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Philharmonic Ensembles at Merkin Concert Hall
This concert is now past.
Location: Merkin Concert Hall  (Directions)
 
Sun, Feb, 17, 2013
3:00 PM

Closer to it all.
An Ensembles concert provides an intimate connection between musician and audience. Hear the individual talents that make up the orchestra. Experience the passion and personality of the performers. And see how a small setting can make for a huge musical event.

Tickets
Merkin Concert Hall Box Office
www.merkinconcerthall.org
(212) 501-3330

Individual tickets for this concert will be available starting September 10, 2012. Subscriptions for the Ensembles series are available now. For information on the series, visit the Ensembles series.

New York Philharmonic Ensembles

Program

  (Click the red play button to listen)
Overture to The Barber of Seville
Trio for Two Violins and Viola
String Quartet No. 2
Two Songs from Silas Marner
Piano Trio No. 1 in D minor

Artists

Inon Barnatan

Pianist Inon Barnatan has performed with many of the country’s most esteemed orchestras and conductors. In 2009 he was awarded the Avery Fisher Career Grant. His album Darknesse Visible was named one of the top classical recordings of 2012 by The New York Times and Instrumental CD of the Month in BBC Music Magazine. In fall 2013 he released a CD of Schubert’s late works on Avie.

 

Highlights of his 2013–14 season include engagements with the Atlanta, Bangor, and Oregon Symphony Orchestras and the Boulder and Fresno Philharmonics. In September 2013 Mr. Barnatan gave the world premiere of a solo piano work by Matthias Pintscher at London’s Wigmore Hall, and he will again join Mr. Pintscher to perform Beethoven’s Fourth Piano Concerto with the Utah Symphony. Mr. Barnatan will give solo and chamber recitals at The Royal Concertgebouw in Amsterdam, The Hague, Chamber Music Society of Lincoln Center, Santa Fe Chamber Music Society, and The Frederic Chopin Society in St. Paul, Minnesota, as well as with the Jerusalem Quartet in Vancouver. He will also tour Europe with cellist Alisa Weilerstein.

 

Mr. Barnatan took part in Lincoln Center’s CMS Two program from 2006–09 and remains a regular performer on Chamber Music Society programs. In 2009 he was the first musician other than the society’s artistic directors to be invited to program concerts, and curated The Schubert Project, a festival of Schubert’s late works; the project was also performed at the Concertgebouw, Festival de México, and Library of Congress.

 

Born in Tel Aviv in 1979, Mr. Barnatan started playing piano at age three and made his orchestral debut at 11. In 1997 he began studies at Royal Academy of Music and in 2004 pianist Leon Fleisher invited Mr. Barnatan to study and perform Schubert sonatas as part of a Carnegie Hall workshop.

Eric Bartlett

Before joining the New York Philharmonic in 1997, cellist Eric Bartlett had already established himself as an artist of formidable talent and artistic integrity. He has appeared frequently as a member soloist with the world famous Orpheus Chamber Orchestra and is featured on several of their Deutsche Grammophon recordings. In addition to Orpheus, his solo appearances include the Cabrillo Festival, the Mostly Mozart Festival Orchestra, the Anchorage Symphony, the Hartford Chamber Orchestra, the Aspen and Juilliard Orchestras, and the New York Philharmonic’s “Horizons ‘84” series. Mr. Bartlett is the recipient of a Solo Recitalist’s Award from the National Endowment for the Arts and a special Performance Award as a finalist of the 1987 New England Conservatory/Piatigorsky Award. Recent solo appearances include the Cabrillo Music Festival, and the Brattleboro Music Center in Vermont.

Recognized as a leading performer of contemporary music, Mr. Bartlett has participated in more than 90 premieres with ensembles such as Speculum Musicae, the New York New Music Ensemble, the Group for Contemporary Music, and the Columbia String Quartet, and he has commissioned new works for the cello from American composers. During the summer of 2000, Mr. Bartlett was invited by Marin Alsop to be a featured soloist in the North American premiere of James McMillan’s Triduum, the middle third of which is a cello concerto. He has served as either Artist-President or Vice-President of Speculum Musicae since 1990. Mr. Bartlett has performed at the Mostly Mozart, Marlboro, Aspen, Adirondack, Grand Teton, and Waterloo music festivals, and has been a regular participant at the Bridgehampton Chamber Music Festival since 1996. Mr. Bartlett served as the principal cellist of the Mostly Mozart Festival Orchestra and co-principal of Orpheus from 1984 until 1997.

