
  2. Simply follow the directions in the shopping cart and enter promo code CREATE3 at check out.
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