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Local Broadcast:
Rafael Frühbeck de Burgos Conducts Symphonie fantastique

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Rafael Frühbeck de Burgos Conducts Symphonie fantastique
This concert is now past.
Location: Avery Fisher Hall  (Directions)
Price Range: $33.00 - $107.00
 
Thu, Oct, 18, 2012
7:30 PM
 
Fri, Oct, 19, 2012
11:00 AM
 
Sat, Oct, 20, 2012
8:00 PM
 
Tue, Oct, 23, 2012
7:30 PM
Rafael Fruhbeck de Burgos

Program

  (Click the red play button to listen)
Symphonie espagnole
ÉDOUARD LALO (1823-1892)
Symphonie espagnole, Op. 21 (1874)

Of Spanish descent, Édouard Lalo was one of several French composers who felt drawn to and inspired by Spanish music. Trained as a violinist himself, Lalo had a career that was occasionally successful, other times disappointing. When he didn't receive the recognition he had hoped for as a composer, he became the violist in the Armingaud Quartet. But his singer-wife Bernier de Maligny inspired him to try his hand at composing again, and he created a violin concerto and the present Symphonie espagnole for the Spanish violin virtuoso Pablo de Sarasate. Though he called it a symphony, Lalo's 5-movement work is so only in name. Its Spanish motifs, however, do justify the "espagnole" part of the title. "I kept the title Symphonie espagnole," he said, "contrary to and in spite of everybody, first, because it conveyed my thoughts — that is to say, a violin solo soaring above the rigid form of an old symphony — and then because the title was less banal than those that were proposed to me. The cries and criticisms have died or will die down; the title will remain, and in a letter of congratulation [conductor Hans von] Bülow wrote to me that this happy title placed the piece beyond all others." Tchaikovsky also weighed in on the work, saying it was "so delightfully fresh and light, with piquant rhythms and beautifully harmonized melodies." Listen for a flamenco-style introduction, and later a sensuous malagueña and a spirited seguidilla. And because the Symphonie was composed for one of the greatest violin virtuosos, expect to be dazzled by bravura pyrotechnics. Our soloist Augustin Hadelich received rave reviews for his interpretation of the Symphonie with the Cleveland Orchestra: "A consummate showman, Hadelich pranced over considerable technical obstacles with fluent ease... But behind [his] talent was a molten intensity, a determination to explore the music's passionate, earthy sides with gritty articulation and tender lyricism." (Cleveland Plain Dealer)
Symphonie fantastique
HECTOR BERLIOZ (1803-1869)
Symphonie fantastique (Episode in the Life of an Artist) (1830)

It was love at first sight when 23-year-old Hector Berlioz espied Irish actress Harriet Smithson performing the Shakespearean roles of Ophelia and Juliet. "The impression made on my heart and mind by her extraordinary talent, nay her dramatic genius, was equaled only by the havoc wrought in me by the poet she so nobly interpreted... It was too much. By the third act, hardly able to breathe — as though an iron hand gripped me by the heart — I knew that I was lost." But the world benefited from Berlioz's obsession: it resulted in the Symphonie fantastique, a work of amazing orchestral colors and effects that tells a "fantastic" story, starring Hector Berlioz, who provided this scenario: "A young musician of unhealthily sensitive nature and endowed with a vivid imagination has poisoned himself with opium in an attack of lovesick despair. The narcotic dose he has taken is too weak to cause death, but it has thrown him into a long sleep accompanied by the most extraordinary visions. In this condition his sensations, his feelings and his memories find utterance in his sick brain in the form of a melody in his mind, like a fixed idea which is ever returning and which he hears everywhere." The Symphonie fantastique was a huge success at its premiere in 1830, and the buzz swirled around both the musical innovations and eccentricities and the sensationalism of the subject matter. (Berlioz had distributed the "indispensable program" of the Symphonie to the audience.) Le tout Paris was there, including his beloved Harriet Smithson (whom he didn't meet until two years later). Though they eventually married, their union was rocky and short-lived. Special highlights of the rich score include a glittering ball, the hero's March to the Scaffold, and the Dream of a Witches' Sabbath, in which the Dies irae pounds out a terrifying theme amid orgiastic tumult.

Artists

Rafael Fruhbeck du Burgos by CAMI

Rafael Frühbeck de Burgos is a regular guest with North America's top orchestras. He is also conducting The Philadelphia Orchestra, Los Angeles Philharmonic, and the Cincinnati, Boston, Pittsburgh, St. Louis, and Montreal symphony orchestras. He appears annually at the Tanglewood Music Festival and regularly with the National, Chicago and Toronto symphony orchestras.