A native of Marlboro, Vermont, Mr. Bartlett’s early teachers included George Finckel and Blanche Honegger Moyse. From 1973 to 1975 he was a student of Leopold Teraspulsky at the University of Massachusetts. He was awarded full scholarships to both the Curtis Institute of Music and The Juilliard School and received both his Bachelor and Master of Music degrees from Juilliard, where he was a student of Leonard Rose and Channing Robbins.

Mr. Bartlett recorded the cello music of Larry Bell for North-South Records on a CD entitled River of Ponds (which includes a collaboration with narrator Robert J. Lurtsema) and has also recorded for CRI, Opus One, Bridge, Delos, and Deutsche Grammophon. He has served on the faculty of the University of Massachusetts and is currently an adjunct professor at The Juilliard School and the Manhattan School of Music. He lives in Bergen County, New Jersey, with his wife, Orpheus violist Sarah Clarke, and their son, Cory.

Soprano
Quen Ge

Violinist Quan Ge joined the New York Philharmonic in June 2009. She holds a bachelor's degree from The Curtis Institute of Music, where she worked with Yumi Scott, Ida Kavafian, and Jaime Laredo, and a master's degree from The Juilliard School, where she studied with David Chan. A native of Huai Nan, China, Ms. Ge was the recipient of a Fu Chenxian Scholarship, and has won top prizes in both the China National Competition and the Jeunesses Music Competition (Romania). While a student at Curtis, she played as a substitute with The Philadelphia Orchestra. Ms. Ge is an active chamber musician and recitalist, and most recently worked with pianist Robert McDonald and the Borromeo String Quartet at the Taos School of Music in 2008.

Gonzalez

Alexei Yupanqui Gonzales was appointed to the cello section of the New York Philharmonic in November 2012. He has served as the principal cellist of the Rhode Island Philharmonic and the Boston Lyric Opera. He has also been a member of the Boston Ballet Orchestra and has performed with the Boston Symphony, Boston Pops, A Far Cry Chamber Orchestra, Emmanuel Music under the late Craig Smith, and the Bach Ensemble with harpsichordist John Gibbons.

An avid chamber musician, Mr. Gonzales has performed in various concert venues including Jordan Hall, Isabella Stewart Gardner Museum, Seattle Town Hall, Currier Museum of Art, and the Library of Congress in Washington, D.C. He won first prize in the Coleman International Chamber Competition with the Azure Trio, and he was a recipient of the Borromeo String Quartet Artist Award. He has also taught chamber music at the New England Conservatory Preparatory School.

Mr. Gonzales was a Tanglewood Music Center Fellow for three summers, where he received the Samuel Mayes Memorial Prize and participated in the Bach Institute Seminar. He has spent other summers at the Schleswig-Holstein Music Festival, Banff, the International Music Arts Institute, and the Killington Music Festival.

Mr. Gonzales studied with Laurence Lesser and Paul Katz at the New England Conservatory of Music. The son of Peruvian and German immigrants, Mr. Gonzales was raised in Andover, Massachusetts. Currently, he lives in Manhattan with his wife, Mie, an oboist. He is an avid Bayern Munich soccer fan.

Dawn Hannay

Violist Dawn Hannay has been a member of the Philharmonic since 1979. Before joining the Orchestra, she was principal violist with the Omaha Symphony and the Nebraska Sinfonia, and was a member of the Concerto Soloists of Philadelphia and the Opera Company of Philadelphia. She also served as artist-in-residence at the Victorian College of the Arts, Melbourne, Australia, and was a member of Ensemble I, a sextet specializing in works for unusual instrumentation. Ms. Hannay enjoys performing chamber music, appearing often with the New York Philharmonic Ensembles. She has spent the last few summers in Jackson Hole, Wyoming, playing with the Grand Tetons Music Festival. She is an avid reader, athlete and nature enthusiast; her interests include hiking, camping, skiing, bird watching, tennis, and her cat and dog.

