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The Pinnacle of Cycles: Pianist Yefim Bronfman Speaks on Beethoven’s Piano Concertos
This concert is now past.
Location: David Rubenstein Atrium  (Directions)
Price Range: Free
 
Tue, May, 20, 2014
7:30 PM
The Mary and James G. Wallach Artist-in-Residence Yefim Bronfman will talk about The Beethoven Piano Concertos: A Philharmonic Festival, his first-ever cycle of this august oeuvre with the New York Philharmonic, which includes the Triple Concerto, the work with which he made his Philharmonic debut 35 years ago.

Learn more about The Beethoven Piano Concertos: A Philharmonic Festival, June 11–28, 2014.

This lecture is free — seating is available on a first-come, first-served basis. Subscribers, Friends at the Affiliate level and above, and Patrons may secure guaranteed admission by emailing AdultEd@nyphil.org.

See all Insights Series events.

This series is co-presented by Lincoln Center for the Performing Arts.
Yefim Bronfman

Artists

Yefim Bronfman by Dario Acosta

Grammy Award–winning pianist Yefim Bronfman is The Mary and James G. Wallach Artist-in-Residence at the New York Philharmonic during the 2013–14 season. Since his debut with the Philharmonic in May 1970, Mr. Bronfman has performed with the Orchestra on more than 55 occasions.

A highlight of Mr. Bronfman’s Philharmonic residency is The Beethoven Piano Concertos: A Philharmonic Festival, in which he will play the complete cycle, conducted by Alan Gilbert. His other activities include performances of concertos by Tchaikovsky and Magnus Lindberg, and appearances in CONTACT!, the new-music series; a chamber recital at 92nd Street Y; and the ASIA /WINTER 2014 tour.

Mr. Bronfman is widely regarded as one of the world’s most talented virtuoso pianists. His 2012–13 season included concerts with the Berlin Philharmonic (with Simon Rattle) in Berlin, Salzburg, and at the London Proms; appearances with the Tonhalle Orchestra Zurich (with David Zinman) and London’s Philharmonia Orchestra; a yearlong residency with the Bavarian Radio Symphony Orchestra; and appearances with the Vienna Philharmonic (with Michael Tilson Thomas) in Vienna and London. In North America he returned to the orchestras of Chicago, Dallas, Cincinnati, St. Louis, and Montreal.

Mr. Bronfman has been widely praised for his solo, chamber, and orchestral recordings. He was nominated for a Grammy Award in 2009 for his recording of Esa-Pekka Salonen’s Piano Concerto, conducted by the composer (Deutsche Grammophon), and he won a Grammy in 1997 for his recording of Bartók’s three Piano Concertos with Mr. Salonen and the Los Angeles Philharmonic.

Born in Tashkent, in the Soviet Union, in 1958, Yefim Bronfman emigrated to Israel with his family in 1973. There he studied with pianist Arie Vardi, head of the Rubin Academy of Music at Tel Aviv University. He later studied in the United States at The Juilliard School, Marlboro Music Festival, and The Curtis Institute of Music; his teachers included Rudolf Firkušný, Leon Fleisher, and Rudolf Serkin. He became an American citizen in July 1989. 

Carol Oja

As The Leonard Bernstein Scholar-in-Residence at the New York Philharmonic for the 2013–14 season, Carol J. Oja presents Insights Series events and conducts research in the Philharmonic Archives. Dr. Oja is William Powell Mason Professor of Music at Harvard University, where she is also on the faculty of the graduate program in American Studies. Her newest book, Bernstein Meets Broadway: Collaborative Art in a Time of War, is in production with Oxford University Press. Dr. Oja’s Making Music Modern: New York in the 1920s won the Lowens Book Award from the Society for American Music and an ASCAP-Deems Taylor Award. Her other books include Aaron Copland and His World (co-edited with Judith Tick); Colin McPhee: Composer in Two Worlds; A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock; and American Music Recordings: A Discography of 20th-Century U.S. Composers. Carol J. Oja has held fellowships from the Guggenheim Foundation, the Newhouse Center for the Humanities at Wellesley College, the National Humanities Center, NEH, and the Mellon Faculty Fellows Program at Harvard. She is past-president of the Society for American Music. 

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