Born in Burgos, Spain, in 1933, Mr. Frühbeck studied violin, piano, music theory, and composition at the conservatories in Bilbao and Madrid, and conducting at Munich's Hochschule für Musik, where he graduated summa cum laude and was awarded the Richard Strauss Prize. From 2004 to 2011 he was chief conductor and artistic director of the Dresden Philharmonic, and in the 2012–13 season will begin his post as chief conductor of the Danish National Orchestra.

Mr. Frühbeck has made extensive tours with such ensembles as the Philharmonia of London, London Symphony Orchestra, National Orchestra of Madrid, and Swedish Radio Orchestra. He has toured North America with the Vienna Symphony, Spanish National Orchestra, and the Dresden Philharmonic.

Named Conductor of the Year by Musical America in 2011, Mr. Frühbeck's other numerous honors and distinctions have included the Gold Medal of the City of Vienna, Bundesverdienstkreutz of the Republic of Austria and Germany, Gold Medal from the Gustav Mahler International Society, and Jacinto Guerrero Prize, Spain's most important musical award, conferred in 1997 by the Queen of Spain. In 1998 he was appointed Emeritus Conductor by the Spanish National Orchestra. He has received an honorary doctorate from the University of Navarra in Spain. Since 1975 he has been a member of the Royal Academy of Fine Arts of San Fernando.

Rafael Frühbeck de Burgos has recorded extensively for the EMI, Decca, Deutsche Gramophone, Spanish Columbia, and Orfeo labels. Several of his recordings are considered to be classics, including his interpretations of Mendelssohn's Elijah and St. Paul, Mozart's Requiem, Orff's Carmina burana, Bizet's Carmen, and the complete works of Manual de Falla.

Augustin Hadelich by Rosalie O'Conner

Violinist Augustin Hadelich is the winner of the 2009 Avery Fisher Career Grant and the gold medalist of Indianapolis's 2006 International Violin Competition. He made his Cleveland Orchestra debut in August 2009, and was invited to return to perform the Mendelssohn Concerto in March 2011. Other highlights include his Paris recital debut at the Louvre Museum; a BBC young artist's debut recital at The Sage Gateshead in Newcastle; a return to the Los Angeles Philharmonic at the Hollywood Bowl; and debuts with the Helsinki Philharmonic and the Atlanta, Baltimore, Cincinnati, Phoenix, Seattle, Utah, and Vancouver symphony orchestras.

Mr. Hadelich made three Carnegie Hall appearances in 2008. His orchestral engagements have included the Colorado, Columbus, Fort Worth, Indianapolis, Houston, New Orleans, Pacific, Santa Barbara, and Syracuse symphony orchestras, and the Rochester Philharmonic and Memphis's IRIS Chamber Orchestra. Abroad, he has performed with the Deutsche Radio Philharmonie Saarbrücken-Kaiserslautern, Dresden Philharmonic, Orchestre Philharmonique de Monte-Carlo, Museumsorchester Frankfurt, Nürnberg Philharmonic, Orquesta Sinfónica Nacional de México, Orquestra Sinfônica do Estado de São Paulo, Staatsorchester Stuttgart, and Tokyo Symphony Orchestra, as well as with chamber orchestras in Budapest, Cologne, Hamburg, Lucerne, and Toulouse. He has appeared in recital at the Frick Collection and the Walter Reade Theater at Lincoln Center (in New York), Kennedy Center for the Performing Arts (Washington, D.C.), Chamber Music Society of Detroit, Clark Memorial Library (Los Angeles), La Jolla Music Society, University of Texas at Austin, and Kioi Hall (Tokyo). He has performed chamber music at the Marlboro, Ravinia, and Seattle festivals, and collaborated with Midori at Lincoln Center's Rose Theater. Augustin Hadelich has released two CDs on the Naxos label, as well as a solo violin disc on AVIE; a second disc for AVIE was released in 2011.

Born in Italy in 1984 and the son of German parents, Augustin Hadelich holds a graduate diploma and artist diploma from The Juilliard School, where he was a student of Joel Smirnoff.  As first-prize winner of the Indianapolis Competition, he plays on the 1683 ex-Gingold Stradivari violin.

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Concert Duration

2 hours

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Special Thanks

Rafael Frubeck de Burgos's appearance is made possible through the Daisy and Paul Soros Endowment Fund. 

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