Photo of Dawn Hannay by Michael DiVito

Sumire Kudo

Sumire Kudo joined the Philharmonic as a cellist in June 2006. Previously she taught at Indiana University–South Bend and was the cellist of the Avalon String Quartet. Born in Tokyo, Japan, Ms. Kudo began cello studies at age four with her father, cellist Akiyoshi Kudo. She came to the United States in 2000, after establishing herself in her native country through solo performances and recordings. Her honors include the Hideo Saito Memorial Fund Award, which she received from the Sony Music Foundation after being chosen by Seiji Ozawa and Tsuyoshi Tsutsumi as the most promising cellist in 2005, and prizes at the Sapporo Junior Cello Competition and 62nd Japan Music Competition. Ms. Kudo is a graduate of Tokyo’s Toho School and The Juilliard School. She has participated in the Nagano-Aspen Music, Aspen Music, Santa Fe, and Marlboro Music festivals. Record Geijutsu, Japan’s leading classical music magazine, named her second solo CD, Love of Beauty, Best Recording.

Robert Rinehart

Robert Rinehart, who joined the New York Philharmonic’s viola section in 1992, is a familiar figure on the New York chamber-music scene. He has appeared at the Spoleto, Vancouver Chamber Music, and Santa Fe Chamber Music festivals, and with Chamber Music Northwest and The Chamber Music Society of Lincoln Center. A founding member of the Ridge String Quartet, Mr. Rinehart has performed in every major music center in the United States, as well as in Canada, Australia, Japan, and in Europe. He has collaborated with Benny Goodman, Rudolf Firkusny, and the Guarneri String Quartet, among others, and his chamber music recordings have received a Grammy Award, two Grammy nominations, and the Diapason d’Or. A native of San Francisco, Mr. Rinehart studied violin at the San Francisco Conservatory of Music with Isadore Tinkleman, and at The Curtis Institute of Music with Jaime Laredo, David Cerone, and Ivan Galamian. He is on the faculty of the Manhattan School of Music.

Fiona Simon

Violinist Fiona Simon, a member of the Orchestra since 1985, made her Philharmonic solo debut in November 1989, performing Vivaldi’s Concerto for Three Violins. Ms. Simon began her career in her native England, where she studied with Szymon Goldberg and won major prizes in the Carl Flesch and Jacques Thibaud competitions. For three consecutive years, she was London’s Young Artist of the Year. She has performed with the Academy of St. Martin-in-the-Fields, the Royal Opera at Covent Garden, and the English Chamber Orchestra, among others. She has also been featured in many recitals and concerts broadcast over the BBC, and has made numerous appearances throughout Europe. Ms. Simon is a member of the Vanderspar String Trio and the Simon String Quartet. She was married to the late New York Philharmonic violinist Richard Simon, and has a son, Michael Paul, a poet.

Yoko Takebe

Violinist Yoko Takebe joined the New York Philharmonic in 1979. A former member of the Philadelphia Orchestra, her early training in Tokyo included music and traditional Japanese dance. While attending the Toho School of Music, she was a pupil of Saburo Sumi and Hideo Saito. At age 13, Ms. Takebe won the Japanese National Music Competition. She graduated from the Juilliard School as a student of Ivan Galamian and continued her studies in Switzerland with Joseph Szigeti. Ms. Takebe is a frequent participant in the New York Philharmonic Ensembles and is on the faculty of The Manhattan School of Music. Her husband, Michael Gilbert, is a former member of the Philharmonic's violin section.

Ru-Pei Yeh

Ru-Pei Yeh, cello, who joined the New York Philharmonic in September 2006, has performed regularly as a recitalist in her native Taiwan and in the U.S. A founding member of the Formosa Quartet, formed in 2003, she has served as acting principal cello of the San Diego Symphony and the San Diego Opera, in addition to performing with a string quartet of principal players from the San Diego Symphony. She has made solo appearances with the Hudson Valley Philharmonic, National Taiwan Symphony, Taiwan’s Evergreen Symphony Orchestra, Jacksonville Symphony Orchestra, North Carolina School of the Arts’s International Music Program Orchestra, and Kuan-Jen School Orchestra, and is the winner of numerous competitions.

