Mr. Gilbert’s creative approach to programming combines works in fresh and innovative ways. He has also forged artistic partnerships, introducing the positions of The Marie-Josée Kravis Composer-in-Residence and The Mary and James G. Wallach Artist-in-Residence, held in the 2012–13 season by Christopher Rouse and pianist Emanuel Ax, respectively; an annual, multi-week festival, which this season is The Bach Variations in collaboration with 92nd Street Y; and CONTACT!, the new-music series in which Philharmonic musicians perform works by today’s leading and emerging composers in New York’s more intimate venues.

In the 2012–13 season, Alan Gilbert conducts world premieres by Anders Hillborg, Steven Stucky, and Christopher Rouse; presides over a cycle of Brahms’s complete symphonies and concertos; conducts Bach’s Mass in B minor and an all-American program that includes Ives’s Fourth Symphony; leads the Orchestra on the EUROPE / SPRING 2013 tour; and continues The Nielsen Project, the multi-year initiative to perform and record the Danish composer’s symphonies and concertos, the first release of which was named by The New York Times as among the Best Classical Music Recordings of 2012. The season concludes with Gilbert’s Playlist, four programs showcasing themes and ideas that Alan Gilbert has introduced since becoming Music Director, including the season finale: a theatrical reimagining of Stravinsky’s Petrushka and The Fairy’s Kiss in collaboration with director/designer Doug Fitch that features New York City Ballet principal dancer Sara Mearns.

Last season’s highlights included performances of three Mahler symphonies, including the Second, Resurrection, on A Concert for New York on September 10; the Orchestra’s first International Associates residency at London’s Barbican Centre as part of its EUROPE / WINTER 2012 tour; the CALIFORNIA / SPRING 2012 tour; and Philharmonic 360, the Philharmonic and Park Avenue Armory’s acclaimed spatial music program featuring Stockhausen’s Gruppen, about which The New York Times said: “Those who think classical music needs some shaking up routinely challenge music directors at major orchestras to think outside the box. That is precisely what Alan Gilbert did.” Highpoints of Mr. Gilbert’s first two Philharmonic seasons included the acclaimed performance of Janáček’s The Cunning Little Vixen, hailed by The Washington Post as “another victory,” building on 2010’s wildly successful staging of Ligeti’s Le Grand Macabre, which The New York Times called “an instant Philharmonic milestone”; world premieres of works by Marie-Josée Kravis Composer-in-Residence Magnus Lindberg, John Corigliano, Christopher Rouse, and composers featured on CONTACT!; Mr. Gilbert’s Philharmonic debut as violin soloist in J.S. Bach’s Concerto for Two Violins; four concerts at Carnegie Hall; and four tours to Europe, as well as the Asia Horizons tour, which included the Philharmonic’s Vietnam debut at the historic Hanoi Opera House.

In September 2011 Alan Gilbert became Director of Conducting and Orchestral Studies at The Juilliard School, where he is also the first holder of Juilliard’s William Schuman Chair in Musical Studies. Conductor Laureate of the Royal Stockholm Philharmonic Orchestra and principal guest conductor of Hamburg’s NDR Symphony Orchestra, he regularly conducts leading orchestras nationally and internationally, such as the Boston Symphony Orchestra, Amsterdam’s Royal Concertgebouw Orchestra, and the Berlin Philharmonic. His 2012–13 season engagements include appearances with the Boston Symphony Orchestra, Royal Concertgebouw Orchestra, Leipzig Gewandhaus Orchestra, NDR Symphony Orchestra, and Berlin Staatskapelle.

Alan Gilbert made his acclaimed Metropolitan Opera debut in 2008 leading John Adams’s Doctor Atomic; the DVD and Blu-ray of this production received the 2012 Grammy Award for Best Opera Recording. Renée Fleming’s recent Decca recording Poèmes, on which he conducted, received a 2013 Grammy Award. Earlier releases garnered Grammy Award nominations and top honors from the Chicago Tribune and Gramophone magazine.

Mr. Gilbert studied at Harvard University, The Curtis Institute of Music, and Juilliard and was assistant conductor of The Cleveland Orchestra (1995–97). In May 2010 he received an Honorary Doctor of Music degree from Curtis, and in December 2011 he received Columbia University’s Ditson Conductor’s Award for his “exceptional commitment to the performance of works by American composers and to contemporary music.”

Visit Alan Gilbert's Official Website

Violinist Gil Shaham is sought after as a concerto, recital, and ensemble artist by the world's leading orchestras, venues, and festivals. In the 2011–12 season he continues his long-term exploration of violin concertos of the 1930s with the New York Philharmonic, New World and Virginia Symphonies, Atlanta and London Symphony Orchestras, and the Hong Kong Philharmonic. Other season highlights include Brahms's Violin Concerto at Carnegie Hall with Orpheus Chamber Orchestra, and appearances with the orchestras of San Francisco, Boston, and Delaware. This fall he is exploring Bach's Sonatas and Partitas for solo violin on a U.S. recital tour.

Mr. Shaham has released more than two dozen concerto and solo CDs, including bestsellers that have appeared on record charts in the U.S. and abroad, winning him multiple Grammys, a Grand Prix du Disque, Diapason d'Or, and Gramophone Editor's Choice. His recent recordings are produced on the Canary Classics label, which he founded in 2004; they include Haydn violin concertos and Mendelssohn's Octet with the Sejong Soloists; Sarasate: Virtuoso Violin Works; Elgar's Violin Concerto with the Chicago Symphony Orchestra; The Butterfly Lovers and Tchaikovsky's Violin Concerto; Tchaikovsky's Piano Trio in A major with pianist Yefim Bronfman and cellist Truls Mørk; The Prokofiev Album; The Fauré Album; Mozart in Paris; and works by Haydn and Mendelssohn.

Gil Shaham was awarded an Avery Fisher Career Grant in 1990, and in 2008 he received the coveted Avery Fisher Award. He plays the 1699 "Countess Polignac" Stradivarius.