Mr. Gilbert’s creative approach to programming combines works in fresh and innovative ways. He has also forged artistic partnerships, introducing the positions of The Marie-Josée Kravis Composer-in-Residence and The Mary and James G. Wallach Artist-in-Residence, held in the 2012–13 season by Christopher Rouse and pianist Emanuel Ax, respectively; an annual, multi-week festival, which this season is The Bach Variations in collaboration with 92nd Street Y; and CONTACT!, the new-music series in which Philharmonic musicians perform works by today’s leading and emerging composers in New York’s more intimate venues.

In the 2012–13 season, Alan Gilbert conducts world premieres by Anders Hillborg, Steven Stucky, and Christopher Rouse; presides over a cycle of Brahms’s complete symphonies and concertos; conducts Bach’s Mass in B minor and an all-American program that includes Ives’s Fourth Symphony; leads the Orchestra on the EUROPE / SPRING 2013 tour; and continues The Nielsen Project, the multi-year initiative to perform and record the Danish composer’s symphonies and concertos, the first release of which was named by The New York Times as among the Best Classical Music Recordings of 2012. The season concludes with Gilbert’s Playlist, four programs showcasing themes and ideas that Alan Gilbert has introduced since becoming Music Director, including the season finale: a theatrical reimagining of Stravinsky’s Petrushka and The Fairy’s Kiss in collaboration with director/designer Doug Fitch that features New York City Ballet principal dancer Sara Mearns.

Last season’s highlights included performances of three Mahler symphonies, including the Second, Resurrection, on A Concert for New York on September 10; the Orchestra’s first International Associates residency at London’s Barbican Centre as part of its EUROPE / WINTER 2012 tour; the CALIFORNIA / SPRING 2012 tour; and Philharmonic 360, the Philharmonic and Park Avenue Armory’s acclaimed spatial music program featuring Stockhausen’s Gruppen, about which The New York Times said: “Those who think classical music needs some shaking up routinely challenge music directors at major orchestras to think outside the box. That is precisely what Alan Gilbert did.” Highpoints of Mr. Gilbert’s first two Philharmonic seasons included the acclaimed performance of Janáček’s The Cunning Little Vixen, hailed by The Washington Post as “another victory,” building on 2010’s wildly successful staging of Ligeti’s Le Grand Macabre, which The New York Times called “an instant Philharmonic milestone”; world premieres of works by Marie-Josée Kravis Composer-in-Residence Magnus Lindberg, John Corigliano, Christopher Rouse, and composers featured on CONTACT!; Mr. Gilbert’s Philharmonic debut as violin soloist in J.S. Bach’s Concerto for Two Violins; four concerts at Carnegie Hall; and four tours to Europe, as well as the Asia Horizons tour, which included the Philharmonic’s Vietnam debut at the historic Hanoi Opera House.

In September 2011 Alan Gilbert became Director of Conducting and Orchestral Studies at The Juilliard School, where he is also the first holder of Juilliard’s William Schuman Chair in Musical Studies. Conductor Laureate of the Royal Stockholm Philharmonic Orchestra and principal guest conductor of Hamburg’s NDR Symphony Orchestra, he regularly conducts leading orchestras nationally and internationally, such as the Boston Symphony Orchestra, Amsterdam’s Royal Concertgebouw Orchestra, and the Berlin Philharmonic. His 2012–13 season engagements include appearances with the Boston Symphony Orchestra, Royal Concertgebouw Orchestra, Leipzig Gewandhaus Orchestra, NDR Symphony Orchestra, and Berlin Staatskapelle.

Alan Gilbert made his acclaimed Metropolitan Opera debut in 2008 leading John Adams’s Doctor Atomic; the DVD and Blu-ray of this production received the 2012 Grammy Award for Best Opera Recording. Renée Fleming’s recent Decca recording Poèmes, on which he conducted, received a 2013 Grammy Award. Earlier releases garnered Grammy Award nominations and top honors from the Chicago Tribune and Gramophone magazine.

Mr. Gilbert studied at Harvard University, The Curtis Institute of Music, and Juilliard and was assistant conductor of The Cleveland Orchestra (1995–97). In May 2010 he received an Honorary Doctor of Music degree from Curtis, and in December 2011 he received Columbia University’s Ditson Conductor’s Award for his “exceptional commitment to the performance of works by American composers and to contemporary music.”

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Rudolf Buchbinder, firmly established as one of the most important pianists on the international scene, is a regular guest with the Berlin Philharmonic, Vienna Philharmonic, Orchestre National de France, and the London Philharmonic, National Symphony, and Philadelphia orchestras. He has collaborated with the world's most distinguished conductors, including Claudio Abbado, Christoph von Dohnányi, Gustavo Dudamel, Rafael Frühbeck de Burgos, Lorin Maazel, Kurt Masur, Zubin Mehta, Jukka-Pekka Saraste, and Wolfgang Sawallisch, and he is a regular guest at the Salzburg Festival and other major festivals. He is the founding artistic director of the Grafenegg Music Festival.

Mr. Buchbinder has more than 100 recordings to his credit, including the complete cycle of Beethoven sonatas and concertos, the complete Mozart piano concertos, all of Haydn's works for piano, both Brahms concertos, and all of the rarely performed Diabelli Variations collection written by 50 Austrian composers. The 18-disc set of Haydn's works earned him the Grand Prix du Disque. His performances of Beethoven's five piano concertos with the Vienna Philharmonic as soloist and conductor were recorded live at Vienna's Musikverein and were released on DVD in November 2011.

Throughout the 2010–11 season Mr. Buchbinder had a particularly close cooperation with the Dresden Staatskapelle as its artist-in-residence in the first-time position of Capell-Virtuoso. His cycle of Beethoven piano sonatas there was recorded live and released in May 2011 by Sony/RCA Red Seal.

Rudolf Buchbinder attaches considerable importance to the meticulous study of musical sources. He owns 35 complete editions of Beethoven's sonatas and has an extensive collection of autograph scores, first editions, and original documents. In addition, he possesses the autograph scores and piano parts of both Brahms concertos as copies. He was admitted to the Vienna Musik Hochschule at age five and remains the youngest student to gain entrance in the school's history.