Ms. Yeh, who has been performing professionally since the age of 10, moved to the U.S. at 13 to study with Orlando Cole at the Temple Preparatory School. In her last two years of high school she studied with Robert Marsh at the North Carolina School of the Arts. Ms. Yeh received her bachelor of music degree from the New England Conservatory under the tutelage of Laurence Lesser, and received her master’s degree and artist diploma from The Juilliard School, studying with Joel Krosnick.

Wei Yu

A member of the New York Philharmonic cello section beginning September 2007, Wei Yu has appeared regularly as a substitute cellist with the New York Philharmonic and The Cleveland Orchestra. Most recently, he was invited to join the Israel Philharmonic Orchestra’s USA 70th Anniversary tour led by Zubin Mehta and Lorin Maazel. He has participated in open master classes conducted by pianist Leon Fleisher, violist Kim Kashkashian, and cellists Lynn Harrell, Ralph Kirshbaum, Joel Krosnick, and Janos Starker, and was invited to play for Mstislav Rostropovich at the Seventh American Cello Congress in 2003.

Born in Shanghai, China, Mr. Yu has been the top prize winner of many competitions, including the Hudson Valley Philharmonic String Competition, Holland American Music Society Cello, Music Teacher National Association (MTNA National Collegiate Strings), Canada’s National Music Festival, Calgary’s Kiwanis Festival, and China’s National Cello competitions. He was also invited to participate in the XII International Tchaikovsky Competition 2002 in Moscow.

An active chamber musician, Mr. Yu has been invited to the Marlboro and Ravinia music festivals, and has recently collaborated with musicians such as cellist David Soyer, pianist Richard Goode, violinists Midori and Pinchas Zukerman, and members of the Guarneri and Juilliard Quartets. Mr. Yu gave a recital on the Catherine & Mary Roth concert series in Washington D.C., with pianist Francis Conlon.

Wei Yu toured Japan as principal cellist of the Pacific Music Festival Orchestra under Bernard Haitink, Edo de Waart, Wei-Pin Chien, and Yutaka Sado. His performances have been live and in recording on Chicago’s 98.7 WFMT, Finnish Radio Broadcasting Company, and the CBC’s “Our Music” in Canada.

Mr. Yu began studying the cello at age four and made his concerto debut with the Shanghai Symphony Orchestra at age 11 playing the Elgar Cello Concerto. He came to the United States in 2000 to work with Hans Jensen of Northwestern University. He received his master’s degree from The Juilliard School, studying with David Soyer on a full scholarship, with the support of the Irene Diamond Graduate Fellowship.

Elizabeth Zeltser

Violinist Elizabeth Zeltser joined the New York Philharmonic at the start of the 2003–04 season. Born in New York City into a family of Russian musicians, Ms. Zeltser began her violin studies at age three, and made her New York debut at age five with the Mannes College of Music Orchestra, performing Vivaldi's Violin Concerto under the baton of Felix Kruglikov. At five, she also appeared on Israeli television with her father, Mark Zeltser, a renowned concert pianist.

Ms. Zeltser studied at The Juilliard School with Dorothy DeLay. While a student, she won the prestigious Juilliard Concerto Competition, and later continued her studies at the Moscow Conservatory, where she earned her master's degree in music performance. Upon her return to the U.S., she enrolled at the Manhattan School of Music, where her studies were supervised by New York Philharmonic Concertmaster Glenn Dicterow, and by Orchestra violinist Yoko Takebe.

Elizabeth Zeltser has appeared as soloist with numerous orchestras in the U.S., Canada, Italy, France, Russia, and South America. Her most recent performances included a European tour in Austria and Hungary with the St. Petersburg Symphony Orchestra.

Ms. Zeltser speaks French, Italian, Russian, and English, and is an accomplished swimmer.

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